نشریه آفاق الحضاره الاسلامیه
سال شانزدهم شماره 2 (الخریف والشتاء 1435)

One of the famous hadiths in the sonnye and shia hadith sources is the"Wretched is he who is miserable in her mathers womb and Lucky is the man who is happy in her Mother s womb" witch Was quoted whit Different forms at the Different source and Caused by the different views among Philosophers and Theologians . To the extent that a grup of them givs it as a reason for inertia and others said that it has been forged.In this paper, first, the correct version of the text of hadith witch has changed in scientists words, Introduced by searching on anecdotal sources, and then by reviewing the documents of hadith, Proved that the authenticity of this hadith is Suspicious And this hadith in Shia sources, has not valid document. And in sonny sorces many of that’s cotins are mowquf.The second step also signified this narrative review focused, If you see this text on the innocent, how it should be accepted alongside other religious doctrines to avoid the contradiction.

The art of imagination as a literary element, containing critical components such as image, emotion, language, reality and etc., is highly emphasized in studying and criticizing a literary script.Imam Ali has remarkably used this literary element to convey religious, ethical and social concepts.In this study, which was conducted according to a descriptive-analytical method, three letters from Nahjolbalaghe were studied and an attempt was made to show Imam Ali's purpose and style in using such a literary element by considering "context" and different types of that.One of the most important findings of this study was that Imam Ali has used this literary element mainly to convey the gist of his letters.

There is no doubt that any compiler or author use different instruments for creating a new work. Among these instruments are the sources and the references that he used them to prove his theory.Not mentioning to the references and documents of Nahjul-Balagha by Sharif Razi is one of the doubts arises around this book. Of course, Sharif Razi just mentioned to the references and documents of Nahjul-Balagha 17 times totally. In other words Sharif Razi quoted from Imam Ali directly and without any resources or references. Reviewing this subject, this article tries to present enough scientific reasons in this regard.

The primary responsibility of poetry is to introduce beauties. Most of the ancient poetical motives such as description, ghazal (gyric poem) and panegyric have a strong relation with contexts of beauty, just as philosophy views intellectual beauty in most of the cases. Ignorance poetry was not deprived of ghazal in which intellectual and physical beauties of women were revealed, so that this poetry is divided into two groups of clear and explicit ghazal and pure ghazal. On the other hand, in Holy Koran, woman is described with entirely different aspects with ignorance views. Holy Koran adds noble characteristics to woman that are related to prudency and generosity of woman. This paper intends to use descriptive-analytical methods to consider and compare images of an ideal woman in ignorance poetry and in Holy Koran who is named "houris in the eye". The results show that there are some similarities between these two images but Koranic description is always with intellectual beauty, such a beauty which is found rarely in ignorance poetry. Images of Koran are not merely material images to encourage people to arrive in heaven, but noble and supreme meanings are hidden behind the images which help social and family life of people and its healthy and stability.

The phenomenon of intertextuality is the important phenomena critique at contemporary critics. It is a common relationship between two texts or number of texts in an evoking manner. Contemporary critics consider this phenomenon of different aspects such as sources, forms and species. Religion and religious heritage of the most important sources that inspired poets and writers since ancient and contemporary poet inspires from the heritage's religious in his poetry more than before. Religious intertextuality constitutes an important part of the forms of intertextuality in the poetry of contemporary Egyptian, Abdol-mo’ti Al- Hijazi. This led us to study this phenomenon in his poems. So we examined the historical roots of the phenomenon of intertextuality in critic’s opinion first, and then studied inspirations’ poet of his religious heritage in analytical and descriptive approach. Study of his poetry in this sense shows clearly that the poet influenced by the religious heritage and particularly the Holy Quran has a clear impact. He may employs the Quranic verses completely or part of them as using as the prophet’s names and their stories and Quranic events and Characters. Poet employs some of the events and contents in the Holy Books heavenly and some religious figures in the Bible.

The mysticisms origin is taken from the lyrical poetry and has been that a means for explore of his meaning. As the great Sufi, Ibn Arabi this is done and properly, technically the lyrics which we see in the tarjoman-al-ashvaq are the most of his odes of perfection and sophistication, and is rich in metaphors and efficient mysteries of the poem.Correctlly, tarjoman-al-ashvaq is interpretation of mystical experiences that the poet in seeking of closeness to god and wisdom and divine wisdom and doomed status in seeing of the lover true, go down. and he take help from the partial state in this way to he posit that a mystery of divine grace that shines upon his soul. And accordingly, we survey three odes in this article to we see the poet How can reliance upon these mysteries to describe the Divine Universe for us. and our survey is according to cross-sectional study.

Our goal in this article examine the challenges facing the Arabic language and the hiring extent of their impact in the Arab and promoted by the enemies of Islam and haters and Orientalists and case westernized to replace accent in formal Arabic. This is assumed to be have faced many of Arab challenges of globalization and to advocate slang and accents by some orientalists and westerners. its influential factors in this exciting search for weakening the Arabic language are: The first factor is the threat of globalization. The second factor is the invitation to the slang and accents by Arabic speakers. Has conducted this current orientalists and westerners. With the presence of various challenges such as globalization and the call to the vernacular by orientalists and westerners, inauspicious failed attempt/