فصلنامه عصر آدینه
پیاپی 17 (بهار 1395)

Dr Shariati, relying on ideological interpretation of religion, has emphasized seeking the religious teachings and in the realm of this worldly teaching of religion, considers the benefits of seeking a life full with dignity with anti-oppression tendency. In this sense, religion has been translated into regulations to combat filth and access to justice as an objective measure of legitimacy or essentially seen as a theological system. According to this view, the art should be stepping into the optimal path of religion or optimal to religion, and so it often become an educational struggle and thus it finally turns the artist into purposefully awaken and make aware the audience, and not just focusing the lyrics onto "what does not exist". Obviously, in modern-day art as the most popular art is worthy to direct the awareness of people to the right path and satisfy on a broader scale the goals of movement of religious and religio-political intellectuals beyond the traditional world. However, the distinction between religion and art should also be attended, especially that the emphasis on the art just as a tool damage has its own damages as an attitude to art. This has then revealed some shortcomings of the art - religion thought proposed by Shariati with its sometimes tragic consequences. In addition to the Islamic and sociological attitude of Shariati towards art, his introspective outlook _ which is evident in the works called Kaviryat, can be novel theme which recurs in an interpretation of religious thought, and art, and provide a perspective on the challenges facing his attitude. In this paper, we call this perspective as "post-ideological" approach. In the end, the conclusion is that according to post-ideological approach, the art of Waiting for the promised gains a deeper semantic artistic, moral and even religious than before.

Art has become a main aspect of our daily life as life would lose its actual meanings without art. Visual arts such as architecture, sculpture and painting are the origin of human talent and artistic ideas of this time. The work of architecture or a statue and a painting can be considered as representative of the beliefs and ideals of human geography. Meanwhile Islam’s aim about all aspects of human being is eternal bliss. » Á æó äóÒúøóáäÇ Úóá یóú˜ó Çá ˜úöÊÇÈó ÊÈöúیÇäÇ á˜öõáøö Ôóیú « God’s perspective about the kinds of art including three kinds of arts is to open a way for a Muslim promised artists. Islamic obligations and prohibitions which has been extracted by the powerful reasoning and provided as outward decree can be discussed and analyzed. Comparisons and differences among the jurist views in these cases with reasoning are the main issues of this research. The Questions which returns to the origin and nature of art such as need of art and why and what is unconditional art, as compare to the theosophical art. It will also determine the art which is in line with promised art as well as their characteristics. What is relation between desired art and promised art with Islamic art? As we think it is a base for the answer of those questions which were present in divine’s law but its explanation, conformation and concept needs contemplation. In this article writer intends to explain the criteria of deriving legal injunctions in the field which itself.

The beauty of the concepts that throughout history by philosophers and ideas of many owners were reviewed and discussed the role and its status in human thinking much has been said. The beauty of the divine attributes and aesthetic expression rooted in philosophy, psychology and sociology. Perhaps the best way to enter into this discussion is to explain this statement that God is beautiful, and beauty is a trait of his. According to the above, we decided to study the concept of beauty and aesthetics from the point of view of Islamic text. Because there are a lot of experts, whose beauty and aesthetics from the point of view of Islam and will no doubt place to have it rejected. Whereas: God is beautiful and he loves beauty. In this paper, in addition to the beauty and aesthetics establish the position of Islam and Islamic philosophy, the largest source of Etymology of the Word of God, the Holy Quran and see the beauty in this book have been discussed. And more also, from other Islamic texts as Nahj al-Balagha, which after the Quran, is the largest source of humanitarian theology and ethics, is used. The result of this paper is to prove the existence of beauty and aesthetics in Islamic philosophy and Islamic literature, and Muslim scholars, including Ibn Arabic course, Suhrawardi and Ibn Rushd, also.

The present article will attempt to analyze the symptoms and formation and characteristics of the Apocalypse Cinema according to the teachings of bible in modern era, especially in Western society, where it is strongly influenced by visual aspects of cinema on the subject of apocalypse. Looking at the quantity of apocalyptic films compared with annual production quantity of films, we can certainly claim that the Apocalypse is the only major concern of contemporary cinema; however, it can be claimed that one Apocalypse is of the main themes of the cinema today. In addition to showing the apocalyptic attitude in Western societies, it also serves as an influence for other communities. What can be seen today as Apocalypse Cinema and what we are witnessing, do not necessarily correspond with the teachings of the Bible and its goals. It can be claimed that dominant literature of the Apocalypse Cinema is strongly humanistic and is based on the demands of today's modern man. Promised Savior serves as the main character or actor in Apocalypse cinema, which is the most important feature cinema. About the personality and character of the Savior of the world before and after an apocalyptic event, what is seen in the Apocalypse films is inconsistent with religious texts. Even, some works depict a character against what is described there. Religious texts and futuristic thinkers of religion, depict Savior as a reformer who will be spreading justice and is very spiritual. However, unlike this, the films give the Savior role to various persons, and in this case, do not care much for its specific character. Instances in the cinematic space, depicted the promised Savior in such a way that they cannot be interpreted as the promised Savior. It is also striking to see the future of post-apocalypse events in Apocalypse Cinema as hopeless and dark and in stark contrast with what is portrayed in the religious texts and inconsistent with their attitudes as well. This black approach is devoid of hope for human capital and will lead to broad hopelessness and causes colorful and diverse personality deviations which in turn can lead to the formation of various sects. In writing this paper, we based our approach on descriptive analysis and using library resources.

Mahdavi poetry is subsection or subsidiary of the Velayi poetry in whose territory a wide range of religious or ritual poetry are located. History of Mahdavi poetry dates back the inception of in Persian (Dari) poetry when the name of Mahdi was made equal to a symbol of peace and justice and the name of the Antichrist, to a symbol for war, sedition and evil. Testimonials as a whole have been general. Honor, life, faith, territory and individual and social rights, human civilization has existed in all nations, communities and has a history as old as human communities are formed. A kind of resistance and resistance to oppression helped formation and the emergence of specific genre of literature called the resistance literature. Many great works and masterpieces of world literature, are in fact literature of resistance. Resistance literature has also an ancient history in Iranian literature. After 1979 Islamic revolution, an imposed war happened by Iraq towards Iran which was later called Holy Defense. It created a poetic genre for description of battles, valiancy of soldiers and Shahid Martyrs, which was unprecedented in Persian literature up to that time. Among the features of Holy Defense poetry is emphasis on the issue of reappearance of Imam Mahdi as promised savior and expecting him in the poetry of that era is wellrepresented. This paper is a descriptive survey, which describes the relationship between Holy Defense poetry and Mahdavi poetry and how Mahdavi influenced the poetry of the period. It is also examined to show the truth of the hypothesis that the Holy Defense poetry, just like Mahdavi poetry. is a subsidiary of ritual poetry.

Humans from ancient times until now have witnessed great revolutions, each of which required signs before they emerged. Imam Mahdi's revolution also follows the same rule and requires signs before its emergence. There signs were mentioned in widely-cited traditions and Hadiths. In the present article, using descriptive and evidence of poems, the author discussed signs of emergence in contemporary Arabic poetry and Persian. Contemporary poets with the interpretations of the Quran and the traditions of successive twelve Imams have outlined certain symptoms in this subjects such as the Return, Heavenly Scream, Murder of Zakia, Rise of Dajjal and had pointed out Yamani Exedus. And in describing the uncertain symptoms, they expressed issues such as the rape of Muslim countries, the rise of the sun from the west (instead of east), lethargic faith, and prevalence of improper government leaders.

In this article an attempt has been made to examine the samples from the book "Revelations of John" in Christian art, and to study the status and importance of the book in Christian visual arts as well e.g. painting. Because this book is a key text in the New Testament which is devoted to apocalyptic topics, the need for such a study in the discussions of the Christian savior is clear. In the Persian language, much work has been done about Apocalyptic Cinema in the West, however, other kinds of art are usually neglected despite their high importance. After the introduction of the book "Revelations of John" and its contents, a number of well-known works which are inspired from this book are presented and reviewed.