فصلنامه عصر آدینه
پیاپی 22 (تابستان 1396)

The present writing is trying to analyze the communicational narrations of the Age of Presence using an analytic-semantic approach. Having reviewed different viewpoints regarding the common technologies used during the Age of Presence, we can conclude that, although it is possible to have miraculous or extraordinary way of communication during the Age of Presence, it seems that, based on the Allah’s tradition which is handling worldly affairs through natural means, these narrations are trying to illustrate the natural aspect of communication used during the Age of Presence. In the current age of technology, we have and are experiencing a glimpse of such ways of communications. It may be based on this conclusion that some of the contemporary scholars have tried to interpret those narrations as the result of astonishing pace of technological advancements rather than a kind of miraculous or supernatural quality of the communications of the Age of Presence. Hence, we can claim that the more the communication technology develops, the more conceivable the communicational narrations of the Age of Presence will become.

Mahdism and theory of waiting for Imam Mahdi are one of important theory in Shia that is very powerful and effective in Shia society. so it is necessary to think and research in all of its aspects. One of the important aspects of it is art. On the other hand, by attention to the important situation of Tabatabaei, The article of Awaiting Art in his theory and the consequences of his theory to this issue is explained. For this purpose, first of all, by attention to Tabatabaei’s philosophical vision on the ethics and the aesthetics and attention to the Quranic roots of his thought,is described. Afterward, aspects of the aesthetics of this Quranic ethics is clarified. At the end, the consequences of his discourse in Awaiting art by the descriptive-analytical method is interpreted.

Human beings have experienced many schools and governments throughout the history, but in none of them they have found what they have lost, i.e. justice, peace and security. Human being have consistently failed or been defeated in this regard. Today, humanity is seeking another political thought to find human values in it, and it is the political thought of the Savior which is accomplished in Islam with Mahdavi government. The issues of Mahdism have attracted the attention of the scholars of literature and also poets. Investigation and reflection in this research area, after the Ashura literature, has been extensively increased. Therefore, Mahdaviat - as one of the subjects in Shii poetry - has formed a wide range of Shiite literature in different periods and has grabbed the focus of many poets. Among them, the poets from the first century to the fourteenth century whose Ashura poems have been compiled in a ten-volume collection called " Adab al-Taf ", by Javad Shebar. Some of these poets have expressed their genuine dedication to Imam-Al-Asr (the Imam of the "Period") in their poems and have written poems about this Imam in various areas and subjects. Therefore, the current investigation, by adopting a descriptive-analytic perspective aims to describe the face of Mahdism in the first five volumes of the Adab al-Taf collection and analyze the reflection of concepts such as absenteeism, waiting, advocacy, revenge, the continuation of the Ahl al-Bayt’s path, and the establishment of a just government in their poems.

In this article, after spelling out the semantic domain and explaining the ethical and aesthetic efficacy of imagination, we will focus on its specific function in the development and development of the art of excitement. The result of this attention and analysis is that imagination, as an area that always acts as mediator, determines its intermediary role in relation to the art of expectation, and determines the field of development and development of this art in the moral and aesthetic dimensions. It provides its own. Thus: a) The imagination in its existential function provides the basis for the promotion of the art of expectancy from the material realm to the divine world. B) From the epistemic point of view, it is also a good idea to screw the art of expectation from the sensible world into a reasonable world. C) In the semantic aspect, imagination is a place that employs intrinsic meanings along the apparent meanings and transfers these inner meanings to the art of excitement. In all of the three functions above, imagination is the basis for the ethical education of the audience, and reflects this education by focusing on the themes of love and virtue in the art of excitement.

Islamophobia, as an inclusive discourse in the relationship between the West and the Islamic world plays a prominent role in shaping various processes which all arise from a particular basis that is projecting a frightening image of Islam. Due to the massive immigration of African Muslims to France especially after the World War II, this country has faced this topic more than other European countries. This study is considering the analytical representation of Islam and Muslims in French film of “A prophet”, directed by Jacques Audiard. Relying on Stewart Hall’s representation theory, Edward Said’s Orientalism approach and Islamophobia expressed by Saeed Reza Ameli, this research tries, according to five codes theory of Roland Barthes involved in narratives and Van Dijk's concept of ideological square, to consider the mentioned film. According to this approach, we try to answer the question about the state of representations in this, we try film. The five code of Barthes include the hermeneutic code, tacit code, symbolic code and validity and cultural actions. Primarily, by explaining the concepts, we try to discover the stereotypes showing Islamophobia aspect. Finally, we concluded that the film “A prophet” tried to induce Islamophobia, representing the negative aspects of Muslims.

Imam Mahdi according to the traditions and authoritative Shiite books, After the martyrdom of Imam Hasan Askari And at the beginning of his Leadership, started his short absence and the time took up until the death of the last successor of the four successors for 69 years and the world has prayed for His coming. The history of Shiite life is Certificates that have been for many years Muslims have been deprived of the direct presence of Imam Mahdi for divine favor But they always knew that he was in the community and lives anonymously. The poets committed to the Ahlul-Bayt during Shia history, in spite of all the pressures and cruelty of corrupt governments, Describe Imam Mahdi. The topic of the absence of Imam Mahdi is one of the topics that has clearly manifested in the poetry and literature of Mahdaviyat of the contemporary age. In a variety of subjects, such as absence and its types, the long absence, philosophy of absence, the philosophy of the long life of Imam Mahdi, Evening of absence, Reply to deviations, and the presence of Imam Mahdi in a community that includes diverse topics.