مجله الجمعیه العلمیه الایرانیه للغه العربیه و آدابها، فصلیه علمیه محکمه
سال دهم شماره 2 (پیاپی 31، صیف 2014)

Women have always played a great role in the realization of insurrections in the course of history besides heroic men. The great Iranian revolution could be mentioned as one of the most objective cases of women''s cooperation. Furthermore، everyone admits with certainty that it is the Great Zeinab''s admirable patience، perseverance، and strife that immortalizes Imam Hossein''s mobility. Women''s mission in this strife commences right after he is martyred; but among the women present in Karbala، Hazrat Zeinab''s sublime character beams on the horizon of history، and attracts the attention of men of letters and arts، particularly poets. Here، the researcher tries to do a close scrutiny of the distinguished contemporary Arabic and Persian poems on the Great Zeinab; thus، this essay will elucidate her reflection in the poetry of both languages، and underline the distinctions between the poets of the two cultures and nations in the representation of her character. Furthermore، the notion of slavery has been examined in the poetry of both languages due to its close affinity with Ashuraee women. This study evinces that Persian Ashuraee poems have put more emphasis on Hazrat Zeinab''s bravery and valor، lucidity and rhetoric than her other features while the most prominent virtue identified in Arabic poetry is her forlornness. Another distinctive feature between the two poetry is that Persian poems render a much more precise and detailed portrait of her.

Algeria is one of the Arab Countries، which is suffering under the authority of colonialism and then was able to get rid of his dominance over the redemption and sacrifice lives، resistance Algerian longer weapon spokesman in the face of colonialism and cry Dawih and the revolution burst to awaken the spirit of jihad and dedication to the people to achieve freedom and independence. This research is studying the features of the anti-colonial resistance in the Algerian poet Al-Shahid Al-Rabia Booshamah to show elements of resistance literature in the poetry of this poet. It shows us that colonialism، oppression and persecution French is the main reason for the emergence of resistance in literature of Al-Rabia Booshamah. Abides that home، and the call to revolution and struggle، and the call to unity، and in honor of martyrdom and martyr، and the hope of freedom، and exposing colonialism، challenge and defend the Palestinian cause is one of the most important features of the resistance in the poetry of this Algerian poet.

The differences between the language of prose and poetry in which rhyme and meter are the most important elements. Due to the rhyme and meter، grammatical rules usage in verse is different from that prose، which is called by linguists “poetical license”. Sometimes، the poet may justify poetical license by using grammatical permissions and essentials in terms of deviation from the agreement between subject and predicate، and these permissions and essentials are indeed due to such deviation in poetical license. Therefore، in this paper، “poetical license” in terms of masculinity and femininity in predicative compound is explored. So the authors intend to investigate “poetical license” and its effect on the relation between poet and his/her grammatical thought، because poet often sacrifice grammar for the sake of music in order to retain the elegance and beauty of a poemIt is worth noting that the aim of this paper is to elucidate the role of poetical license in exceptional deviating relations between subject and predicate in respect of agreement and lack of agreement in masculinity and femininity. So، the general question of the paper is that how poetical license could be justified in respect of deviation from the agreement between subject and predicate. According to the results، linguists use «hamle bar ma''na» when they are bound in a poetical license situation!

Like the rest of Abdu-Rahman Munif’s novels، “an-Nehayat” possesses eminent humanistic، social، and political themes. Although this novel is among Munif’s shortest novels، it contains some brilliant ideas. The novel is set in an arid، famine-struck desert in a village called Tiba. In such a context، the content is reflected in a metaphorical and symbolic manner to render an inclusive reflection of the problems of human and Arab societies. This article first introduces the personal characteristics of Abdu-Rahman Munif، who is a renowned contemporary Arab author، then it studies the position and role of this particular novel in the development of Arabic fiction، afterwards this study attempts to explore and examine the most important themes and motifs in this work. These themes have been implicitly incorporated by Munif in the fabric of the work and are only accessible through an analysis of the characters. The themes revolve around the subject of famine and reflect Munif’s ideas and tendencies which are in turn deeply rooted in his futile and frustrating political activism. This activism led him to seek refuge in writing fictionwith the hope of finding a new outlet for his unfulfilled human aspirations. Munif’s storehouse of political experiences along with his expertise in the fields of law and petroleum industryform the very basis for these high and deep themes and motifs، thus enabling him to exercise his critical and reformist intentions in such a forceful and pragmatic manner. Therefore، considering the essential role of theme as the central idea of any work and taking into account the crucial role of the novel in popular and public reformist movements، especially a novel focusing on ends and fates، the present study probes the internal issues of the novel in order to reveal the main theme by employing an analytic approach.

Archetypes critic or mythic critic investigate the collective unconscious and the human subconscious mind. This review that is derived from yung has defined 5 original patterns for Personality psychology، name shadow، mask، Anima، Animus and self that among them the mask and shadow play a fundamental role in development of personality of Each person. These archetypes are common to all humans، specially to poets. It is more objective in poetry. Regarding the compatibility of archetypes of the shadow and mask in Nazokolmalaeke poems، this essay is going to present descriptive analysis of this poem to adjust to be clear what are masks and shadows.، And considering conditions how they are used. The result of research shows that some behaviors like، evil، sin، greed and theft، are used as shadow and some features like piety، faith and compassion as mask on human personality to attend in societyand use some masks which in literature are matched with yungs perspective. this poem makesAmaskfrom mythic and social characters like Taees and slave and attempts to express its viewsfrom behind the mask and byusing the pronoun theologian it shows that its the same as mask character، but suddenly it takes away from me،and eventually reveals itself slowly.

Among elements of literature، i. e. fantasy، style، sense and emotion، emotion element is taken by many researchers and literary scholars as the most influential one in the perdurability of a literary work، in such a way that if a work lacks this element، it cannot be considered as a genuine literary work. Zahra Hoseini in the novel Da and GhassanKanafani in his Story Collections are to familiarize readers with life conditions during the war in general and various emotions they have personally experienced in particular. The success of these two works in attracting a large number of readers as well as their content and thematic similarity to each other caused the researchers to analyze and compare them in terms of the literary element of emotion and show the degree of success of each of them for the readers. In the present article، all types of emotions of desire، anger، fear and joy are investigated and compared in terms of their quality، quantity، and their use in Da and Kanafani’s stories. Vitalization، stimulation of readers’ emotions، stability of emotion، plurality of viewpoints in analyzing emotions، eloquenceand poetic and delicate feeling stimulation are elements of successfulness through which we canindicate the labyrinthine layers of emotion in the two literary works.

The Index is an important part of the Subject analysis and the user is able to achieved his information quickly and easily. The main objective of this study is to identify of indext Journal of the Iranian of Arabic Language and Literature in years 2009 – 2013. The purpose of this study is to serve the research community in the field of Arabic language and literature to access information faster and is a little more time. Also mention the most important subject areas in the field of Arabic language and literature