نشریه جامعه شناسی هنر و ادبیات
سال هفتم شماره 2 (پاییز و زمستان 1394)

The goal of this research is to study the policy of democratization of culture and is trying to find out whether democratization of museums leads to democratization of art or its only result is accumulation of artistic behaviors. Deploying Pierre Bourdieu’s theory who believes that “the love of art” is the result of cultural capital and utilizing surveys with the method of quantity evaluation and analyzing of information, the amount of satisfaction of audience of Tehran Contemporary Art Museum has been evaluated. According to the results, it can be stated that democratization of museum has only led to accumulation of artistic behaviors of permanent audience. General familiarity of people with common arts is very limited and in Iran art is not considered as the rough core of the culture. Making relationship with common arts, in addition to democratization of museums and well public informing, require vast attempt of education system and media to link people with artworks. This way random encounter of individuals may lead to regular visits of museums.
The goal of this research is to study the policy of democratization of culture and is trying to find out whether democratization of museums leads to democratization of art or its only result is accumulation of artistic behaviors. Deploying Pierre Bourdieu’s theory who believes that “the love of art” is the result of cultural capital and utilizing surveys with the method of quantity evaluation and analyzing of information, the amount of satisfaction of audience of Tehran Contemporary Art Museum has been evaluated. According to the results, it can be stated that democratization of museum has only led to accumulation of artistic behaviors of permanent audience.

In this article, Iranian society in the 80s is analyzed in terms of its prevailing insights using the theory of reflection in the sociology of cinema. This theory, which considers art as a mirror for society, permits researcher to study the predominant perceptions of the period under investigation. This is done through assessment of the image of hero shown in its cinema. Moreover, the general approach of the sociology of cinema provides the opportunity to compare the findings of the analysis of movies and their contemporary political, social, and economic events. Often, the reflection of such events that appears in movies can be investigated.
This study is based on a qualitative method and the technique) used Barth’s structural narratology. This is completed with a documentary study that describes the political, social and economic conditions of the 80s. The most important finding of this article includes identifying two kinds of active and passive heroes in the popular movies of the 80s, each being dominant in the first and second half of the decade, respectively. In the other words, transforming the active hero to a passive one is the key change which is occurred in the characteristics of hero in these movies.

The area of media and film is popular and related to institutions and discourses of the era. Showing the image of the society in a film has different reasons and sometimes to proselyte and sometimes to show the social reality. This paper examines the social conditions of late 1370s and the cinematic representation of these conditions in Deep Breath (Shahbazi, 2003) and explores the relationship between sociology and cinema in this movie. This film is a 2003 Iranian Crystal Simorgh winner, won a FIPRESCI Prize and had attended many festivals. The main question of the research is to explain the relationship between dominant discourse of the period and the cinematic content of Deep Breath. And to answer it, there are some preliminary questions: What is the social conditions of late 1370?/ What is the public discourse of institution of Iranian cinema in this era?/ What is the representation of Tehran’s society on the screen in the film? The hypothesis of the paper is that Deep Breath has shown a real and apposite representation of society of the period. The aim of this study is to concentrate on the film and the social conditions of the time, and to analyze how society of reformation period (1997-2005) is represented in the film, in order to access some features that show the meaning of the film in the political action of the time (as non-artistic structures). In order to study the images of Iranian society through the Iranian fiction cinema, the researchers got the concept and came to the conclusion to choose the period of study from 1997 to 2005. In Iran's reform era, the rules of production and surveillance changed, so this film is a great case study to focus on. A necessity of such research is that Deep Breath has challenging components for research because of its production date and the accusation of festival taste. The research method would be a qualitative method. In fact as a qualitative method, the methodology of this research would be textual analysis. According to the theoretical framework which is theory of reflection, the paper will also employ the comparative analysis. through a critical and objective analysis of the film and reviewing the valid reading about the social conditions of the time, the results shows that Deep Breath is completely coming from the social, cultural, historical and discourse conditions of its production date, so the mechanism of the movie is cultural and social: the film has been influenced by the sociopolitical changes and by the sociopolitical occurrences in the society. So despite some conspiracy theories which some critics associate with Iranian festival cinema, this film is reflecting strong sociopolitical content.

Colonized and the colonizers, especially in the third world country MvzvHay one of the most important writers of contemporary history that is often given a place in it. Simin Daneshvar, including writers who have explored this issue in his DastanHay. In this study the issue of colonialism and the island RmanHay wandering, wandering camel driver and Leaves of Grass analytical methods have been studied.
Addressing the social and cultural programs, colonial states such as schools, AnjmnHa and parties to promote colonial culture, the most important issue of the Journal. Colonial countries through language, art, architecture and family MyKvshnd colonies from their native culture poor people and to humiliate their culture, their culture, their preferred alternative; cultural population to those without mobility the political and social events turn.
Being a puppet rulers, established parties and SazmanHa, the power of the people, eliminate opponents, assassination, JbhhHay anti-colonial, colonial ties with the countries of colonialism, including political issues that are in the works Made reflected. Journal of economic issues and less attention AsharhHayy has become the country to foreign goods.He has worked as indirectly through the figures and literary techniques, and strategies VaqytHay represent the cultural, political and economic colonialism highlight for our readers.Countries that are culturally Astmagr to promote their culture including art, architecture, language, culture and national KarbranShan worthless colonial countries in terms of their effectsThey play in the context of family propaganda ArzshHayy leading to the disintegration of the family in this country evenly. Daneshvar's also the political role of the colonial countries have shown interest.Parties, political institutions, creating a conflict between different segments of society, bringing people into the ranks of the political MnsbHay, conflict of interests between the colonial countries, the fight against colonial powers and their impact on the lives of indigenous people, including issues Simin Daneshvar, which examines the policy is paid.Journal of economic issues received less attention has become more of a market for foreign goods hinted.Through his artistic arrangements created especially ShkhsytHay fiction and dialogue between them, these issues have been highlighted for its readers. ShkhsytHay DastanHay he somehow reflect colonial ideas, for instance the story of the island wandering bon symbol of women in family relations MyPzyrnd impact of Western ideas and their families breakdown Shvnd.
The story of the men and Krasly ShkhsytHayy Tavassoli are intended to promote national culture and native West play through them down evenly. ShkhsytHayy such as pick-and thus means a member of the Party for the sake of their own political party MyKvshnd. The dialogue between art and cultural programs colonialist seeks singer Salim meanings. A. Khan embodies ShkhsytHayy through colonial dependency to your desired position MyRsnd. Brocade chat with KhanvadhAsh, this result suggests that Southern culture is taught comes Asmargr countries, thereby eliminating the native language and culture, or of secondary importance lie in the colonial culture and promote  .he story of the men and Krasly ShkhsytHayy Tavassoli are intended to promote national culture and native West play through them down evenly.novelist, colonialism, culture, politics and economics

Shahr Ashoob is the context about praising people of city or courtier and lovely describing of owner's social professions. We can categorize Shahr Ashoob in three groups: urbun Shahr Ashoob; unions Shahr Ashoob is about describing courties amatoryly, artisan and totally social professions; and courtiers Shahr Ashoob. In unions Shahr Ashoob, we can observe types of jobs. Labour techniques and its instruments, idioms and unions ironies. In this type, the owner of professions is described by glare of amatory and terms-related to union and their particular dialect for establishing connection. The other characteristics of them was educational aspect and and training children. With considering it, we can determine professional evolutions variously. There are unions Shahr Ashoob in most era, but the acme of its composing is related to Safavi ages. Shahr Ashoobs have got closer connection with community, so Shahr Ashoobs are appropriate contexts for analyzing sociology.
Masoud Saad is the primary Persian composer of Shahr Ashoob and has got two types of it; the first one is courtier and the other is union. His union Shahr Ashoob has fragment froms and it is not clear which peninsula is related to his description. This article is considering this type with Goldmann and Burdieu perspectives. Their fields are literature sociology. Goldmann's focus is on social class and Burdieu's habitude and field. Goldmann with Lukass influencing, engaged in analyzing connection of class situation, cosmogony, literary form and artist political situations.
In Goldmann's reading, cultural literature is evidence of experience and social processes. He wants to show how cumulative awareness creates literary works. Burdieu is in contrary with internal and external factors, Burdieu with its Field theory mentions that structure of various fields at social space form behaviours and in pursuing of manner, literary works were created. He knows social life like playing, in playing, the people occupying some places and engaging in improving their place and competency on investment. Economic and cultural investments are two opposite poles each other at social field. The function of Field is like Magnetic and the positions are determinded on basis of their relationships with the two poles. Burdieu mentions that literary work derived from dialection of Field and behavior created work and historical regions have influence on creation of litery works.
Masoud Saad is known as founder of poet of Shahr Ashoob and its basis is on literary tradition. Masoud Saad union Shahr Ashoob's meaningful structures are describing and writing love poems. His description focus is on describing owners of profession rather than union description and implementing which was indicator of people life style. His referring to union response is for reinforcing writing love poems or is tools in the focus of writing love poems. Pleasanting in his Shahr Ashoob isnt salient. The structure of Masoud Saad Shahr Ashoob emerged from era's literary field. He had some attention to power field and for reaching it, he followed to pursuit cultural, economical investment and communication channel, so, he put the foundation of poems of Shahr Ashoob in regard to Ghaznavs's please. The playe of power field were male pomes. Masoud Saad Salman was the representatives of the Nobles class, and his Shahr Ashoob reflected their cosmogony. His satire style was of the small rank of them. His view toward jobs and speech style is dependent to social situations of prpfessions.

Architecture, as an art which evokes worship and devotion, has been the ground of unity and integrity and a distinguishing feature of the Iranian-Islamic culture since centuries ago. However, with the arrival of modernity, architecture underwent tangible changes. Modern architecture is based on the rationalism and positivism of empty spaces, and even though endowed with the highest scientific facilities and technologies, it is in need of a spiritual breath to be blown upon it.
Human existence has a spatial nature; its essence is in the world, and intertwined with it. Therefore, the existence of the geographical life world, especially its spatial aspects, is the basis of the existence of the social life world. With an Introversive perception of space, human being comes to an “identity with space” and sees his own identity in the mirror of the surrounding space.
Taking into account the effects of space on human perception and the richness of Persian architecture on one hand, and the modern developments in contemporary architecture in Iran on the other , this paper is a case study of “The Abbasian House " as a place with distinguishing elements of Iranian-Islamic architecture by means of the phenomenological method.
The perception of relaxation in the house, the spiritual perception towards the domes, the perception of the spatial potentialities of solitude in the house, the expression of interest for the architectural style of the house and the ability of the contemporary (visitor) to decode the veiling principle, are among the results of this study.