نشریه بحوث فی اللغه العربیه
سال دوم شماره 1 (پیاپی 4، بهار و تابستان 1390)

Allameh Seyed Ali Behbahani (1303-1395 A.H) is one of the great Shiite scholars in Fiqh (jurisprudence), Usul (principles) and linguistics. He was familiar with Allâmeh Sheikh Hadi Tehrani’s ideas through some of Sheikh’s students like Ayatollah Sayyed Mohsen Kooh Kamarei and this familiarity influenced most of his ideas. He has novel ideas and valuable works which rejected most of the current ideas in scientific circles and paying attention to those ideas can lead to fundamental changes in those sciences. This article tries to compare his ideas on Jar conjunctions with other syntacticians.According to him, assigning meaning in conjunctions is different from nouns and verbs. Since conjunctions do not reflect any meaning, there is no need for nouns and verbs to reflect such meaning. Instead, they form some features in nouns and verbs needed at the moment of usage and without them or without derivative forms like verbal forms or compounding forms like the form of topic-comment (which are similar to conjunctions), the nouns and verbs cannot be used and the discourse is not realized. Conjunctions act like tools and create a feature or form which is needed in objects (like a saw which creates the required form in the wood). But, according to syntacticians, assignment of meaning in conjunctions is similar to nouns and verbs and all of them reflect meaning. The only difference is that meaning in conjunctions is not independent, as opposed to the other two, and they do not have an advantage over nouns and verbs.Also, according to Allameh, there is no reason to consider a verbal dependant or something which has verbal meaning for Jar conjunctions and if they depend on a verb such dependence is on its conjunctive meaning derived from verbal form not on nominal meaning derived from verbal stem. In his view, each conjunction creates a special meaning and no conjunction is the same as another one or, as syntacticians think, of the same meaning.

Abou Hafs Omar Ebn Ali known as Ebn Farez is one of the poets of the 6th century. He was famous in the field of poetry. Many great critics like Ebn Khallekan, the writer of Vafiyatolayan also praised him and even regarded him higher than his contemporary poets in position. In this article, we present some features of Soltan Alasheghin Ebn Farez. Ghazal and Khamriyyat are two main types of his poetry. However, his point of view in Khamriyeh is different from Abonavas and others. The reason is that Ebn Farez’s Khamriyyat is full of mystic elements. In addition, in his poetry one can find many uses of literary devices especially pun.

Ibn Duraid al-Azdi (837-934), the Arab philologist and lexicographer was born in Basra. He lived a short time in Iran under Mikals government and worked on his Divan. Ibn Duraid’s chief work is his monumental dictionary al-Djamhara which contains some materials not to be found in other dictionaries. It is the greatest dictionary after AL-Ayn of Khalil in the Arabic language. In this article, an attempt is made to investigate about 300 words from this dictionary by comparing them to two Persian dictionaries: Dehkhoda and Moein

The present paper aims at introducing the contemporary poet and writer of Yemen, Abodllah ibn Saleh, known as Baraddooni. He was a great poet and writer as well as a critic and historian. He studied in ‘Aljameol-Kabir’ in Sana. To continue his education, he then attended ‘Darololum’ from which he graduated in Arabic Literature. He was a Romantic poet with old and new style poetry. He established ‘The Yemen Association for Poets and Writers’. He received several international prizes including the UNESCO prize. He has 12 books of poetry and eight pieces of research. The theme of his poetry is the love for the country and in this line is his criticism of some politicians such as Ahmad Hamidoddin. Also important in his poems are: the issue of Palestine, Arab Nationalism and Arab unity.

Repetition is a method which is used a lot in Arabic. It has been commonly used by poets and writers. A topic with interest has been finding the reasons behind using repetition. A reason contributing the interest in the area has been the frequent use of this technique in the holy Kor’an. The present article aims to investigate the views of "Ibn-Rashiq" as a significant figure in the realm of literature and poetry and also a prominent critique of the 5th century about the "Repetition" phenomenon in literary text using Al-omdah. This book actually built his reputation is one of the most important literary books among old Arabic masterpieces. It holds the views of previous critiques in different literary issues specially "eloquence". Also, in the current study the vie points of other critiques are compared with that of Ibn-Rashiq in Al-omdah on the issue of reputation so that the true value of this book is illustrated.

One of the applications of contemporary fiction is the depiction of contemporary human sufferings and afflictions. In other words, this important literary branch can be the best interpretation for the events in human societies, and its role and importance become double when people live in hardships such as war or invasion. Sahar Khalifah’s double, Al-Sabbar and Abbad-o-Shams has depicted the Palestinian people's life in Western Seacoast after the June, 1967 defeat. From the most important subjects seen during the events of these novels, we can refer to the most important demands of the Palestinian nation such as patriotism, unity, and hope for the future of the fatherland in the shadow of unity. Sahar Khalifah’s double unveils the concept of homeland in Sahar Khalifah's view from dimensions like: land, the Palestinian, childhood memories, and culture. It depicts the Palestinian nation's commitment to their country and fatherland. It also expresses the signs of this commitment among different groups of people such as children, teenagers, men, and women. It is this common feeling that despite the internal conflicts finally unites different characters of the novel against the invader enemy; because unity in the writer's view is the only way to escape from all difficulties caused by invasion. In addition, factors such as hope in future, giving up disappointment and grief and depression, and raising the sense of patriotism, and devotion for the fatherland, are counted as important and effective factors in the freedom of the country in the writer's view.

Badr Shaker-al-Sayyab is a pioneer of contemporary Arabic poetry and one of the first people who could build a novel trend in contemporary poetry by using their new experiences. He could open a way for new Arabic poetry which represents the modern life in its form and meaning. He created a set of symbols, which is a sign of his artistic talent and innovation. He used these symbols to explain contemporary senses and difficulties that people suffer from. Mask is a kind of symbol. It is considered as one the most important poetical techniques and most distinguished tools which poets rely on in their poetries because each symbol of the mask symbols has a significant strength in including a variety of meanings. Badr Shaker-al-Sayyab is a skilful poet in using this technique and summoning religious and historical characters in his poems. Messiah and Job (peace is upon them) and sandbad are three of characters which Sayyab has applied as mask in his poems.