نشریه تحقیقات تمثیلی در زبان و ادب فارسی
پیاپی 18 (زمستان 1392)

Story is the representation of human life where the reader attempts to find his or her whereabouts, to reach it, and to flee from it. Story has a rich number of codes and once they are unfolded, their interpretation would be of great significance for interpreting human life. Once any embedded code is taught, its richness is extended. In this article we try to encode the story of the King and the Bondmaid of Masnavi Ma’navi. Our objective is to reveal the form and content of the story taking the structural model as well as pursuing an educational goal. It is argued that the description of the different scenes of the story, and a closer look at the bitter and yet sweet psychological taste of the story will indisputably add something to the readers’ impression and insight. In general, this study is new in its approach and we hope to provide a novel, satisfying article for scholars and researchers.

The study of the concept of love in Persian literature in various aspects has been under the consideration of researchers from ancient times until today. Also, there are numerous researches on Nezami’s Khosrow and Shirin. But the exclusive study of this topic in the romance of Khosrow and Shirin and indicating its characteristics and representing standards that reflect the purity of the lovers and their relation has not been done separately. In this article we briefly define different types of love and mention their effects and results as well as studying different views in this case. In this article proved that not all the loves mentioned in Ghanaian Literature are erotic. There are such things as Hobbe Azri in Leyli and Majnun and pure love in Khosrow and Shirin. After mentioning the difference between Hobbe Azri and pure love, the existence of pure love in Khosrow and Shirin is shown with poetic evidence in a process. Then, its standards in Khosrow and Shirin are analyzed with poetic evidence and story analysis, so that the boundary between erotic love, pure love and hobbe azri is represented.

Although the poem is mostly known in the field of classical and modern form has moved but the new space and a theme rooted in their differing backgrounds created.. Look into the human world and the realm of ideas and religious themes as seen in the poem, The breadth and depth that has never sung before the Revolution, and even the distant history of our literature has not Link with history, allegorical and historical compliance and respect even beyond the geographical boundaries of the revolution, the most radical modernization of the templates are Modernism in poetry, revolution, and the subsequent changes in the language and form of expression and maintaining the freshness of themes and ideas.Sense of continuity and coherence in the old public order just after the revolution and the turmoil has stolen bits from Sonnet.Number of innovators in the years before the revolution had grown dramatically, poets have tried the "new lyric" throw fuel and range of innovative ways to broaden the arena format.Ideological foundations of the revolution, in terms of common terminology, common causes of religious culture and their way of solving the many innovations in the realm of interpretation and communication of the words.

Amongst the Iranian poets, there have been many celebrities who have created worthy works in their local dialects and accents. Included among them is Mirza Shoughi who has not been introduced widely in Persian literature while being famous among the people of Behbahan and Kohgilooye in the south of Iran. These researchers have tried to deal as much as possible with the conduct, works, and the style of Mirza Shoughi. In addition to the significance of the poet’s status in the dialect of Lori and Behbahani, it may be said that what has motivated the researchers to prepare the present piece of research has been his being a forerunner in writing the first samples of poetry in some new poetic form that has yet been taken no notice of. It should be said that this paper has been limited to a concise account in this regard.

Hafiz has lofty position among Iranians. His sweet Language is popular among individuals and groups. Hum our and witty language is among the coordinates of Khaje Hafiz. He lived at a time when the puritanical and hypocrisy and oppression of rulers bothered the delicate heart of the of the poet due to the subtlety of the hypocrites claims and his piety. With his rich and witty language, Hafiz revealed the disadvantages of the pious hypocrites and court sheikhs and plans to bring about reform and change safavid period, although it is politically more stable compared to Hafiz period, in religious bigotry is similar to that period, full of piety and virtue, pious and sheikhs and claiming muftis and preachers who failed to understand the spiritual meanings of theosophism.Leading poets of the period fight explicitly and directly allusions, arrogance, hypocrisy and dishonesty claims to serve people, arising from that pleasant and sometimes biting hum our that is left in Persian literature relic.

A survey of the writings of Sheikh Shihabuddin Yahya Suhrawardi known as "Sheikh al-Ishraq" reveals his comprehensiveness in both "ratiocination" and "discovery and enthusiasm" theosophies (philosophies). It also reveals his writing's diversity and enjoyment of dynamics. Suhrawardi's works are written in different and theosophical styles. His esoteric treatises such as the Red intellect, The Chant of the Wing of Gabriel, alghrbat alghorbiyat, the Lover's friend and the other various treatises like "the Language of Termites" which we are going to explain and expand it in this article are an important and valuable group of his writings specifying the disciple's way, their barriers and goals. He wrote this treatise in very sweet and symbolic language and a combination of metaphors and Zoroastrian, Hermes and Islamic mysteries and states the journey of the spirit to God and uniting with Him and human being's innate enthusiasm for the acquisition of knowledge.

Rumi's poetry and used the Quran and the Eternal has watering. One of the unique characteristics of his poetry, which has always fascinated mankind, articulation issues, training and advice. Dare to say that the most important elements of the Masnavi of Rumi and especially education -educational, ethical and value. Most of the poems of Rumi in the reader's mind to accomplish a allegory that opens the path to knowledge which is MdnzrshAnd then tell the story, and the end result is to give the reader... Because he is a mentor to the right and a worthy disciple readers. And so the end result without explicitly telling the reader into the right direction without the worries of his diversion leadsThebestmodelof trainingand developmentcanbe. Spiritual Masnavi scope of this paper to evaluate all elements of the training is not here just three pedagogical model - educational discipline, encouraging and will be paid off.

One of the subjects and contents the fire line Persian poem until present to own allocation containing protion to sing every poet, is complaint. Complaints to say poems that poet to sing opposite no mildness and limitions inter and to say suffering and grief and own failure. To appeared mission this content to be only to pay opinions and transport feelings private poet, whereas search in text complaints have very private notices, social and political. To this avrange general studing complaint in two different texture cotemporary poem (1300-1350) for method actually is in space this type poems, although cause beffer perception and deeper thoese effects, but cont allow of this subject of main subjects perception poem. In this mean, notices in means, variation and classification in the end know remoteness and different variation complaints in effects first contemporary poet don’t far from of the point view writer.

In this research, we look for considering the position, significance, method of applying, and symbols of “Night” word from the viewpoint of Nima, father of Persian modern poetry. After studying and considering the history and works of this contemporary great poet, the author found many small things and thin moments. Nima, in implementing changes in Persian modern poetry and submit the method and a new way in meaning and face was successful. He looked to phenomenon and elements of around like jungle, mountain, night, sea, tree and …, penetrated into them and so he was one of them. He looked different to natural events even to the night and day. With looking at the statistics from this study in Nima’s poems, attest to this claim that the position of Nima in attention to the “Night” and its symbols is most upper among all the contemporary poets. And expresses this meaning that the “Night” in all poetry of Nima’s life continuously is present, but Whatever gets closer to the final years of his life and gains more experience, kind of the “Night” and its dark’s color and concept is different from the past.

This study attempts to analyze Conventional Invocations as a subcategory of lyrics in Persian poetry. Since this poetic genre often includes the lasting convention of openings and endings in 'masnavi's and sometimes poetry anthologies, we can hardly encounter anthologies and 'divan's lacking this poetry genre. Thus, we can see the same trace in epic works like Ferdousi's Shahname, instructional works like Sadi's Golestan and Bustan, and other romantic anthologies. In order to illustrate the span of this genre, this thesis tries to survey the following important issues in conventional poetry: definition of invocation and praying, the elements of invocation and prayers, the structure of conventional and religious invocations, literature and invocation, and invocation in the Persian literature.