فهرست مطالب

نقد کتاب ادبیات و هنر - پیاپی 1-2 (بهار و تابستان 1397)

دو فصلنامه نقد کتاب ادبیات و هنر
پیاپی 1-2 (بهار و تابستان 1397)

  • بهای روی جلد: 100,000ريال
  • تاریخ انتشار: 1397/11/10
  • تعداد عناوین: 16
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  • Houshang Mohammadi Afshar Page 33
    The lates t comprehensive and detailed research on the recognition, description, and the etymology of the Arabic lexicon of Shahnameh is the dictionary of Arabic words and Expressions of Shahnameh, written by Dr. Sajjad Aydanlou. This book is based on the second edition of the Correction of the Khaleghi Motlagh Shahnameh (1393) which is the mos t authoritative correction and the closes t to the original form of Ferdowsi’s poems. The book has several advantages over other similar
    publications in this field, which are described in the article. However, there are several mis takes in the recognition of the Arabic words, their difference from other words in branches of Sami languages as well as the dis tinction of Arabic words from Mu’arrab words. The following is a revision and review of the roots and the etymology of a fraction of the Arabic words and combinations, and the Mu’arrab words of Shahnameh in an attempt to determine the jus tified position of those words.
    Keywords: Shahnameh Ferdowsi, Sajjad Aydanlou, Dictionary of Arabicwords, Expressions, Mu’arrab, Etymology
  • The Subject in the Intricacies of the Iranian Pos tmodern Story / A Critical Look at the Book of Subject Analysis in Iranian Pos tmodern Fiction
    Ghodratollah Taheri Page 43
    Like many other contemporary literary movements, pos tmodernism has a wes tern background – to be specific it has a Europe and North American origin –and it is only over the pas t two decades that it has spread to the political, social, cultural, and literary spheres of Iran. Groups of Iranian writers and poets have created works with pos tmodern characteris tics under the direct influence of this movement and with either technique-based or idea-oriented approaches. Subject Analysis in Iranian Pos tmodern Fiction, written by Dr. Farzad Karimi (1397) is noteworthy for addressing the mos t important component of the theory of pos tmodern movement, the subject, within the framework of the contemporary  Persian novel, from 1370s up to this date. In this article, we take a critical look at the book and briefly summarize the merits and the shortcomings of its arguments. The advantages of this research Include:the significance of the s tudy, the researcher’s bold determination to enter the dark sphere of pos tmodern literature, the clear expression of the theoretical foundations of the research. In addition, the ability to apply those theoretical foundations in the analysis of the selected novels while highlighting a single feature of the subject in the critique of each of the novels too rank among the s trong points of the book. On the other hand, however, entry into topics not directly related to the main subject of the book, such as the literary crisis in contemporary Iran, and a lack of explanation regarding the one to one correspondence between thecharacters of the novels and the actual social subjects are considered as the books weaknesses. Also among these shortcomings are the aimless generalizations in some contexts and the s tructural inconsis tency of the discussions especially in the final chapters of the book.
    Keywords: Literary Criticism, Pos tmodernism, Pos tmodern Novel, Subject, Subject Analysis in Iranian Pos tmodern Fiction, Farzad Karimi
  • Issa Amankhani Page 57
    Many scholars s tand agains t the application of theory, maintaining that theories exis t as mere decorative factors in theoretically focused researches to adorn the work and no more. Nevertheless, the truth is that such criticisms, which are often a reaction to mass publication of theoretical research papers, should not be utilized as excuses to neglect theories completely. In fact, if the theories are carefully chosen and meticulously applied, they can act as valuable guides for researchers.
    The present article seeks to address the role and importance of theories, their necessity and, their application in literary research. Therefore, this article seeks to discuss firs t the methodological shortcomings of the book The Tradition of Script-Correction in Iran after Islam where the author does not concern himself with the application of theories in the compilation of his arguments. After which it attempts to show how the application of theories such as genealogy could give a clearer picture of the script-correction tradition.
    Keywords: Manuscript-Correction, Literary Theories, Genealogy, Literary Research
  • Azadeh Sharifi Page 73
    Haruki Murakami is one of the mos t important contemporary writers in the world. Mos t of his novels are about the contradictory situation of the modern man. Murakami is originally Japanese, but has a vas t range of readers from around the world. This made some of his critics accuse him of being alienated and removed from the culture and people of Japan. The Underground – despite the fact that it is not a novel- is Murakami’s mos t Japanese work so far. This book, which consis ts of Murakami’s interviews with the victims of Sarin gas attack on Tokyo subway (1995), has a his toriographical air to it. Murakami finishes this work with interviews with the members of the Aum Shinrikyo Cult (the attackers), implicitly attempting to portray the social divide and spiritual desolation in today’s Japanese society.
    Keywords: Murakami, Subway, Aum Shinrikyo Cult, Sarin Attack, Victim
  • This Is Not the Way of the Wise / A Review of the New Correction of Manouchehri’s Book of Poems
    Yasser Dalvand Page 79
    Recently, Negah Publication has issued a new correction of Manouchehri’s Book of Poems by Saeed Shiri. In many cases, the author has attempted to use a deductive method for corrections or base his sugges tions upon exis ting manuscripts. In this way, he has tried to refine the text from dis tortions and verbalizations, but by neglecting several linguis tic and lexical points (such as the known and unknown ی “” and Mo’jam/Persian “ ذ” and…) has made mis takes in a number of cases, some of which are discussed in this article. This article also explores the method by which the new correction of Manuchehri‘s Book of Poems is revised. It is shown here that although in some aspects the present version may be more reliable than previous records of the book, but since the methodology chosen by the author is not well suited to the text, in mos t cases the reader can ques tion and reject the new corrections.
    Keywords: Review_Manuscript Correction_Manuchehri’s Book ofPoems_Saeed Shiri_Mo’jam_Persian “ ذ”_Known_Unknown “ ”ي
  • The Reconsideration, Examination, and Praise of the Real / A Review of In Praise of the Real, by Mahdi Moghimnesuad
    Mohammad Khodadadi Motarjemzadeh Page 93
    In this article, the specific dis tinctions in form and content of the book In Praise of the Real (two volumes) are examined and its functions in the current Iranian artis tic-academic community are discussed. In addition, by analyzing some characteris tics and features of the book, its overall content is examined and criticized. For this purpose, the conventional four criteria are applied as the main method of analysis and critique. These criteria consis t of (1) the general introduction of the work and the author; (2) the external analysis or the inspection of the origin of the work; (3) the internal analysis or the discussion of the position of the book, and (4) the critique and evaluation of the content of the book. By reviewing the s tructure and the content of the book repeatedly, this article concludes that the re-publication of mos t of the book’s content is not only useful but also necessary for the current Iranian society. In addition, if these two volumes, with the same material, were divided into three independent volumes, each book could have an exceedingly deeper impact and had a more specific audience.

    Keywords: Photography, Theory, Art, Modern, Pos tmodern, Photography, The Real
  • Image of the People / A Review of Image of the People: Gus tave Courbet and the 1848 Revolution by Timothy Clark
    Mohammad Reza Moridi Page 103
    The book Image of the People, written by Timothy Clark, not only serves as an introductory text to Gus tave Courbet but also provides a clear image of the social art and a new unders tanding of the methodology of the social his tory of art. By choosing to s tand in a critic’s position towards the methods of his toriography of social arts in classic Marxis t tradition, Clark argues that they were s tructuralis ts unable to to explain the role and agency of the artis t in his tory.
    Clark does not consider the work of art as a passive reflection of the dominant ideology, and he does not believe that all artis ts experience their environment in one or a similar way. Rather he believes that artis ts react to the his torical grounds in their own particular ways, reacting to and reshaping that his tory. Clarke develops a new approach to the his tory of social art in his book Image of the People.
    Keywords: Image of the People_Social His tory of Art_Marxis t Analysisof Art_Gus tav Courbet_Timothy Clark
  • Passing through the Fog / A Review of The Religion of the peacock Angel:The yezidis and their Spirit world by Garnik S.Asatrian and victoria Arakelova Translator: Arash Tahmasebi, Publication: Farhameh, Firs t edition: 1397
    Zahra Ameri Page 113
    “Iblis” (the devil) is one of the mos t important characters in the s tory of creation in various religions and rituals, has been envisioned with various manifes tations. In the s tudy of Malak-Tāwūs, the legendary aspects of the Yazidi cus toms and the semblance of the devil in the form of a “peacock” are analyzed. This article intends to introduce the mythology and folklore of the Yazidis as one of the manifes tations of the presence of Iblis in folklore and mythology through the analysis of the book mentioned. Considering the extensive research on the Yazidis and their religion, the main advantage of this work is in the field research and the collection of the oral narratives of the followers of this tradition, which was lacking from previous researches.
    Keywords: The S tory of Creation_Iblis_Yazidis_Malak-T?w?s
  • Iconology: Method or S tructure? / A Review of: Meaning in Visual Arts, by Erwin Panofsky
    Jamal Arab, Zadeh Page 125
    The present article is a review and critique of the book of Meaning in Visual Arts, by Erwin Panofsky. He is one of the mos t famous his torians of the twentieth century, who linked the European tradition of art his toriography with the American tradition, with his theories. Mos t of this author’s reputation is due to his innovative method of interpreting the artis tic symbols, called iconology. The book consis ts of three important articles by Panofsky and a critique by American scholar, Michael Ann Holly. The three primary articles of the book summarize Panofsky’s views on the methodology of his art his toriography and his methodology of iconology. The present article deals with the analysis of each of the articles in the four main sections. These sections relate, respectively, to the Panofsky’s theory of art his tory, the pathology of iconology methods in the his tory of art, the development of the Theory of Human Proportions in art, as well as a critical analysis of Panofsky’s views.
    Keywords: Panofsky, Iconology, Iconography, His toriography, ArtHis tory, Symbol, Meaning in Art