Survey on the Origin and condition in Composition of Text & Image at Shiraz Paintings on Al-Injuid Period

One of the most superficial aspects of Persian painting is the composition of text and images that has named “Layout”. In this research, the relation between the arrangement of setting text & image & also the relation between the form of image & subject & the composition at works of Shiraz school in Ilkanid period has examined. During to extensive researches and studies on Persian painting, scholars such as, Amin Mahdavi, Adamova and Giuzalyan got noticed to this term.The result of this research shows that the relationship between text element & composition of paintings follows careful & certain principles in miniature paintings of Shiraz school in Al-Injuid period that is consistent with the piling page for writing poetry. The painter also has considered flexible picture frame according to subject matter and shaped that based on columns form. So in many cases, instead of a rectangular shape, the frame is stepped. The painters of Shiraz school in eight century comprehended the necessity of harmony of text & image in book –lay out & combined image with context by using pilling frames. The method of the research is descriptive - analytical by using library resources & observation.