The Lion-Bull Motifs of Persepolis: The Zoogeographic Context.

The lion-bull iconography during the Achaemenian period of ancient Persia has generated different theories of astronomical and seasonal events besides the suggestions that it could be the symbol of the time cycle of the day, with lion representing the sun and bull the night. However, the present paper draws the reader’s attention to the hitherto unexplored angle of zoology to understand physiognomy of the lion-bull iconography in sculptural art of ancient Iran. The zoomorphology of lion and bull attempts at taxonomic identification based on iconography, which is also influenced by observations, imagination and collective psyche of sculptors. Notwithstanding this human bias involved in depiction of the animal, the present study demonstrates ‘near-nature’ precision in sculptural art, thereby allowing precise identification and shows how the artistic manifestations reflect a combination of animal morphology with myths and collective observations that might have passed down since generations. This is yet another form of faunal evidence that needs to be taken into account in addition to the skeletal record when confronted with presenting a holistic view of the animal world at the site. The paper is structured into three parts viz. Zoo-morphology of lion-bull motifs, Biogeography and Early History of lion and bull, and Faunal (skeletal) evidence of Lion and Bull in protohistoric and early historic Iran. This study highlights the significance of integrating skeletal record with other means of ‘faunal evidence’ in ancient literature, iconography, coins and ceramics that are helpful in understanding ancient subsistence, and socio- religious structure.