Meaning Layers in the Historical Evolution of Baroque (A Look at Personification of " Pari" in rumi)

Baroque literature is a 17th century prose genre that has several distinctive haracteristics when compared to literary styles of earlier centuries. The baroque era is known for the use of dramatic elements in all art forms, and works of baroque literature are generally no exception. Writers of this time period expanded and perfected the uses of allegories with multiple layers of meaning. Smaller-scale metaphors are also frequent trademarks of this genre, and many works of baroque literature focus on humanity's struggle to find deep meaning in existence.A fairy tale is a type of short story that typically features folkloric fantasy characters, such as fairies, goblins, elves, trolls, dwarves, giants, mermaids, or gnomes, and usually magic or enchantments. Fairy tales may be distinguished from other folk narratives such as legends - which generally involve belief in the veracity of the events described - and explicitly moral tales, including beast fables. Fairy (= Pari) is found in oral and in literary form. The history of the fairy tale is particularly difficult to trace because only the literary forms can survive. Two theories of origins have attempted to explain the common elements in fairy tales found spread over continents. One is that a single point of origin generated any given tale, which then spread over the centuries; the other is that such fairy tales stem from common human experience and therefore can appear separately in many different origins. Fairy tales with very similar plots, characters, and motifs are found spread across many different cultures for example Mowlana`s Works, Fairy (pari) is personage whit several means. This Study is about layers of meaning in baroque literature and pairy personage in Qazaliyyat e Mowlana.