Art applications of row in court poetry of Attar Neyshabouri

All the pundits believe that row is specific for the Persian language, because row has natural continuity with the Persian language that no other language has that extent. Row contains music and is a source of poets power. This article tries to determine high frequency of row in Attar Neyshabouri's poetry with statistical reviews, because Attar is one of the poets that has tested different types of rows. With detailed statistical review of sonnets and odes of Attar Court we concluded that 473 of 633 sonnets have rows that means 74.72 percent are the most pleasant and musical sonnets of Attar. The current rows (special) form more rows of Attar's poetry, that not only they have enriched music of poetry, but also have played a significant role in dynamism and mobility of Poetry. In addition, they have helped to expand and improve imaginary faces of poetry, to complete the concept of poetry, and to induce feelings and thoughts of the poet. To create unity between Imagination and thought, to cover defects of rhyme, to create imaginary faces and new concepts, adaptation of poetry and rows of others, representation thoughts of poet, auditory and visual symmetry, induction of inner sense of poem, creation of unity between poet and audience and paranormal cases in row are different functions of rows in Attars sonnets.