Function of Dialogic Beat in Mahmoud Teymour’s drama “Shelter No. 13” (With an approach on basic linguistic theory of Paul.c. Castango)

his article in the structure of the theory of Paul.c. Castango to explain the role of the language and it`s multiple abilities in creation of the structural elemants of the Mahmoud Teymour’s drama “Shelter No. 13”, considering. The current stady aimed at investigating different type of Dialogic beat and various functions in the Mahmoud Teymour’s drama “Shelter No. 13.
The results of this research indicate that Dialogic beat are known as the most basic recognizable unit of linguistic and intellectual actions and it constitute the main part of the drama and with an emphasis on rapid time break can altering ongoing flow of the means also the result obtained indicate that linguistic and metalinguistic implications are highly considered in discourse of this drama and conversational pulses are used in high level. “tum talking” is the most frequent conversational technique and refrain “riffing”, “deletion”, “halt” and “cut” are other linguistic tools that the writer used them as a factor to “analyze the thoughts and emotions”, “space creation”, “conflict” and “expressing the intensity of crisis”.