A Comparative Study of the Signs of Change in the Paintings of Kamal- Ol-molk and Jacques Louis David (Based on Pierre Bourdieu field theory)

Pierre Bourdieu, a French sociologist, believes that the tastes, judgments , and talents of people are social things, resulting in the social process of being a person during life. He regards the taste of the artist as the creature of taste for society, the taste of the class with cultural, social and symbolic capital. This paper aims to explore the comparative study of the signs of change in the works of Kamal al-Molk and Jacques - Louis David, based on Bourdieu chr('39')s ideas. Each of the two painters has worked on the milestone in their history. In this study, we have tried to explain a descriptive and historical method in addition to finding the cause of specific style selection of each of these painters, why or not the signs of change in works of David and Kamal al-Molk, can be explained using Bourdieu chr('39')s ideas. Findings indicate that the selection of naturalist and naturalist styles is influenced by the two artists influenced by the educational system, cultural capital, and their position in relation to the field of power. In relation to the signs of change, you cannot see a change in Kamal al-Molk works, given the inclusion of him in the category of independent artists of the field of painting, while in David, due to his position in the ruling class opposition, the change will be seen.