The Study of Semantic Coherence in Mazhar Hamedani's Gazal and Comparing It to The Sa’adi

In this article, we have compared the ghazels of two poets, Mazhar Hamedani and Sa'adi Shirazi, the different aspects in order the semantic coherence in 8 parts; musical coherence, analogy the syntactic characters and the sentimental signification, symmetry the phrases, antithesis, analogy, artistic argument, multi semantics and fun of terminology. Sa'adi had invented, in Farsi's poetry, a kind of simple and liquid ghazel. It's simplicity and real expression of amorous attitudes are the most sensible traits of his poems. His wonderwork in the choose of the vocabulary and his method to combine and to put the words together, beside the simplicity, has reached to a solidarity of construction and signification of his ghazels. That is why he has been imitated by many of the poets of different periods, specially by who had said ghazels. Par example, the lyrics of Kadjar who had tried to have the same character of simplicity in their poems. Mazhar Hamedani, one of the Kadjar's poet, has pretended to poetize just like Sa'adi but somehow better than him. Then, it's not avoided to compare and analysis the poems of these poets by the style of Sa'adi. In this project, by using an analytical and comparative method, we have analysis 100 ghazels of each poet according to significate solidarity factors. By the results, the more similarity of these poems are related to solidarity of signification, utilization the interrogative phrases and creating the opposition significate.