A Study of the Archetype of a Seductive Woman in Iraj Mirza's "Zohreh and Manouchehr" Masnavi

Archetypes are the same and common forms in the minds and subconscious of human beings that show themselves in each era in the form of common beliefs of that period, and recognizing their changes and transformations can give us an understanding of deep currents. Increase cultural, moral and religious in historical periods. In this research, the archetype of a seductive woman in literature has been analyzed and compared with Iraj Mirza's Masnavi "Zohreh and Manouchehr". The great poets have referred to the archetype of the seductive woman in their poetry. Iraj Mirza, in his Masnavi "Zohreh and Manouchehr", has used this archetype as the basis of his story and has called Zohreh the goddess of love and has given it a special character. In this research, in a descriptive-analytical way, an attempt has been made to study the archetypal manifestations of the seductive woman in the Masnavi of Zohreh and Manouchehr Iraj Mirza with accurate and comprehensive definitions of the archetype and forms of archetype. The results of the research indicate that Iraj Mirza called the goddess of love Venus in his story and is present in the literature named Venus and Anahita. Venus in this system, on the one hand, is the god of music, love, water, rain, fertility and the manifestation of purity and purity, and on the other hand, it represents a woman who ascends to heaven and to the star as a result of wrongful deception and deception of Harut and Marut. O becomes. Venus is also a character whose description and illustration are reminiscent of dance and merriment, and this is equivalent to its mythical aspect and its archetype in literature, where it is also a manifestation of dance, cheerfulness and love.