Interaction of textual subjects in Shams lyric poems

...communicative sense is based on the "I-you" interaction. Due to this type of interaction in the construction of the identity-status of the subjects, in other words, their placement in the interaction of the agents of the context of romantic mysticism is different from other classical literary genres And this leads to the formation of a distinct aspect of perceptual-aesthetic ambiguity. Ghazaliyat Shams is one of the texts in which the interaction of the subjects within its text and consequently the epistemological-artistic ambiguity that has been formed on the basis of the me-you interaction has been formed, ignoring it will cause a purely tasteful interpretation of it. Accordingly, in this article, the action of constructing the "I-you" interaction of the narrators-textual agents of the narrator-lover and the beloved in Shams's sonnets with the intention of reading in line with the epistemology governing the text has been identified and explained. To denote this interaction, some concepts and terms of thinkers in the field such as Buber, Levinas, Bakhtin, Sartre, Gabriel Marcel, Landowski and Byung-Chul Han have been cited. The result shows that the logic of "I-you" in the sonnets of Shams can be divided under four headings: a) expression of silence and lack of precise coding b) disregard for hierarchy and passing through confrontations c) incompleteness Invisibility d) Postponement of the "self" formulated, all of which symbolically represent the passage of the common order of symptoms and the experience of the world of unity.