Good start or good beginning in the novels ermia; bivatan; rahesh; gheydar; and man - e – ou. Reza Amirkhani

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Article Type:
Research/Original Article (دارای رتبه معتبر)
Abstract:
One of the most important and crucial principles in storytelling; This is how the author enters the story. Where the first logical encounter with the work begins and the audience's perceptual and emotional curves coincide in the shortest time. Choosing the right starting point or happy beginning of a story has a long history in fiction But despite its tremendous impact on the story, its constituent elements and the reader's gaze and attention; It is not very popular and in most cases is not even considered as one of the main and important elements of the story. The sensitivity of the subject is that the reader must be influenced by the story and its general atmosphere in the opening sentences, communicate with the story and feel emotion in himself, otherwise he will not read the rest of the story. "Amirkhani" is one of the most successful writers in recent years who uses special techniques and new methods; It has attracted the attention of countless audiences. current study; The "beginning" of the story, its opening sentences and the general structure of the "beginning" in five works by Reza Amirkhani will be examined by descriptive-analytical method. The result of this research shows that the beginning of the story in Amirkhani's novels, as a definite necessity, has been able to act like a hook by inducing logical credibility and trap the reader until the end of the story.While the regular and logical connection of the beginning of the story with other elements and the general process of the narrative has created a beautiful tension for reading, it has prevented the failure of the story.
Language:
Persian
Published:
Scientific Quarterly of Interpretation and Analysis of Persian Language and Literature Texts (Dehkhoda), Volume:14 Issue: 52, 2022
Pages:
356 to 383
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