Analysis of the visualization of poetry in Arabic, Persian and Kurdish literature

Despite the various definitions of poetry and its features, there has been no disagreement that poetry is a creation based on language that is perceived through reading and listening. However with the far-reaching effects of modernism in various fields, including literature, a new current in poetry emerged that transformed it from a readable-audible achievement to a visual achievement. With the spread of visual poetry called "Concrete" in Europe, poets from other countries became interested in it. Similarly, in Arabic, Persian and Kurdish poetry, especially in some periods, making such poems, with the names of "visual poetry", "Geometric poetry", "Shaped poetry ", "NaqaSher", "SherNegare" and e.tc became popular. In this research, which has been prepared in a descriptive-analytical method, based on library resources and with the aim of finding the roots and studying visualization in Arabic, Persian and Kurdish poetry, first visual poetry is defined and then this poetic current is examined in these three language’s poetry. The results show that in Islamic-Iranian rhetoric and poetry and in literary ornaments such as "Movashah", examples of the early experiences of visual poetry can founded; but the prevalence of visual poetry in the contemporary period has been influenced by European literature. However, Arab, Iranian, and Kurdish poets have succeeded in creating outstanding examples of visual poetry by incorporating regional culture and biological experiences.