Islamic wisdom and art in poetry (with emphasis on Timurid and Safavid period poetry)

Islamic art is not an art that is only related to the religious issues of Islam. The term "Islamic" refers not only to the religion but also to the rich and diverse culture of the people of the lands where Islam is prevalent. The wisdom of Islamic art is a truth of the various forms of the universe that the truth of the existence of these forms comes to the fore in the form of painting, calligraphy, etc. Art that arises from the essence of pure human existence, and the more an artist refines his soul and existence, the more his art affects people's hearts and minds and is more lasting. Iran is the cradle of culture, art and civilization, therefore the arts related to literature, poetry and writing are formed in the most complete and profound way in different historical eras. The art of arranging books and decorating writings has been popular in Iran for a long time. Qurans and many literary and scientific manuscripts from different eras show this issue. Poetry is one of the arts that is especially used in book design and is used to decorate and beautify books and literary and sacred works. Tashir is a term and a method in Iranian gilding and painting or painting, which is used in the arrangement of books or pieces of calligraphy, miniatures, and patches. In fact, Tashir is a type of manuscript decoration that is done on the margins of the manuscripts, usually with one or two or even three colors of gold. In this research, we intend to study and examine poetry in the two Timurid and Safavid periods, and discuss the relationship between Islamic wisdom and art with this valuable art. The research has been carried out in a descriptive and analytical way and aims to answer this special question: "What is the relationship between wisdom and the art of poetry, and based on what logic can this art be considered a judgmental art?"