The Continuity and Relationship between Meaning and Example in the Tombstone of the Islamic Age of Iran (Case Study of Ram and Stone Lion)

Tombstones in cemeteries are perhaps one of the most semantically complex human works of art. Tombstones deal with the most important and most painful event in human life, namely death and the hereafter. Tombstones exhibit great variety, both in general form and in their decorative motifs. Studying the morphology of the gravestones and exploring the human, animal, vegetal, geometric and other images, together they provide valuable information on Iranian-Islamic religious beliefs and historical sociology. Tombstones vary signficantly according to the religious beliefs and the culture and geography of each region. In the group of tombstones analyzed in this paper the most important,  from the point of view of visual semantics and mythological beliefs, are rams and stone lions. This group of tombstones are generally found in the western half of Iran, especially in the northwest and west of Iran. This paper is a descriptive-analytical study of field and library studies, seeking to discover the congruence between tombstone form and motifs and ornaments, i.e., the relationship between meanings and patterns in gravestones and lion-like stones found in cemeteries of the era of Islam in Iran. Studies show that the ram and lion tombstones themselves are symbols of greatness, bravery, heroism, greatness and courage, and all the sub-motifs on the body of these works also somehow reflect these traits and meanings, and they are completely dependent on the volume or morphology of the tombstones. Finally, it can be concluded that the stone carving artist has chosen these motifs with full knowledge of the meanings of the shape of the tombstones as well as the motifs placed on them. Therefore, he has been looking for the connection and dependence between form and image in his artwork.