Stylistic analysis of Yaghmai Jandaghi's sonnets

Stylistics is a science that examines the special way of each person in expressing his opinions and ideas. Layered stylistics with the approach of literary analysis examines the text in five layers, phonetic, rhetorical, syntactic, lexical and ideological. The purpose of this research is to analyze the style and content of Yaghmai Jandaghi's poems from three intellectual, linguistic and literary perspectives.

This article is based on library studies and has been done in a descriptive-analytical way, and the scope of the study is Yaghmay Jandaghi's sonnets.

Yaghma is considered one of the return style poets, but he was not just an imitator of the previous ones and he adopted a new method. In his poetry, all kinds of poetic styles and methods can be seen, from lamentation and Marathi to satire and humor. He is a point-wise critic, so that his poetry can be seen as the culmination of differences and contradictions. He has tested his style in various formats, from ghazal, masnavi, and quartet to nimaei and sepid.

Yaghma's lyrical poetry is usually of the type of romantic lyrical poetry, which is mostly written in Bahr Ramel, the use of Persian words is one of the special features of Yaghma language, the poet's attention to verbal arrays such as "repetition" is high, but he is not limited to the use of puns and in terms of image Different types of photos; Most of the similes are eloquent and of the sensory type, the metaphors are more explicit and the allusions are of the gestural type with the focus of recognition and succeed in creating beautiful images with a simple language.