Transcendence of the actor's body in the process of corporeal thinking; An interdisciplinary study of art and philosophy

For the first time, Kant proposes the senses as key and central gates for authentic knowledge in the world of reason-based philosophizing and mentions a kind of transcendental knowledge. On the other hand, the actor's body has always had a knowledge-creating and inquisitive presence on the stage or the cinema screen. This article tries to examine the transcendental aspects of the body in the thought of Kant and some thinkers after him with the approach of Heidegger's fundamental question, and through this, to the bodily thinking process of the actor in the world. to pay attention to drama in the light of some philosophical and acting thoughts; Ideas such as Hegel's self-awareness, Brentano's intentionality, Husserl's intuition, as well as the actor's transcendence from Grotevsky's point of view. Therefore, in this article, while presenting parts of the body-centered views after Kant to Heidegger, an attempt has been made to examine the quality of the presence and meaningfulness of the actor's body in these views.