A comparative analysis of the language of gender in the riots of Mahsati Ganjavi andAmir Khosrow Dehlavi based on Maurice Grammont's theory

Shahrashoob(City rioter)is one of the types of lyrical literature that has a masculine nature in Iranian culture and literature. Because it requires free human-social interactions that the social customs do not like for women. Mahsati-Ganjavi's entry into this arena and the invention of trade union riots in the form of a quartet brought with it different critical reactions, which are shared in one case, namely, the masculinity of the language of Mahsati's riots. The main issue of the present research was the proof of the existence of female gender language in the city of Mahsati Ganjavi riots. To prove this issue, Morris Grammon's theory of vowel induction was used in comparing the types of repeated vowels and their induction type in the cities of Amir Khosrow Dehlavi and Mehsti Ganjavi. In this research, which was conducted using a combined research method (descriptive-analytical-statistical and comparative), the gender variable, based on the traditional view and cultural stereotypes in the subjectivity of male and female roles, was measured and these results were obtained: the type of vowel induction in all Vowel groups (dark, bright, bright) in Mahsati's and Amir Khosrow Dehlavi's Shahrashoobs are significantly different and sometimes they are in opposite directions. Therefore, it can be claimed that the poetic language of Mahsati riots, contrary to popular opinion, has a high percentage of femininity.