Art, Truth, Vulgarity (Rethinking The truth of art in Mulla Sadra's Basics)

The modern world, by entering all areas of human life and placing itself in the context of reality, has narrowed the field to the transcendent so much that it seems that no trace of it has been left in the context of events. In order to get out of the crisis that has arisen, Sadr philosophy is an efficient figure who has based his ruling system on principles and principles that before him were less considered as the basis of a philosophical thought. The substantial movement of matter and the evolution of the soul from matter to the kingdom, the doubt of the existence and degree of the soul, the position of the imaginary world as a mediator between matter and reason, the union of the soul with the active intellect, His love affairs are among these principles. These principles and foundations have caused a considerable effect and a different attitude in recognizing art and explaining the process, and consequently, have become artistic products and have drawn a plausible boundary between the real and the vulgar.Sadra's special attention to the presence of the transcendent in the text of phenomena, philosophical explanation of the illustration of imagination in the creation of art and its meaningful middle position, human identity, human resemblance to God in the level of imagination, the two-way relationship between human love and art and holiness The field of original art is one of the achievements of this attitude.