Description of Linguistic Components of Imagery inAmir Khusraw Dehlavi's Poetry

Literature is an incident which occurs in the language. Hence, we can say that the unfamiliar language is the base for verbal arts. The speakers use this beautiful language which represents their feelings and emotions. They imbue their discourse with emotional pictures in order to objectify their inner worlds by this expressive language. Amir Khusraw Dehlavi, the talented Indian poet has utilized this picturesque, sacred, dancing and melodious language in all his works. Our concern is about the textural and the super-structural issues of language in the works of Dehlavi- the Indian Sadi of the 7th and the 8th century, to identify the linguistic structure in the imagery he has used in his lyrics. We also try to identify what superstructures he has used in his similes, metaphors, semi-metaphors, ironies, and metonymies, to gain his unique, defamiliarized and aesthetic language. We also want to identify how the beloved of emotions moves through his lyric poems melodically and rhythmically and presents its beauty on the syntagmatic axis of his artistic language in a word, a noun group, a sentence or a phrase. The answer to these questions is the subject of the present article.