The mechanisms of deconstruction in Sarraute and Robbe-Grillet's works (Gold fruits and Erasers)

It is true that the New Novel in his own is a sort of deconstruction and itis considered such a literary current that almost oppose to all of the previous romantic process. It oppose to the other process at the XX century too. But it is just to tell that each New Novel's author has his own methods, which distinguish him from others. Nathalie Sarraute and Alain Robbe-Grillet, two serious pioneers of the New Novel, they have done all their efforts to question all possible orders applied in romantic's creation. In Robbe- Grillet's idea, the mechanisms of deconstruction reside in that he understands by the story, the mythology, the daily live, the game…, and for Sarraute, that is a simple game of language and pre-language, the dialogue, the monologue, the conversation and under-conversation etc. The study of two novels indicated, Gold fruits and Erasers, delivers us the secret of all process of writing that end up in deconstruction. In this discussion, wearrive at three differences between Sarraute and Robbe-Grillet: one is intellectualist and other is intellectual, when author of Erasers treats the visible, the author of Gold fruits take charge of invisible, and when Sarraute is creator of tropism, Robbe-Grillet is an absolute master of games and the multiforms technical.