فردین شریف نیا

Poetry of Islamic Revolution and Awakening is a mirror that reflects the preoccupations and attitudes of responsible revolutionary poets under the influence of Imam Khomeini’s thoughts as well as his Islamic movement. It is this very movement that leads to widespread creation of religious، revolutionary concepts and images in the poems. This paper is an attempt to study the reflection of Imam Khomeini’s ideas of Islamic awakening and revolution، including leadership and guidance، popularity، standing against oppression and colonialism، being religious، battling against pro-West intellectuals، waiting for Imam of our time، opposing ignorance، invitation to awakening، binding mysticism and heroic qualities، doctrine of Vilâyat، and martyrdom onto the works of revolutionary poets such as Mehrdâd Avestâ، Ali Mo’allem Dâmghâni، Hamid Sabzevâri، Hassan Hosseini، Gheysar Aminpour، Mohammadrezâ Abdolmalekiyân، Alirezâ Ghazveh، Parvâneh Nejâti، Hamidrezâ Borgha’I، Alimohammad Mo’addab، Ali Dâvoudi.

This paper is an attempt to analyze the Bakhtinian concept of heteroglossia in Mohammad-Ali Jamalzadeh’s short story “Kabaab-e Ghaaz” (The Roasted Duck). Analysis of such features as comic style، language، contemporary reality، character zones، discourse، and the author’s refraction and deviation gives the reader new insights into so far neglected or superficially considered layers and enables him/her to become more acquainted with the author’s language as well as with the relativism and dialogism of the ideological system of the story. Analysis of heteroglossia in Jamalzadeh’s works is important in that he is accredited with the beginning of realism in Iranian fiction. “Kabaab-e Ghaaz” is a comic short story and laughter، which is central to heteroglossia، acts as one of its conspicuous elements.