مرضیه قلی تبار

Balance is one of the most important mechanisms of criticism, today more than in the past, its efficiency has been noticed by criticism, and investigating the roots and first sings of its use in ancient Arabic criticism- as a progressive and broad criticism – is a very important point of view. In ancient Arabic criticism, the method of comparison became popular in various literary fields, and in addition to poets and writers it became an important and reliable tool for linguists and grammarians in language research.Therefore ancient Arab historians and critics always used it to introduce and describe the history of scientists.The books written in the field of Arabic grammar or syntax or classes and classification of grammarians and linguists have taken advantage this critical element and used it to compare grammarians and their opinions and linguistic trends.This descriptive-analytical research has investigated the position and function of this important component of balance and comparison in one of the oldest books of grammarian classes, " Marateb al-Nahveen" by Abo Tayyeb alloghavy. The result shows that although balance and comparison was not so prevalent among the syntax Analyzers as it was among the poets, but Abo Tayyeb has used this method in different layers and has applied it in different levels including comparison between finals, between adaptation and inspiration knowledge.

The musical system of the language arises from the harmony of words and the phonetic and phenotypic harmony of the linguistic structure, the coherence and sequence of consonants and vowels, and turns ordinary speech into an artistic expression, and the more a literary work can use more dimensions of music, the more beautiful and effective it will be. The melody of the poem includes outer, lateral, inner and spiritual music, which in the present research, the last two dimensions are analyzed in the works of Ibn Mu'tazz, one of the prominent poets of the Abbasid era. Ibn Mu'tazz was born in an era in which the innovative use of poetry was popular among poets and writers, and his poems were in line with the prevailing trend in the literature of his time, full of arrangements and the use of literary arts, and at the same time, they were fluent and far from complicated. The purpose of the present research is to investigate the musical structure of Ibn Mu'tazz's poems in the field of asceticism in order to measure the phonetic and phenotypic harmony of meaning and basis in his compositions and finally it comes to the conclusion that: The choice of words served the intended meaning of the poet and was not used solely for the purpose of creating a beautiful format and rhythmic playing of the poem, and this is one of the strengths of his poems in conveying ascetic meanings and making an impact on the audience. In the field of spiritual music, the poet's attention is focused on the use of arrays such as tabaq, counter and assimilation of adjectives, which, in addition to the balance of verses and the creation of a rhythmic rhythm, carry the meaning of speech. The most prominent musical role in Ibn Mu'tazz's asceticisms is played by inner music, in which most of the words are played by arrays such as word arrangement, repetition of letters, repetition of words at the beginning of verses, tasdir and repetition.

Stylistic studies intend to study the structure of poetry and to analyze its parts and the purpose is to reveal its arrangement according to the phonological, structural and rhetorical levels, in order to distinguish between the literary products and to judge the volubility of it; the literary text is interspersed with weakness and refraction. stylistics studies intend to study stylistic structures in literary discourse, "the rhythmic, synthetic and semantic structure." Its purpose is to reveal the relationships that bind these structures, in order to reach the uniqueness of the literary discourse in terms of its linguistic structure and the realization of the artistic and literary value that lies behind it. This study aimed to study the stylistics and style of language and terminology and its three levels: The phonemic level, the semantic level, and the syntactic level, and made a stylistic comparison in two poems: One is Shams al-Din al-Kufi and the other for Ibn Shahid. In the first poem, the poet laments his beloved city "Baghdad" and in the other he weeps for his loss of “Cordoba”. After studying the stylistic features and characteristics in both poems and comparing them, the conclusion is that both poets have used stylistic features to give it meanings that the apparent language is unable to convey to the recipient. Upon comparison, it became clear that each of them had surpassed in some characteristics over its owner and failed in others. and there is an intentional balance in the rhythm of the two poems.

Comparative Study in Elegies of Andalusia and the Arabic EastAbstract Lamentation of cities in Arabic literature means crying over cities that have been ruined following wars and seditions or all kinds of natural disasters. This kind of lamentation always in Andalusia and the Arabic East has been one of the most important poetic goals, because has been consistent to the song of political events and transformations, and has reread the events. This research using descriptive-analytical method is seeking for introduction of some of these elegies, and review of the contents existing in the poets of both regions and explaining the common and distinction points of them. According to the findings of this research, there are deep commonalities in the thoughts of Andalusian and the Arabic East poets that its origin is sociopolitical status. On the other side, upon study on the lamentation of cities, it is observed that description of civil, glory and prosperity of cities before destruction, implies on the compassion and regret over the loss of blessings and religious emotion including the common themes in the lamentation of poems of these two lands. Yet, there are differences between them, for example in the elegies of Andalusia against Arabic East elegies, we observe supplication and passion and longing for the homeland. Altogether, it is said diversity of contents in the poems of Andalusians is deeper and more effective, although in this issue, the Easterners have priority.