مهرداد نصرتی

The article studies some of the most fundamental concepts of Islamic mysticism in Moshfeq Kashani’s poetry. Here, based on the relevance theory, the totality of the poet's mental space is the subject of a thematic analysis. Trust, Certainty, Satisfaction, Recitation (Zikr), Ardour, Supervision, Sufism, Knowledge, Love, Enthusiasm and sufist music and dance (Sama) are the studied concepts. He sometimes verbalizes the mystic term and sometimes crosses the word to deal with the meaning of it, directly. Qushayriyah treatise is used as a criterion for evaluating the totality of intentional and unintentional meanings of the terms in Moshfeq’s poetry. The similarity of the meanings of the above terms in the mentioned texts is understood from the comparative reading of them, and indicates Moshfeq's correct approach to these mystical terms and the adaptation of his mental space to the original mystical teachings. Moreover, the pattern obtained from the thematic classification of these poems shows that Moshfeq's mystical attitude, contrary to what has been deduced from some previous studies, is not one-dimensional, but has at least four axes: "Islamic-Shiite ideology", "Islamic Revolution", "Tavern Terms", And "Eastern mysticism".

In this study, we have criticized the content of the first collection of poems by Mohammad Kazem Kazemi entitled on Foot I Came based on library studies and employing descriptive and analytical approach and have investigated the position of Immigration Literature in relation to the society in which the poet lives and composes poetry. In the formation of Immigration Literature, only two elements of time and place have been considered so far. The findings of this investigation indicate the need to review the current definition of this literature and show that although the two above-mentioned conditions are required but they are not sufficient, in the same way, despite setting the foregoing conditions regarding the life of this poet, immigration literature is not formed in the case of the above-mentioned collection of poems. The results show that although the book's title refers to the subject of immigration and the expectation that the sensitive and concerned personality of this Afghan immigrant poet brings forth into the mind of the reader, regarding the subject matter of migration, the content of the poems of the foregoing book are common themes between the society of the poet's birthplace and the host society and even about the themes which are merely related to the host society. In the case of Kazemi, the reason for this phenomenon can be investigated through the breadth of collective cultural domain between the society of birthplace and the host society. It seems that among the most important reasons are the beginning of serious poetic activities of Kazemi in Iran, his continuous presence in literary societies, and the advantage of having company with accomplished poets of the host country, that caused the content of his poems stray from Migration Literature and this is in contrast to the former definitions of the element of "place", which is developed by Migration Literature.