kobra nodehi

The purpose of this study is to do a comparative study of happiness in positive psychology with an emphasis on Saadi's lyric poetry and to provide a reasoned answer to the question of whether happiness as a concept presented in positive psychology today is also present in Saadi's lyric poetry or not. And can the concept of happiness in Saadi's lyrical poetry be evaluated with happiness in positivist theory? In order to achieve this goal, the review of Saadi's ghazals has been carried out, edited by Mohammad Ali Foroughi (1992). To examine happiness, verses that clearly refer to happiness and contentment have been used first, and then verses that are tied to factors related to happiness have been examined. The result of this research leads to the overlap of the concept of happiness in positive psychology and Saadi's lyrical poetry. The result of this research leads to the overlap of the concept of happiness in positive psychology and Saadi's lyrical poetry. Using the descriptive-analytical method and comparative studies from library sources and published articles, this research has explained the concept of happiness and similarities and differences from the perspective of positive psychology in Saadi's lyric poetry. The findings showed that happiness in Saadi's poetry is closely related to happiness in positive psychology, and the components that are introduced in positive psychology as effective factors in the formation of happiness and pleasure can be clearly seen in Saadi's works. Based on this, the concepts of hope, satisfaction, foresight and wisdom, love and friendship, embracing the present and naturalism are the most important concepts that evoke happiness in positive psychology in Saadi's lyrics.

Manuscripts are the written heritage of all countries, which have an inseparable link with the past and history of those people and land. Protecting this cultural heritage is an important and significant thing for all the leaders of science and knowledge in all fields. Mirmohammed Momin Estrabadi, a sage, architect, poet and writer of the 10th and 11th centuries AH, has left behind his works, including Poetry Divan. This divan is kept as a single copy in the "Royal Library of Golestan Palace" under number 459, which is registered as a manuscript of "Khayyam's quatrains" due to the similarity of its quatrains with Khayyam's quatrains. Diwan Mirmohammed Momen Estrabadi is one of the precious manuscripts that has remained unknown until now, and the correction of this manuscript is very important in order to know his character and position and get to know his poetic style and thoughts. This research, with descriptive-analytical method, is devoted to the investigation and analysis of the poetic style of Diwan Mirmohammed Momen Estrabadi, which has been corrected by the authors.

Critical Realism fundamentally involves the creation of artistic works based on portraying the lives of marginalized individuals within the natural course of events, while also explaining social contradictions and conflicts. One form of critical literature is political satire, which humorously describes and critiques societal challenges with the ultimate goal of reform. In political satire, any form of violence or coercion is rejected. Although political satire has long been present in literary works, the Constitutional Era in Iran is known to be the most notable period for its development, significantly influencing later periods, including the Pahlavi era and post-Islamic Revolution literature. Among contemporary political satirists, Roya Sadr is a notable figure who consistently employs critical literature to depict the sometime harsh realities of society. Her works are all rich in Critical Realism with a strong emphasis on political satire. Using a descriptive-analytical method and documentary research, this study aims to analyze the components of Critical Realism in Roya Sadr’s political satire. Findings reveal that Critical Realism in her works is manifested through ten key components: ridicule and belittlement, humorous similes, depictions of ignorance and foolishness, deconstructing symbols, exaggeration, paradox, rebuttal, debate, parody, and irony.

Lyrical poetry is emotional poetry that comes from the depth of the poet's being and expresses his most original and intimate feelings. This type of poetry is a mirror of the whole interior view and expresses the poet's conscience, and it has different types, all of which are taken from the poet's emotional and fragile self, and their impact is due to the fact that it arises from the depth of being and sits on the heart. . One of the types of lyric poetry is Bath-al-Shakvi, which literally means complaint and heartache, and in it the poet rises to glory from all the factors that messed up his emotional, social, political and existential philosophy and the human race. And she undergoes changes and distortions, and sometimes she sits with the audience with tears, sometimes with reproaches, and sometimes with lamentations, and she expresses the causes of her suffering and distress. Simin Behbahani is one of the contemporary poets who has spoken in her poems in the form of complaints about the disorders of life such as the neglect of feelings, romantic resentment, as well as protesting the conditions of the society in which she lived and the suffering of the people of the time. In this article, the authors try to describe and analyze the types of complaints in the books of poems "Chalcharagh" and "yek dariche azadi" written by Simin Behbahani. The findings of the research show that personal complaints have a higher frequency than other complaints in both collections, and the reason for this can be seen in the failures of the poet's family life and her sensitive and feminine spirit. These complaints are the best way to find out the poet's mental and psychological characteristics and present a picture of her personal life to the audience

Ferdowsi Shahnameh, as the most important Persian epic work, deals with various aspects of the culture and history of Iran. Among them, the relations between Iran and Turan during the reign of Nozar are accompanied by many inflammations.

In this story, the verbal actions of the characters have a special appearance and advance the narrative process. In this article ، citing library sources and descriptive-analytical method ، the relations between Iran and Turan are examined with an approach to John Searle's theory of speech actions. The results show that emotional actions fall into two categories: "anger and resentment" and "sadness" and are effective in representing the mental states of the characters.

The declarative action is used to represent the superiority of the speaker over the competitor and can be verified. The act of persuasion has religious and moral foundations and is mainly expressed grammatically. Through the use of this action, the Turanians attacked Iran.

The declared action includes: the declaration of war against Iran by the Turanians, the declaration of the struggle against the rival and the murder of Nozar by the Turanians. Also, the act of commitment in this story has a group and personal aspect and includes the bragging rights of the heroes for each other.

Women are among the vulnerable groups in society who have historically faced widespread violations of rights and extensive violence. An important issue in this context is the various perspectives and theories that organizations, institutions, real and legal personalities, and writers have each attempted to portray the nature of violence against women and combat it. Writers have typically used the format of social novels to describe the situation of women and the violence exerted upon them. This article explores Moshfeq Kazemi's "The Terrible Tehran," which is considered the first social novel in Iran. The main question of this paper is: "What are the main ethical misconducts focused on covert violence against women in 'The Terrible Tehran'?" The central hypothesis of the current article emphasizes that Moshfeq Kazemi depicts a frightening Tehran after the Constitutional Revolution and the early Pahlavi era, essentially mourning the plight of Iranian women and a patriarchal society through two major indicators: covert verbal and non-verbal violence. The findings of the article using a descriptive-analytical method and utilizing written and digital sources indicate that ethical misconduct against women in the novel "The Terrible Tehran" includes major indicators of covert verbal and non-verbal violence. Based on this, humiliation, slander, insult, threat, lying, taunting, and mockery fall under covert verbal violence, and ignoring women's personhood, supporting erroneous marriage customs, endorsement of polygamy, sexual violence, and hypocrisy are forms of covert non-verbal violence.

The Swish pattern was first introduced in 1985 by Richard Bandler (Psychologist) and John Grinder (Linguist), the founders of the L.N.P field. According to this model, pleasant and purposeful behaviors are replaced by unpleasant, forced, and unwanted behaviors with the help of internal resources. Among the great poets and writers of Persian literature aligned with this method of treatment, Saadi is an experienced and practical teacher who, in Golestan, by applying the model of immediate displacement, replaces unpleasant and inhibiting behaviors with pleasant and joyful behaviors with the help of internal resources. The purpose of this research, which has analyzed all chapters of Golestan with analytical and descriptive methods, is to use the L.N.P in Golestan Saadi's anecdotes with an emphasis on the Swish pattern. The hypothesis emphasizes the issue that everyone has the necessary and sufficient resources to create pleasant images and the results they are looking for and can take action from internal resources to produce positive and uplifting images by accurately knowing the aggressive and disturbing stimuli. With this aim, the results of the findings in Golestan showed that effectively confronting the trap and freeing the mind from the captivity of invasive images can be the reason for the emergence of good ideas and the development of pleasant feelings in the mind, and as a result, it will be an effective reason to prevent its spread to others. Also, this powerful encounter will bring vitality, liveliness, and stable self-esteem.

Political satire is one of the types of critical literature that is expressed as a practical weapon for intellectuals of the society with the aim of reform and transformation. This is while political satire rejects any kind of violence and coercion. In other words, political satire is the ability to show some shortcomings that are appropriate to politics, which are expressed in a funny way, with the aim of correcting the prevailing conditions in the society. Although this method has long been seen in many literary works, without a doubt, the constitutional era can be considered as the evolved period of political satire in the history of Iranian literature. Writers and poets of good taste appeared in the context of the developments of this period and the present era and became the eloquent language of their countrymen, among which we can mention Roya Sadr. Sadr is a renowned researcher and writer in the field of humor and has presented his impressive works, among which are "Khabarnameh Mahramaneh", "H, Mesle Tafahom", "Bardasht Akhar" "Shab haye Kush-Adasi" and the satirical blog of Roya Sadr's "Bibi Gol" which are full of political satire. In this research, which has been collected in the way of documents, after defining humor and its infrastructures, the methods of this art are explained in the mentioned works. The findings showed that Sadr's mastery and skill in literature, along with her smooth and creative taste, led her to use most of the literary techniques such as contrast, assurance, humorous similes, contradictory combinations, exaggeration, allegory, exaggeration, etc., this creating variety and therefore effectiveness in her works.

The Use of NLP in the anecdotes of Saadi’s Golestan with an emphasis on the butterfly effect theory. Neuro Linguistic Programing (NLP) means programming and controlling the language of mind, the art and the knowledge of effective and successful communication. Based on this knowledge, every human communication involves a system or relational space in which each participant has varying degrees of influence. Some members' behavior can have a significant impact, highlighting the importance of identifying the most effective member in the relational system. Therefore, the suggestion of NLP for getting a better result in the communication system is to use the Butterfly Effect Theory. In this regard, NLP utilizes the Butterfly Effect Theory for achieving better results in communication systems. The Butterfly Effect Theory, proposed in physics, aims to discover the most influential individual in a communication system and educate it, as it believes that even the slightest mistake or deviation by the most influential individual may cause the system to collapse. Among the influential works and authors in the realm of didactic literature in Persian language, Saadi's 'Golestan' aims to create balance in communicative situations and enhance harmonious behaviors. Saadi does not consider all the elements present in a communication system to be equally influential. From this perspective, Saadi’s views on the management of interconnected social systems and systems can be aligned with the Butterfly Effect Theory. The aim of the present research, after a thorough examination of Golestan in an analytical and descriptive manner, is that the most important members of micro and macro communication systems should be without any intentional and unintentional computational errors. Because the slightest change in them in the wrong direction can lead to the disintegration of that micro or macro system. The result of this research is that everyone can and should, with a precise understanding of their position in a communication system and the impact of their behaviors on that system, prevent the occurrence of chaosIslamic mysticism, the language of mysticism, mystical story, anecdote

As a valuable heritage, Persian manuscripts have made an important contribution to the preservation of Iranian culture and civilization. Mir Mohammad Momin Estrabadi, a sage, architect, poet, and writer of the 10th and 11th centuries AH, has left behind his works including Divan Shaari. This diwan is kept as a single copy in the "Royal Library of Golestan Palace" under number 459, which is registered as a manuscript of "Khayyam's quatrains" due to the similarity of its quatrains with Khayyam's quatrains. Diwan of Mir Mohammad Momen Estrabadi is one of the precious manuscripts that has remained unknown until now, and correcting this manuscript is very important in order to know his character and position and to familiarize himself with his poetic style and thoughts. This research is dedicated to the investigation and analysis of the poetic style of Divan Mir Mohammad Momen Astarabadi with a descriptive-analytical method. The scope and statistical population of the study are the manuscripts of his divan, which has been corrected by the author. His divan consists of quatrains, odes, ghazals, and pieces, of course, most of it is dedicated to quatrains. According to the results, the poetry style of Mir Mohammad Momen Astarabadi is very close to the Indian style, and in terms of content, language and literature, there are many features of the Indian style in his poetry.

The school of Romanticism is a European literary school which was born as a result of turning away from the logic and wisdom of the school of Classicism and was inspired by passion and excitement. This school has also had considerable influence on the development of various nations, including Iran. One of the important effects of the school of Romanticism on Iranian poets has been the development of their worldview, which has, in turn, broadened the scope of their protests and complaints regarding various social issues. This issue shows its effects in a more tangible way, especially when injustices, challenges, and social and individual disorders in a society are intensified. Simin Behbahani is one of the contemporary poets who has complained in her poems about injustices, deaths, and abandonment, and has protested against the existing situation of the society and her fellow human beings. In this article, authors have tried to use the descriptive-analytical research method to analyze the Romantic discourse of complaints in the works of Simin Behbahani. Findings of the research indicate that personal complaints are more prominent in the above-mentioned poetry collection, the reason for which should be found in her sensitive spirit and femininity; since she has experienced bitter and unfortunate events at some point in her life, her frank talk about pains and failures in her poetry attracts the sympathy of her audience.

Violence refers to the concept of applying any behavior to harm one or more phenomena. This concept can be done on two levels, consciously or unconsciously. Among these, the critical issue is to investigate the limits, amount, and victims of violence. One of the important spectrums that have sometimes been subjected to violence is women. In Iran, the presence of women as victims of social and cultural conditions dates back to the first contemporary novels during Reza Shah's modernization era. In the novels of this period, we came across images of women as victims of society. This article is research in examining and understanding the concept of hidden violence against women in the novel "Homa" written by Mohammad Hejazi. As a leading author and novelist, Hejazi has shown the concealed shadow of violence against women by choosing female titles for his novels. The hypothesis of this article indicates that in the novel "Homa," Hejazi presents a woman who is a victim of hidden violence in the culture and traditions of a patriarchal society. The findings using the descriptive-analytical method and written and virtual sources showed that the hidden violence against women in Homa's novel includes two indicators of verbal and non-verbal hidden violence. Therefore, humiliation, slander, insults, threats, lies, taunts, and teasing are included under the index of hidden verbal violence. Also, ignoring women's character, supporting wrong marriage customs, supporting polygamy, sexual violence, hypocrisy, and pretending is under the macro index of hidden non-verbal violence.

Linguistic communication is usually accompanied by other communication methods such as movement behaviors, which are called non-verbal or extra-linguistic communication. Nonverbal communication in the speech process can have substitute, emphasizing or denying roles, although sometimes they play several roles together. Some researchers consider non-verbal communication more important than verbal communication in some situations; Because the transfer of meanings and meanings takes place more than non-verbal behaviors. Therefore, in this research, an attempt is made to investigate the non-verbal communication in Jami's Al-Zahb through a descriptive-analytical method. Determining the nonverbal components in this Masnava is the main goal and the classification and function of non-verbal communication is a secondary research goal. Communication is one of the main goals of language. The result of this research shows that Jami has used most of the non-verbal communication elements in this Masnavi and the elements that have been used the most are functions related to body movement 204 cases, objects 88, visual communication 86, face concepts 76, lip and mouth concepts 76 and... Also, the studies show that the concepts and messages that were transmitted through this method played a complementary and essential role in the transmission of the desired concepts.

Investigating the topic of double contrasts in literary and artistic works for a better and deeper understanding of these works has attracted the attention of contemporary linguists and narratologists. In this research, by looking at Saadi's works and ideas, we have paid attention to the investigation of double confrontations or mutual couples as one of the main pillars and elements in the components that Saadi has expressed the themes and themes related to health and mental health. According to the nature of the components studied in this thesis, the paradigm of the present research is descriptive-analytical and the method of representation is done through qualitative content analysis. The field of study and the scope of the current research, which was selected through a targeted sampling of Saadi's works, were determined based on the principle of sufficiency and sufficiency of evidence. The results of the research show that the contrast of words with opposite and opposite meanings covers a significant part of Saadi's poems and writings. With a structuralist look at the investigated examples, we find that these signs give attention to the real and objective explanation of practical solutions to obtain peace and comfort based on moral, mystical and educational teachings from the artistic and semantic point of view, and in the form of semantic, implicit, A structure in the sentence unit and literary contrasts are presented in Saadi's speech.

Image is one of the important elements of beauty in poetry. Using this element, the poet obtains his emotional experiences and mental perceptions with the help of literary industries and rhetorical methods such as similes, metaphors, ironies, metaphors, etc. in an artistic and captivating way. Sa’adi has also benefited a lot from this kind of expression. Therefore, in this article, the image of the lover in Sa’adi"s lyric poems is discussed from the perspective of two images of simile and metaphor.

This article explains the images in a descriptive-analytical manner. First, definitions of the image are given, then the images related to the lover in three hundred and sixty Sa’adi ghazals from the book "Saadi"s lyric poems" have been studied by the efforts of Khatib Rahbar (1998) from Mahtab Publishing.

The result of this research, after examining the images in Sa’adi"s three hundred and sixty sonnets, indicates that the images that mean and They better represent the mental minutes in Saadi"s poetry, they are classified into three groups related to emotions, body, and lover traits.

Lover traits (61%) have the highest frequency and images related to the lover"s body with (6%) have the least use. These images - which reflect the poet"s conscience in the form of words and form the basic element of his poetry - show the power of words, eloquence and pleasantness of his words.

The media in all its forms is the arena of conveying the message to the audience, and all types of media play a prominent role in creating culture and changing the beliefs and attitudes of the audience; Therefore, due to the diversity and multiplicity of new media, the issue of audience attraction is more important than ever. The present study, with emphasis on different types of media, in the form of interdisciplinary studies, has introduced three prominent components in Saadi Park and Golestan. The research method is theoretical-citation and based on humanities data And the research findings show that Saadi has used the components of simplification, conciseness and truth-telling as three very effective strategies in attracting the audience and the correct application of these tricks has led to his global success. Intelligent strategies that have the ability to be very effective as a raw material in sparking media messages to attract the attention of the audience.

One way to get acquainted with the common arts of each period of history is to study the great literary works that have survived from that time. Among the present literary texts, the Divan of Haji Mohammadjan Ghodsi Mashhadi, a poet of the 11th century AH, is a contemporary of the Safavid dynasty, whose popular art of this era is widely reflected in his poetry.The era of flourishing Iranian art is in the Seljuk and Ilkhanid eras and reaches its peak in the time of the Timurids. However, the concentration and integration of the Safavid state organization caused all the arts to flourish, and for this reason, the types of arts in this era grew significantly in quantity. The Safavid government has been considered as a superior power in the field of politics, culture, economy and even art due to its religious authority and the confrontation of the great Shiite power with the Sunni government of Ottoman Turkey.In this article, an attempt is made to analyze the arts that were popular in the Safavid era, such as music, painting, calligraphy, book design and architecture through the Holy Divan of Mashhad.

Manuscripts are a valuable legacy of ancestors whose correct and scientific revision can bring the text closer to the original work and take advantage of the texts of past authors. The manuscript of Matla Al-Saadeyn is a work on the rhetoric of 12th-century poet and writer Sialkoti Mel Varasteh in the Indian subcontinent. One of the features of this work is the author's critical point of view, the lack of imitation and repetition of the contents of earlier rhetoric books. The author of this book also pays particular attention to the poetry of his era, the Indian style poetry, as most of the evidence points to the poetry of the eleventh and twelfth centuries. As more evidence has chosen an example from the poems of poets of the eleventh and twelfth centuries. Studying this work can inform us about the status and quality of rhetorical knowledge in the Indian subcontinent. In this article, we introduce the manuscript of Matla Al-Saadeyn. The method of this research is to study, record, and collect information from authentic library sources and its purpose is to introduce one of the valuable subcontinent rhetoric books in the 12th century AH.

Sialkoti Mel Varasteh is one of the Persian poets and writers of the subcontinent in the twelfth century AH. Informed Al-Saadin is one of the pious works on the subject of rhetoric. In this work, he has expressed the relevant points in detail and his accuracy and detail in writing Al-Saadin is remarkable and important. In this work, he has referred to rhetorical books and the opinions of contemporary and earlier thinkers and has provided opinions about them as for or against. One of the people who is mentioned a lot in this work is Sirajuddin Arezoo. Arezoo has been a literary critic and has works criticizing the poems of others. Of course, it has also been criticized by some people. Varasteh always calls him good and with titles such as Siraj Al-Muhaqiqin and Siraj Al-Mudaqiqin; In some cases, however, he وی rejects his views.. In this article, we will look at some examples. The independence of opinion, وسی extensive knowledge and extensive pious study ‌, is clearly evident in his critical views on the rhetorical works before him, as well as in the views of great thinkers such as Sirajuddin Arezoo.

Mohammad Khorramshahi is one of the contemporary poets and writers and one of the satirists in the field of humor who during his ninety years of activity, has written more than ninety pseudonyms in this field, to the point that he has become one of the record holders of pseudonym in the Iranian press; But by all this activity, it has been overlooked by researchers. Since the task of humor, while informing the officials about the problems and failures, it should also recount the treatment as much as possible and remove the obstacles and problems diligently. In this article, in addition to introducing this character, the author has tried to examine the relationship and content of pseudonyms with the content of his poems and humorous content. The results show that there is a relatively significant relationship between Khorramshahi's poems and humorous content with selected pseudonyms.

The goals of psychology in the past have been to focus on diseases and ways to treat them; But about two decades ago a branch of psychology called positivist psychology aimed to emphasize the six positive moral virtues such as wisdom, courage, justice, moderation, love and compassion, excellence and the capabilities of twenty-four such as honesty, hope, appreciation, leadership… Was considered. Khosrow and Shirin is one of the five military systems with many moral capacities. Knowing these virtues and capabilities can have a great effect on showing the character of Khosrow and Shirin. In this system, Khosrow's character with virtues such as compassion and love, wisdom and curiosity and love-loving abilities and sweetness with beauty adorns the virtues of moderation, love, excellence and the ability to love, self-control, spirituality and hope to flourish and excel. messages and perseverance and effectiveness Increases messages.

Ashura has always been the focus of writers and poets. After the Islamic Revolution poets paid more attention to Ashura poetry. Among these poets, Saeed Biabanki can be named in the contemporary era. The present study investigates, analyzes and critiques the Ashura poetry of this poet from the point of view of artistic and thematic images based on descriptive-analytic method in order to express its images and themes. Familiarity with prominent contemporary Ashura poets, identification of prominent post-revolutionary Ashura sonnets, and the use of visual language to explain the concepts of Ashura in the form of sonnets, are important in this research. The study of this collection shows that the poet portrayed the concepts of thirst, martyrdom and oppression of Sayyid al-Shohada (AS) and his loyal companions by utilizing imaginative factors on the horizontal axis, with symbol and metaphor at the top. The method used in this study is detailed analytical (library).

The Holy Qur’an as the highest manifestation of the Islamic culture is a book full of revelatory teachings. The overwhelming number of Qur’anic ayahs on educational topics and Sa'adi's in-depth understanding of this quality made the extent of his being influenced by the Qur’an very considerable. Some of the major Qur’anic features that strongly influenced Sa'adi are: the educational nature of the Bustan and the Gulistan as the most basic characteristic of the Holy Qur’an, the simplicity and clarity of the text, stories and parables, humor, rhythmic language and artistic brevity. The present study, within the framework of interdisciplinary studies on the Qur’an and Sa'adi's masterpieces, discussed the educational literature and some tools for perceiving it as the most effective methods of audience attraction. A theoretical-citation research method was used in this study that relied on Qur’anic data and aimed to analyze the effect of the Qur’anic culture on Sa'adi's viewpoint by explicating a number of strategies used for influencing the audience. The findings show that Saadi's success in being inspired by the Holy Qur’an predominantly lies in his choice of the literary type of educational literature that enjoys a very simple and expressive language, which while observing the musicality of language and tone of speech adopted from the brevity and miraculous nature of the Holy Qur’an, manifested his highest level of inspiration from this infinite source so that this very thorough application of Qur’anic teachings can be considered as the key to a kind of literary enjoyment that one feels when reading Sa'adi works.

This article discusses the promotional and recruitment activities carried out in the high schools of Khorasan by the Provincial Committee of the Tudeh Party between 1941-1956. Data was collected from archival records, supplemented by library resources. Because of the heavily religious atmosphere of the region and the lack of a working class, communist propaganda enjoyed little success among mainstream society. Therefore, the Committee focused on high school teachers, students and the education system. The Committee’s activities are divided into three parts: from 1942 to 1948; From 1951 to 1953, and from 1953 to 1956, when its efforts terminated as the result of public distrust. Furthermore, prosecution by security forces limited the success of party activists. Many of them, as a result, withdrew from the party. Those few who persisted in their efforts lost their jobs. After the establishment of SAVAK, the party sympathizers did not find a chance to renew their activities.

After the Islamic Revolution, one of the most unique opportunity of periods of Iranian history, especially in the realm of political freedom and social. Political parties with different ideological approaches took advantage of this historic opportunity. Mko was one of those groups that quickly became the largest leftist political organization in the country and use of all available means, including utilizing the capacities of all parts of the country for power. Mashhad due to its special characteristics in terms of significance after Tehran was one of the centers. Life is organized in Mashhad because of extreme authoritarianism, centralization was in complete dependence and their efforts in recruiting, organizational chart and activities mainly in the central box was designed patterns. However, the opposition mko of components affecting the behavior in Mashhad that were causing changes in the shape and organization measures results. This article seeks to rely on documents and press reviews the ups and downs of Mashhad branch in the years 1357 to 1360.