mahbube mobasheri

Cultural identities in contemporary societies are influence of “cultural industry” or "mass culture" that is liar, median and extemporaneously theory and influence of Frankfurt school scientist as an important theory in the world. Therefore, “Culture industry” is a material and pseudo category and have no generic, dynamism and animal spirits. Whole of this is false and chimerical asked in contemporary consumption societies that remove people from original culture and attained material and intellectual expectations by programmed goals. Therefore, the society exploited by capitalist powers and consumed by his commodities. Now, modern human influence of west consumable culture. Consumable human in consumption society, is living and thinking by economic powers ideals and is relocating with his original culture value. Ordibehesht Diary by Jafar Modarres Sadeghi, is among of decade of 90 in contemporary Iranian literature; in other words a period of contemporary history that urbanized middle rank of society is involved to apparent of modernism and “cultural industry” and forgot trueborn origin thinking through cultural industries capitalist and schematic goals. This roman and cling of “cultural industry” has a character who is a bad symbol of modern human and just is consuming everything over plus and is severing of spiritual live ultimately. This research, by descriptive and analytical method, has review and analyze category of “cultural industry” and sociology dimension. Accordingly, narrator of this roman is a lonely man that satisfied with over plus consumption, west material culture and attend to medial culture, because in his society has any original and good thing. Consequently, this character is a symbol of "One-Dimensional man" according of Marcuse's views. That kind of contemporary character is influencing of "Alienation" and is reflecting this entire characteristic in this roman. Now, we are critic and analyzing this theory in this roman as a good and suitable choice.

Kashf-al-Asrar contains observations of Rozbahan from heaven. Mystics obtain the ability to see the unseen in a state between sleep and wakefulness which is called the event. Recognition and analysis of the event in language¡ according to its psychological state¡ entails an understanding of the psyche. What mystics seek within themselves and the journey they start from and end to themselves¡ leads to the encounter of a dimension that is today named “unconscious”. According to Yung¡ revelation is unraveling the depths of the human soul which is essentially a psychological state. Unconsciousness and sudden intuition in the archetypal daydreams is very similar to the event state. According to the order of the mystic¡ the individualization steps are more evident in the events¡ and how «Self» can organize and control all the images for representation. He renders internal survey equal to explorations in the unknown territory. In the events¡ Roozbahan sees the order and inner truth in the garb of imagination. The most important archetypal images in his observations are «Self» and the «Pir» (aged). He always refers to the hadith of I saw my God in the finest image. In his revelations¡ the finest images of himself or God appears as a person in the sensory manifestations such as forms of light¡ mandala¡ jewels¡ etc. from the treasury of the mind. Powerful expression of the “Self” in the order of unity diminishes the shadow and highlights the «Pir» (aged).

Along the history of Persian Literature, the women have played many different roles such as beloved, mother, wife, daughter, servant, old woman, and so forth. In many cases, they have been the symbol of complot, treason, corruption and a toy in men’s hand. This descriptive, Library research aims to demonstrate different roles of old women such as mystic, brave, wise, counsellor, narrator, misleaders, match maker, magician, and so forth to show relationship between world and old woman as a bride who has thousand grooms.