valiullah hasoomi

The present study deals with the documentary and content analysis of the hadith of Salat al-Tasbih or Jafar Tayyar's prayer, which is one of the most important recommended prayers. The thought of attention only to appearance (Zahergarai) became popular in the second century, and Hadith narrators and texts were judged incorrectly by looking at the appearance of the hadith. the rejection of the Hadith narrators and the text by the Tasbih prayer is one of those cases. First, Ibn Juzi and then his followers made Criticisms to the authenticity of this hadith and listed it among the fake hadiths. Later, Ibn Taymiyyah criticized the text of this hadith with the same approach and considered it as not authentic. This article criticizes and answers these Criticisms in a descriptive-analytical methods using Sunni principles. According to researches, this hadith is authentic in Shia sources, and according to the principles of Sunni, this hadith can be defended and accepted, and Ibn Juzi's criticisms of the narrators of this hadith are not correct. Ibn Taymiyyah's criticism of the text of this hadith is also not acceptable and it is rooted in Ibn Taymiyyah's wrong views towards Shiism. The primary basis for writing the book Minhaj Sunnah also confirms this. In addition, Ibn Taymiyyah's criticisms conflict with the views of other Sunni Sects.

Family is raised as a holy building in Islam that the correct training of people, prevent of many social damages, and will be guarantor of human health in other areas, such as: school and business environment. Therefore, in Imams (A) behaviors, especially in Imam Reza (A) teachings, we can see more attention to training of people in this area. The goal of this article is attention to moral necessity of family life in view of Imam Reza (A). This article in descriptive- analytical method with Quranic-Narrative approach, investigates this important issue in two cognitive and behavioral areas. In cognitive area, has noted to how to communicate and interact with family members, and in behavioral area has noted to HomeManagement, Familiaritywith thehome membersandchildren, observance of the rightof partner, properbehaviortowardsservantsand guests.

Persuasion is a process that is performed to change the attitude of the audience and to direct their thoughts towards pre-specified objectives. Various techniques and methods are used in the persuasion process. Since various persuasions are constantly being developed to affect the formation and structure of human thought، and the audiences’ thoughts are continually being modified in the direction of the persuaders’ interests، investigation of this issue in Islamic sources and in particular in Imam Ali’s discourse could assist us in confronting emerging challenges which are collectively dubbed as soft war. Therefore، this study aimed to elucidate the persuasion phenomenon and investigate its implementation in Nahjolbalaghe. Adopting a religious approach and an analytical method، the study consulted social psychological literature، communication psychology sources، and sources related to Nahjolbalaghe. Conducted analyses revealed that، in his discourse، Imam Ali used a variety of persuasion techniques and methods such as religious propagation، wisdom، and preaching to persuade his audiences. Since Imam Ali applied each of these techniques and methods in appropriate temporal and spatial circumstances، they exerted their maximum influence over the audiences. In addition، for the persuasion of his audiences Imam Ali strictly adhered to a set of criteria which included open-mindedness، purposefulness، avoiding lies and deceptions، and etc.

Illustration in speech field is the art of portraying concepts with the help of words and phrases with specific methods carried out to increase their efficacy on the addressee and a better and faster conveying of the material. This art is employed beautifully in Nahj al- Balāgha، which، by making use of nature، human being، living creatures، etc. in the vertical and horizontal axes of speech، has created beautiful and effectual images. On the horizontal axis، that is in every single sentence، simple images like beauty، magnificence، greatness، etc. have been displayed. Different warm and lively images colored with various rhymed prose، rhetorical forms، symbols، allusions، stretch of imagination، and spiritual elements are available in this axis. Sometimes، even without using a specific form، novel images have been created or the very Qur’ānic images have been directly employed. On the vertical axis، i. e.، the general structure of speech، with which reasonable and logical communication is made between the components، novel and matchless images have been created.