فهرست مطالب zahra sadat ardestani

Although this collection was made by Sheikh Safi al-Din Ardabili in different periods; But it is stated in historical books that the design of this collection in the dream was inspired by Sadr al-Din Musa, the sheikh's son, to the architect of the building. According to the prevailing beliefs in the patriarchal and Safavid historical period, this collection can be considered as an unconscious manifestation of Sufism. On the other hand, in Jung Kohan analytical psychology, the model of "individuality process" has been proposed, which is related to spiritual questions such as the meaning of life and the purpose of existence. This archetype can be compared with mystical behavior in the school of Islam. The purpose of this article is to answer the question whether by examining the archetype of individuality, it is possible to understand the concept and how to find its objectivity in this collection? In this article, the historical perception approach has been used in the method of historical interpretation. And we will try to examine the quality and relationship between these signs and the archetypes in this field. As a result, the physical structure of this complex is based on the levels of mysticism as well as the four stages of the archetype of individuality, and at the end of this set, the physical signs indicate the emergence of the complete archetype of individuality. It can be said that as with the conscious and unconscious adaptation (circle and cycle), Mandela's physical sign is formed. In architecture, the circle is the symbol of the original unity and the sky, and in the center of everything, they come together in coexistence. The number seven, which is the basis of mysticism, is also the organizer of the architectural movement spaces of this complex.

The city as a living system and a dynamic structure has shown a flexible attitude to the challenges ahead and has been constantly trying to overcome the challenges and reproduce its elements to become efficient and usable in the future. In the face of the corona pandemic challenge, the city has acted in the same way, shown reciprocal behavior, and tried to overcome this crisis effectively. Therefore, city planners and managers must approach the city and its elements with a different perspective. The corona pandemic has changed cities' quality of life and environments. pepole prefer new living patterns, and some of the past structures have been discarded by them. For this purpose, after studying the literature review and the international experiences, the dimensions, factors, and practical indicators of the corona pandemic have been identified.

The present study is a descriptive-analytical type, and the desired findings have been explained through a questionnaire using quantitative and qualitative methods and confirmatory factor analysis tools.

 The metropolis of Tehran had the highest positive impact in the physical-spatial dimension (4/59) and the lowest positive impact in the social dimension (3/03) in the Covid-19 pandemic.

The results of the analysis indicate 14 effective indicators: lifestyle changes and health protocols, increased virtual socialization, reduced inequality between different groups of people in access to the internet, promotion, and expansion of digital tourism (virtual trips), starting development of Apps and start-ups, increasing small-scale commercial markets, upgrading medical equipment, increasing countries interaction in the field of health, the importance of planting trees, using public transportation, increasing public transportation capacity, designing more open and green spaces in the city, more attention to deprived areas and slums and redesign of public spaces based on the prevailing conditions will provide positive effects during the pandemic of Tehran. Therefore, suggestions have been made to improve and enhance the quality of life in metropolitan areas, especially during pandemics.