ادبیات روس

Humor in Gogol's fantasies is not only social criticism, but the author tries to instill a kind of fear and sometimes anger and surprise in the reader with special measures. This article tries to deal with Gogol's ways or Styles to achieve this characteristic in two works, Nose and Overcoat, with a descriptive-analytical approach and with reference method, and to show that Gogol used excessiveness and exaggeration in Reality and turning to fantasy has taken it to other dimensions like grotesque. He has turned to the grotesque both in the elements of the story, in the method of its execution, and in the content. In the structure section, it has been achieved with the help of suspense, characterization, and exaggerated and rumored beginnings and endings, and in the performance method, it has chosen fantasy and postmodern approaches rather than humanizing objects and body parts. to give them an exaggerated personality and by creating an illusion in the audience, create a platform to turn to an open ending and as a result create an eerie uncertainty for the reader. It breaks the border between reality and fantasy in the audience's mind, and finally, with uncertainty, fear and anger prevail over humor. In fact, by changing the real and real texture to fantasy and also turning to scary content, in addition to a funny and surprising and unconventional act, the author has thrown a scary background in the heart of a person's awake conscience to complete his set of Grotesque Styles or ways

Fyodor Mikhailovich Dostoevsky is founding father of psychological novels. We cannot deny the debt Joyce, Kafka & Proust owing him. Also, we easily can recognize his impact on Nietzsche, Gide, and Camus & Faulkner’s works as well as on many writers of the twentieth century. This article tries concentrate on the hermeneutic texture of his best novel published three months before his death. The characters who dramatize “Brothers Karamazov” are explicators of philosophical concepts on his time and exponents of the paradoxical inclination in human thoughts. Dostoevsky’s deep understanding of Christianity has made him able to have a Russian interpretation of the Bible & a Christian narrative of Russian society. Brothers Karamazov, moreover, challenges the church’s profit-seeking spirit, and reveals incapability of the socialist idea in reaching a Godless utopia.