الروایه الحدیثه
در نشریات گروه ادبیات و زبان ها-
ادب المدینه الفاسده او الدیستوبیا او الواقع المریر (Dystopia) هو مجتمع خیالی، فاسد تسوده الفوضی، فهو عالم وهمی لیس للخیر فیه مکان، یحکمه الشر المطلق، ومن ابرز ملامحه الخراب، والقتل والقمع والفقر والمرض. لقد ظهرت قصص وروایات مثل هذا المجتمع فی العدید من الاعمال الادبیه، بعد ما اصبحت المدینه الفاضله فی مخیله الادباء ولم یحصلوا علی مدینه لائقه للعیش الکریمه فی ظل الظروف التی مرت فی حیاتهم. لم یخل الادب العربی من هذا النوع الادبی، فقد اهتم شعراء العرب وروادهبهذا المفهوم فی آثارهم الشعریه ونصوصهم الادبیه. ومن اولئک الذین جسدوا المدینه الفاسده فی نتاجهم الادبیه هو الروائی الاردنی جلال برجس کاتب روایه "دفاتر الوراق"، فقد نراه فیها یصور للمتلقی مدینه خیالیه مفزعه تدور احداثها حول القتل والخراب والفساد. هذا الامر ناتج عما یمر بلده الاردن من الواقع المریر والانشطار الطبقی جراء السلطه الفاسده وکذلک الصراعات الدائره مع الاحتلال الإسرائیلی التی افضت البلدان العربیه إلی الدمار والاضطرابات والفوضی. هذا المقال یقوم وفقا للمنهج الوصفی-التحلیلی بدراسه ظواهر الدیستوبیا کالفقر والحرمان وتفشی الفساد الحکومی والحروب والقتل والدمار وتجلیات هذه المفاهیم فی روایه دفاتر الوراق. نظرا لاهمیه البحث یحاول کاتبا المقال معتمدا علی عناصر الدیستوبیا، الاستقصاء فی روایه دفاتر الوراق للکشف والإیضاح عن المعلومات عن القضایا التی تودی إلی موجه الدیستوبیا فی المجتمع وکیفیه ظهور ملامح عناصرها فی هیکل الروایه لدی کاتبها. لقد اظهر المقال ملاحظه جلال برجس بالظروف النفسیه الحاکمه فی شخصیات روایته کالشذوذ الخلقی والتناقض فی الشخصیه وقد ابان عن امور اجتماعیه مکتومه کالحیاه المحبطین والمتشردین والمنبوذین کما انه کادیب ملتزم قد تمنی حیاه سعیده لشعبه وابناء وطنه ولهذا ناقش فی امور الحکومه ومدی تخلیها عن دورها الحقیقی فی تطبیق العداله والقانون وقمع الشعب اقتصادیا وسیاسیا.کلید واژگان: الروایه الحدیثه، الدیستوبیا، جلال برجس، دفاتر الوراقThe literature of the filthy city (dystopia) is the literature of an imaginary and corrupt society that is ruled by chaos, this type of literature depicts an imaginary world in which goodness is depleted and absolute evil reigns over it. Its most prominent features include destruction, murder, cruelty, poverty and disease. This literary type, after the proper and decent life for the writers was not achieved in reality, In many of their literary works, it has appeared in the form of an imaginary world full of evil. Arab literature is also not free of this type of literature, Arab poets and elders have paid attention to this concept in their poetic works and literary texts. Among the writers who embodied the filthy city in their literary works is Jalal Bergess, a Jordanian novelist and the author of the novel "Defater al-Waraq". In this work, the author depicts a horrible imaginary city whose events revolve around murder, destruction and corruption. This is the result of the bitter realities of the Jordanian society and the existing class divide in it as a result of the rule of the government and the corrupt administrative system, as well as the continuous conflicts with the Israeli occupiers, which has led the Arab countries to destruction, unrest and chaos. This article deals with a descriptive-analytical approach with the aim of investigating the phenomena of dystopia such as poverty, deprivation, extensive government corruption, war, killing and destruction and the manifestation of these concepts in the novel of the "Defater al-Waraq". One of the other goals of this essay is to introduce the novel "Defater al-Waraq" as a socio-political novel which has depicted the vices of society with the aim of achieving an ideal and desirable society. Considering the importance of research, the authors of the article, relying on the elements of dystopia, try to find the data that leads to the phenomenon of dystopia in the society and also to analyze and examine how its signs appear in the novel "Defater al-Waraq" . This research has reached this conclusion that Jalal Bergess, psychological conditions governing the characters of the novel such as abnormalities and moral deviations have appeared which they do'nt find a solution to correct it and disobeying the rational commands brings their satisfaction. This phenomenon is not only limited to the poor and needy so that the rich and the holders of government positions are also suffering from moral deviation and their moral deviance has been manifested in the form of harassing others. Personality duality is another psychological phenomenon that it can be seen in the novel "Defater al-Waraq" that the characters of the story are in a difficult struggle between doing good deeds and bad deeds. The author of the novel has not forgotten the lives of the disillusioned and the homeless and has depicted the visible and hidden aspects of their lives. Another sign of dystopia in the novel is the war and conflict with the Zionist regime, which has led to the poverty and misery of the people. On the other hand, the ruling system in the novel "Defater al-Waraq" is a tyrannical power that has a great influence on events , although it may have an invisible presence like Utopia. In this novel, the ruling system has classified people into different categories, A group that has freely monopolized everything and have built their own utopian world and they have marginalized the rest of the people and they have deprived them of all their human rights. Another sign of government corruption is the expansion of the usury phenomenon in state banks, which swallows people's wealth and assets, that the result of this is the poverty and hardship that is brought to the people. Jalal Bergees has depicted the state of poverty and displacement of the people in such a way that their situation is far worse than that of the Palestinian refugees and the cloths of rice and wheat bags donated to Palestinians are used as shirts and bags for Jordanian children. Jalal Bergess also has depicted other signs of dystopia, the state of fear and confusion that is the result of continuous surveillance by spies and mercenaries of the government who are constantly trying to monitor the people and it recounts its psychological consequences on the characters of the story. Jalal Bergess believes that the only solution to these crises is the dismantling of the corrupt government and the administration of Jordan by just and democracy-loving men and he believes that the only way to achieve this goal is resistance and perseverance against the oppression of rulers, But from the perspective of mental disorders caused by the bad state of society, he calls people to adopt humane and moral ideals.Key words: Modern novel, dystopia, Jalal Bergees, Defater al-Waraq.
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إن افتتاح الروایه بوابه للولوج إلی عالم الروایه، فذلک قد یجعل بعض الروائیین ینسحبون عن کتابه الروایه، حیث إن التمهید الروائی یعتبر من اصعب الشوون السردیه. فهو یجذب القارئ إلی عالم الروایه إذا کان اخاذا ومثیرا. إذن فللمشهد الاول للروایه دور کبیر فی تشجیع القارئ وتواصله مع النص؛ لإنه جسر واصل بین السارد والمتلقی. فتطمح هذه الدراسه إلی تسلیط الضوء علی الافتتاح السردی حیث تقوم بدراسته علی اساس المشهد الاول والتنقیب عن التقنیات التی وظفها السارد لتمهیدها. فرغم ان دراسه الافتتاح السردی اخذت حیزا واسعا من الدراسات الحدیثه عن الروایه ولکن هذا المضمار یتطلب جهدا اکثر للکشف عن اهمیه الافتتاح فی الروایه والتکریس علی مکوناته. فالافتتاح السردی فی "روایه عندما تشیخ الذئاب" یتمتع بطاقات کامنه تهیب بنا إلی الترکیز علیه. فتکمن اهمیه هذه الدراسه فی انها تحاول التطرق إلی الافتتاح الروائی ومکوناته فی هذه الروایه ثم الکشف عن مدی ارتباطه بکل الروایه ککیان متشابک وتشکیل سردی من المنظور البنیوی. إذن فتعنی الدراسه بالمشهد الاول من الافتتاح وتشد الانتباه إلی العلاقه بینه وبین الروایه باسلوب توصیفی تاره ونقدی تحلیلی تاره اخری. فتخلص الدراسه إلی ان السارد فی هذه الروایه استخدم التقنیات التی تسیطر علی الروایه الحدیثه ویجعل الشخصیات فی ذروه الاهتمام لتمثیل عالم ملیئ بالمفارقات ووظف تقنیه تعدد الاصوات للابتعاد عن الرتابه فی الروایه التقلیدیه.
کلید واژگان: الافتتاح السردی، الروایه الاردنیه، جمال ناجی، النقد البنیوی، الروایه الحدیثهThe beginning of the novel is the gateway to its world. So this may cause some novelists to stop writing their own novels; because starting a novel is one of the most difficult things about writing a story. The beginning of a story can guide the reader into its world, if it is engaging and encouraging. So the first scene of the story can play a huge role in encouraging the reader and communicating with the text; because the beginning of the story is the bridge between the novelist and the reader. This research intends to examine the beginning of the novel based on its initial scene and it focuses on the techniques that the novelist used in the beginning of his novel. Although research on the beginning of the novel has had a prominent place in contemporary research on the novel, this field requires more effort to show the importance of the novel's beginning and to pay attention to its constitutive elements. The beginning of the novel “Endama Tashikh al-Zeab” has special potentials that draw our attention to it. The importance of this research is that it attempts to pay attention to the beginning of the story and its elements and examine the extent of connection of novel's beginning with the novel itself as an interconnected system and a text in the structural perspective. Therefore, this study deals with the first scene of the novel and draws attention to the relationship between the novel and its beginning. The results of this study show that the narrator has used techniques in this novel that those techniques have overcome on the modern novel and he has put the characters at tipping point of his attention to show a world full of contradictions. The narrator uses a polyphonic technique in this novel to avoid the traditional monotony.
Keywords: Beginning of the story, Jordan Novel, Jamal Naji, Structuralist Criticism, Modern Novel -
ظهرت الروایات العربیه الاولی فی سنه 1867 للمیلاد، و کانت منذ نشاتها تحت تاثیر عاملین: الحنین إلی الماضی، و الافتنان بالغرب و الخضوع لهیمنته. فی بدایه القرن العشرین اتسم عدد من الروایات التی کتبت بمراعاه الذوق الشعبی و الثقافی للعرب، فظهرت مثلا روایات جورجی زیدان التاریخیه المشهوره، و خطت الروایه العربیه خطوه جدیده علی ید امثال جبران خلیل جبران و امین الریحانی ثم میخائیل نعیمه؛ و فی عام 1914 صدرت روایه «زینب» لهیکل و هی التی یعتبرها نقاد الادب الروائی منعطفا هاما فی مسار الروایه العربیه، و فی نفس هذه المرحله اصبحت المقاییس الغربیه هی السائده فی کتابه الروایات. ثم إن الروایه العربیه لم تدخل فی الحیز الاهم و المرحله الکبری من مراحل تطورها إلا فی الستینیات من القرن الماضی.
کلید واژگان: الروایه، الروایه العربیه، الروایه الحدیثه، نشاه الروایه، تطور الروایهSince its advent in 1867،the Arabic novel has been under the influence of two factors. One factor is longing for the past، the other one is infatuation with the west and submission to its hegemony. In early 20th century، some novels were written in response to public taste and Arab culture. This novel is considered by critics of fiction to be a turning point in the path of Arabic fiction. At the same time western standards and rules were copied in the composition of novels. However the Arabic novel entered its major phase of development in the 1960’s.Keywords: Advent of the novel, Arabic novel, Evolution of the novel, Modern novel, Novel
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