توالی زمانی

 Sohrab Sepehari"s poetry represents the obvious and hidden aspects of his thought and personality, and his intellectual trajectory and ontology can be followed in eight books. In such a way that by following the historical course of formation and recognizing the semantic structure of each of the octagonal books of this work, it is possible to draw a picture of Sohrab"s transition and personal journey. On the other hand, the words and expressions in his poetry are the carriers of the poet"s thought, philosophy and mystical experience, and based on this characteristic, he can be considered one of the poets in the field of conceptual poetry.

METODOLOGY: 

The present research has explained the compatibility of Sohrab Sepehri"s soul journey with the semantic structure and time sequence of Hasht katab notebooks with a descriptive-analytical method and a holistic and semantic approach.

 The notebooks of Hasht ketab, with special titles given by the poet himself, contain a lot of information about the poet"s thought and worldview, and their analysis opens clear windows to the better understanding and explanation of Sepehri"s intellectual and epistemological system. As not only by examining the sequence of formation of the books, one can draw and follow the poet"s inner evolution line, but also to identify and describe the semantic center of each of these books as parts of a coherent whole, it helps to understand the semantic structure of this work and the poet"s thought system.

 In addition to having the components of a conceptual poem, Sepehri"s poem is a description of a personal journey that narrates the evolution of the poet in the form of a coherent and continuous collection. As the first book of this collection with the theme of absolute darkness and emptiness, portrays the hell of the poet"s thought, the second to fourth books, with the essence of sleep, consciousness and sad sorrow, the narrator of the purgatory of Sohrab"s thought, and the fifth, sixth and seventh books with the central meanings of insight, no thought and enlightenment. , they express the paradise of the poet"s thought, which finally reaches a redemptive end in the eighth book, and the poet is placed in the position of observation and presence.

The Waves dramatizes the tension between sequence and non-sequence. The actual waves in the novel are utilized as a metaphor for narrative and will-to-identity in terms of their continuous, incessant and sequential movement, where one wave follows another to form a pattern. Virginia Woolf uses waves as an extended metaphor which stands for sequence because of their sequential movements. The individual identity of characters which stems from their language is formed through narrative and therefore, identity becomes an element of sequence and narrative since it entails the general rule of sequence in the past-present-future order. Bernard who is infatuated by his art of story-telling believes that sequence is everywhere and this sequence is metaphorised by the relentless movement of the waves. He openly links identity to the chain-like structure of sequential language. He claims that without this narrative pattern, he is “nothing,” i.e., he has no identity. The sequential pattern of the waves dissolves and dies out on the shore in complete silence. When waves rise and form a definite shape, they stand for self-constitution and when they crash into shapelessness and nothingness on the shore they stand for the dissipation and dissolution of identity. The present article through using descriptive-analytical method aimed to unfold woolf's charged metaphor of "wave" which presupposes Woolf’s concept of self-formation, identity and narrative and also signifies and creates a natural language based on music and rhythm