کنش و شوش

This article addresses to narrotologyof the anecdote the mouse belonging to frog in masnavi manavi based on theory of Greimas. The auothers try to indicate how to match the structure of the narrative with the model of Greimas. Greimas who is theorist in the field of narrationConsiders the character to be part of the text and subordinate to the action. By placing the main agent in the centre in relation to the goal he changed the role that propp had described and proposed to a new model in this research using descriptive analysis method it was determined that the narrative change of the anecdote can be adapted base on the of situation in comparison to dual confrontation and from actors point of view. There are two models of action in two separate situation and interpretation of the anecdote also were analyzed in two situation s. The plot of the story is logically coherent and resonate with gerems model

In semiotic-semantic analysis, narrative discourse is one of the most important branches of discourse analysis, which has many theories. One of the most important theorists is Grams, who proposed two systems of superstructure and deep structure for the meaning creation process. According to this theory, in every narrative story, components such as discursive connection and disconnection, positioning, effective verbs, point of view, coexistence and substitution process, homogenous categories and types of discourses of action, shushi, aesthetic, shisha, semantic square and tension are achieved during a process that They study the discovery of the fundamental constructions of the meaning making process; The problem of the upcoming research is to explore how the process of creating meaning through the interaction of discourse systems in the superstructure system and the deep system of story construction. And also investigating the issue of what role do moral themes, characterization and mythology play in the depth of the story in the process of creating meaning in order to change the value function of the discourse and the flow of value that the actor and Shoshgar depend on? The assumption is that the role of the action process in changing the conditions of transformation of discourses by affecting the belief and changing the type of feeling of the actor, affects the process of discourse and transforms its value function. In such a way that the narration turns to the active discourse with Shushi's discourse, and again the Shushi system is transformed and its gender becomes aesthetic agnanimous

The present study, making use of the qualitative analysis based on complete induction, criticizes and analyzes the problem of transition from action and program-oriented discourse to sensory-perceptual and non-program-oriented discourse in "Golnar and the Mirror" by Rahnavard Zaryab. It has been hypothesized that novels, Prior to 2000s in Afghanistan, were based on a pragmatic discourse system, possessed a prescriptive and interactive narrative, contained categorical value systems, and carried an objective relationship between language levels. However, from the beginning of the decade afterwards, this situation has undergone a transformation that has replaced the previous systems, as the result. For instance; the Phenomenological and sensory-perceptual discourse system, adapted and intertwined narratives, value modal and adaptive system, and the phenomenological and physical relationship. Golnar and the Mirror, published in the early 2000s, is an example of this case. This novel, carrying three great signs-meaning (unity of subject-object, romantic discourse and imaginary identity of subject-object), correctly proves the assumption of the authors in this respect. This novel has been analyzed based on the theory of phenomenal sign-semantics and, as a result, we have found that in this novel, like novels before this decade, meaning is not the result of opposition and there is no value object outside the subject to conquer. Rather, the process of producing meaning in it has been formed through state and sensory-perceptual discourse system, comparative and intertwined narrative, and the existence of the value modal system. In such a system, meaning is obtained randomly and concurrently, without a predetermined plan, and the human senses of the subject play a prominent role in its production.

path of meaning production until its reception by the audience becomes doubly important. One of these areas of meaning creation that causes the formation of narratives is the discourse systems that include both the action elements that form the cognitive system and the emotional elements that form the emotional system. . In this research, using the analytical-descriptive method and based on Grimas' study model, we have investigated the semiotic-semantic components in the short story of Owner of two gardens in Surah Kahf. Due to the nature of the narrative discourse, this story includes actions and actions, where the main actor of the story, the owner of two gardens, is acting contrary to Maad's plan, and his material power is considered the main driver of his actions. Satan accompanies the actor as an accomplice. Despite being short, this story reaches the stages of preparation and then to the stage of the main test and finally to the test of shamelessness in the story. The dominant discourse in the story is intelligent and the process of value formation is in a way that makes the discourse condemn the morality of arrogance and its main role in creating the thinking and logic of disbelief. The emotional-emotional process of the discourse, in shaping the semantic structure of the narrative, especially in its external sensory-perceptual perceptions (cognitive phenomenon) and its psychological internals, has a tangible impact on the meaning-making process.

The present study was conducted according to the approach of discursive semiotique and based on the corpus research methodology. The purpose of this study is to investigate how different types of discourse systems compete in the "Mr. Asrari's journal " drama written by Bahram Beizai and as well as the semantic processing in this discourse competition.This research first analyzes each of these discourse systems in the drama and then examines the competition between those discourse systems during the semantic process. We find that an " accident -based event" interrupts the ordinary state of the subject and "state discourse system", which has penetrated his state due to envy and jealousy, and goes so far that state is replaced with action and therefore the beginning of the drama is characterized by the domination of the " performance discourse system". In fact, action transcends the sensory-perceptual process and diverts the drama from a discourse system. The connection of Asrari with the value object and the separation of Shirzad, who owns it, develops the discourse of " performance " and "state" systems in competition with each other.Throughout the drama and in the middle of the tense discourse between the characters, the subject is sometimes dominated by the performance system and sometimes by the state system. The existential process also appears from the fifth scene and undermines the state system.Subjects' identities also experience other meanings, and consequently, go through different stages of discourse and negate the previous Dasein in the seventh scene

The purpose of the semiotics of discourse approach is to achieve meaning through communicating between semantic and differentiating units at the macro level. This article examines how meaning produced and received in "Wuthering Heights". Discourse systems are either action-based or state-based, respectively, which are the generators of cognitive and emotional discourse systems, respectively. In this novel, the dominant discourse system is cognitive because the action is more sensible than state. Heathcliff and Catherine (two main characters) create the dominant love state and the main revenge action. Heathcliff, the main actant, gains the necessary mental, physical and financial competences and performs the action with a predetermined program. The actant reaches the evaluation and value stage by going through the qualifying, main and glorifying test. The value presented to these two characters is not financial, but a transcendent value in the name of love. Although, there are other discourse systems in the novel; emotional discourse system, different emotional states appear in several stages of the novel and Incidental discourse system: the presence of opposing systems such as birth and death is justified with no discourse except Incidental discourse system.

Structuralism is amongst the most current and ancient narrative schools. The school was founded based on linguistics to understand the structure for explicating main story structures. According to Greimas, every story consists several actants and every actant has some action models. The novel Return to Haifa written by Ghassan Kanafani was published in 1969. It emphasizes the necessity of facing Palestinians with Israel for achieving their rights regarding their relationship that exists between Palestinians (both Palestinians of 1948 and those living in Arab countries). Ghassan Kanafani writes about Palestine in a realistic framework and comes close to it from different perspectives. He presents facts artistically, the example of which is description of the relationships between land and Palestinians. The novel narratives events between 1948 and 1967. Coherent and narrative aspects of the novel has helped to reread the perspectives of literary criticism theory. So, the actions of the novel were explored using Greimas’s model. The study showed the ability of the approach in exploring Return to Haifa. It also showed that actants are the most parts of the novel and it also concludes that actants of the novel are the most significant elements of the story that include abstract concepts, events, episodes, and personal and physical features of characters.

Folk tales reflect the cultural identity of each nation and show the dominant ideology and context of that society. By adopting a semiotic research methodology to the analysis of literary discourse, the current study seeks to explore underlying structure of this tale taking into consideration discursive elements such as action and to become. Mutual interaction of these semiotic elements crystalized between prince and foal is considered a core element of ongoing changes in narrative chain. In this discursive regime, action feeds to become and meaning is achievable through the interrelation of sensation and perception. In addition, in this research, the authors have been explained different stages of promoting the material and spiritual capacity of the horse as an instinctive and material creature to the mythical and celestial actor namely the horse’s transcendence mechanism.

Narrative structures and elements are main fields to express and reflect the cultural underlying structure of civilizations and recreation of such underlying structure in the form of narrations counts as the important elements of linguistics and semiotics. These narrations, reflect different social and cultural status and express the human thoughts and experiences. So, exploring such narrations is considered a method to access dominant discourse of every society and explain its hidden thoughts. Many narratives include stories and pictures of animals which have had human position in the past and have changed the border between human and animal. Horse had been the subject of mythical narrations in different nations due to its unique specifications such as intelligence, adroit, loyalty and chastity. By adopting the theoretical framework of semiotics of discourse, this research tries to study the status and role of horse in civilizations of China, Japan and Iran to show what structures or process on the basis of horse mythical function are formed and how horse functions in forming and developing these narrations. Narrative analysis of the texts either abstract or concrete shows that there is a kind of semiotic fluctuation which changes horse from an animal and terrestrial creature to an enhanced and holy creature and implicates that how narrations relying on horse as mythical creature and enunciation function of horse are influenced by these fluctuations. The main aim of this research was to study discourse systems on the basis of horse narration function in Chinese, Japanese and Iranian civilizations to answer this question that how and on the basis of which criteria it can be accounted for better understand its status in improving physical and spiritual competence. Accordingly, this study presented at first the review of related literature alongside the investigation of the actional and stative system of the subject.Finally the results showed different kind of horses with diverse axiological features . Furthermore findings of the current study included two different economical and ethical aspects.

In Shavashi dialog, the dialog is mainly a function of emotional conditions. This means that this dialog system is not based on acts, and the connotation of the text is shaped upon the relationship of the supporters of this dialog system with the elements surrounding the text. Two sub-groups of perceptive and emotional dialogs go under the heading of Shavashi dialog system. In these two dialog sub groups, senses, perception, and emotional tensions of the Shavashi dialog followers maintain the highest contribution to creation of the text’s connotation. In this manner, the literary work goes beyond a solely structural dialog and its inner relations are challenged. The perceptive dialog manifests the active presence of five senses of mankind in formation of meaning and the emotional system has also studied the spiritual and emotional tensions of the followers of Shavashi dialog in a bid to elaborate their role in formation of different connotative conditions. In this research, the story of Siavash in Shahnameh is studied and it will be stated that the characters of this story have gone beyond acting and the majority of their acts and behaviors are considered within the framework of Shavashi dialog. In this manner, their outward sentiments are observed within the framework of perceptive dialog and via five senses, while their inner tensions and sentiments are specified via emotional dialog. Shavashi dialog puts behind pure structuralism and goes beyond an apparent categorization and an objective readout, creating the text’s connotation with due regard to dialog systems. Thus, we will encounter a live and dynamic perceptive system.

Greimas has tried to present a coherent model for investigation of narration. Based on what is understood from his view and the new semantics, investigation of literary text is not based on mechanical analysis and the detection of sender, receiver. But recognition of production process to transmission and reception of text which is includes action, state and occurrence is important.This paper studies conditions of production and understanding the meaning in thediscursive system of “WaMāTashā’un”. Discourse systems are based on the action that make cognitive discourse systems or state that make emotional discourse systems. “WaMāTashā’un” can be studied from the perspective of active discursive systems (and state) because of its narrative logic. Dominant discourse is cognitive and ethics. Of course, we deal with occurrence discourse.The aim of this research is semantic Structureof “WaMāTashā’un” based on theGreimas’s model. It presents how the action and state could form its discourse and create all kinds of discourse systems.

This paper studies the conditions of production and understanding of the meaning of “Leqa-on Fi LazateRahil” by Nasrin Edris, Lebanese author. The story of “Leqa..” can be studied sustainability from a new semantic point of view, which includes the photographer and the fighters’ active discourses. Hamzah follows the program; his skill in the photography creates the main character in the action. The Commander has an important role in the acquisition of Hamzah’s emotional ability. In the second discourse, the fighters enter into action after the contract and obtaining the ability. Therefore, the main actions are performed simultaneously; the fighters fight and Hamzah takes photos. All procedures are performed respectively. The dominant discourse is intelligent, but emotional processes, especially photographer part, play an important role in the story forming.The aim of this research was to study the semantic process and narrative traits of the “Leqa..” story in order to achieve the main meaning functions and details. Also the effect of emotion on the meaning process has been investigated