'semiotic

One of the most important elements of Patrick Modiano's novels is the investigation of identity. A Trace of Malice begins and ends with distance from the identity. This article tends to find why the identity issu in the initial situation, which has led to some investigations in actions happened in the past, is different from the identity issu at the end of the novel. In order to answer this question, we use the narrative programs and the model of actors by Algirad Greimas. So, the text has been divided into three different structures : surface structure, functional structure and semiotics structure. In semiotics structure, we cut up the text into some sequences; each sequence is considered like a sample of whole text. It seems that what we can find in each sequence exists in whole text. At the end, we have presented the actantial model. As a result, we have found that one person appears at the same time in the role of the three main actants in the narrative: subject, sender and receiver. Three roles by one person might be the reason why the object loses its value for principal actant.

Analyzing the emotional process of discourse in Bahar's Damavandiyeh and Fi Al-Bada. and Uras Trilogy by Ezzedin Meihoubi Semiotics, which is a semiotics derived from the school of Paris and the opinions of Grimes and Fontaine, is the transformation of Saussure's semiotics into a method of text analysis in which meaning is a fluid element that is formed in a discourse process. Diversed dimensions of the discourse system play a role in the formation of this discourse process, and one of these dimensions is highlighted in each text. In order to read the semiotic-semantic text, it is necessary to determine the pominent discourse dimension in the text first. In the current research, Authors have analyzed two poems by Ezzeddin Meihoubi and Damavandieh Bahar in terms of the formation of emotional process of discourse in a descriptive-analytical way. The reason for this choice was the similarities in the emotional scene and the common extra-linguistic texture of these two poems, which have automatically created a common tone and emotion. The results have indicated that in Bahar and Mihoubi's poem Fei Al-bada the emotional rush stage is expressed in an identical way. Furthermore, in both poems, anger is the central emotion of the emotional process of discourse. Also, effective verbs, emotional scene, narratee, and instigator have similar meanings in the poetry of both poets. Finally, the observation of the same emotional evaluation is another outcome of this research.

Discourse systems are considered important topics in semiotic. These systems play an important role in defining the type of relationships between people and the formation of the power system. The current research has chosen the twenty-third story of the first chapter of Golestan, which was the place of showing the relationship between the powerful and their subordinates, as the subject of investigation. In the first stage, the researcher seeks to identify the discourse systems and factors in this story and finally the role of these factors in the formation of a certain style of life. Since the semiotic values play a role in creating meaning and defining discourse factors, they are also discussed in this research. The results of the present research show that in this story, the actionional regime of discourse is complex and although according to the current situation, it is expected to observe tensive and stative regimes of discourse, but this does not happen. Finally, it became clear that Saadi tried to introduce a new lifestyle in this story by using the solution of changing discourse factors and changing values. An approach of semiotics proposed by Julien Algirdas Grems under the title of Paris school has been used in the analysis of this story. This research was done with a library method and descriptive-analytical method.

Narration mostly occurs in the form of place, so narrative and place are two integrated concepts. Place has an important discourse function because it causes semantic clarity of discourse factors, better and clearer interpretation of the narrative space, deeper understanding of the behavior and action of narrative elements, and finally the transcendence of meaning in the narrative.

The present article tries to use an inductive method to study the type, extent and frequency of different places in the narrative discourse of Azerbaijani folk narratives, based on the semiotic approach of the Paris school. The selected narrations are Mahi Siyahe Koochooloo, Kachal Mam Siyah, Koroghloo, Pesarake Labuforush, and Yek holoo Hezar holoo.

Findings indicate that most places in Azerbaijani folklore have features of continuous placeless, objectivity and directness. Among the triple places, the “source” has the lowest frequency and the “destination” and “fixed place” are almost equal and there is no significant difference between them.

The predominant approach in these narratives is maximal use of concrete place compared to abstract place. Continuous places also have the highest percentage of presence. However, metaphorical places have only 7% of the total, which indicates the explicit and non-metaphorical use of the narrative text and its distance from the literature. 15% of the places used in these narrations are of the transcendental type, which shows the place in the thought of the actors. Other used places, such as “spiral” or “network” locations, are very limited. It should be noted that so far such a comprehensive study of place has not been done not only in Azerbaijani folklore, but also in other existing literature, and this is one of the distinguishing points of the present work from other studies.

Shaikh shahaboddine Suhrawardi (1154-1191) originator “Illuminato school”, has linked Hellene philosophy, Islamic mysticism with Quranic inspiration in his symbolic books. His symbolic narrative alleged thoughtful among Henry Corbin (1903-1978) are result intuitive experiences himself that they have been written. Theory discourse semiotic is the new attitude of knowledge semiology that convert relation between signifier and signified to a fluid stream and multidimensional and provide background creation new meanings in a text. Suhrawardi  is among discourses in arena mystic symbolic texts that although he has been lived centuries before thoughtful semiotics among Greimas; but his writings have ability research with the theories. Therefore two texts that have selected as example, are similar together namely “Red wisdom” Shaikh shahaboddine Suhrawardi and “Resalatottair” Abne-Sina for this research, until we research on one hand discourse systems and on the other hand the kind of narrative in them. Both narratives are explanation an effort for access to value object that unlike classical narratives, is interior of activist not external of him. In both narratives have been signs of regime narrative de fusion and in  “Red wisdom” moreover is regime narrative de accommodation too. Also the kinds of action, tension, modality discourse systems and existential can be researched in two books of Suhrawardi. This research has done to style analysis quality context and basis theory of semiotic in arena of modern linguistics with emphasis on sample Greimas.

The inductive power of linguistic signs of a poem is inspired from different kinds of literary techniques and arts which act as the source of inducting meaning. Such semiotic competence mostly used by poets in creating their literary works. Sohrab Sepehri is among those contemporary poets who gave profound semantic depth to his poems to make them more impressive by using natural elements as well as artifice inspired from his poetic authorities. To this end, the library provided us with the corpus found in Sepehri’s most important book entitled "Hasht Ketab" (Eight books) .To analyze the collected data descriptive –analytical method used. Theoretical framework of Saussure and Peirce’s semiotic notions employed to disclose the fact that the process of semantic creativity comes from the utilization of natural signs represented in the semantic layers of Sepehri’s poems. The results of the present research revealed that different elements of nature (Wind, water, soil, rain, plants, animals, …) frequently used by this poet can transfer moral values and peaceful symbiosis. To be more scrounger and active considered to be focal points learned by him from natural elements and he sees all of them as beautiful signs of God.

A great number of poetic creations originate from hidden and creative common pictures. The poet through novel combination of two elements or by placing an object in a new situation and condition attains artistic creativity, and thereafter obtains a system of signs. In such a relation, the created elements are no more new, as they have found the new existence, and each exists in union with the other. Prior to this poetic creation, these two separated elements have had a natural existence; however, this new and different combination makes them to rely on each other’s existential relation. Hence, there is a psycho – spiritual connection between them, which makes them immortal. In Pierce’s semiotics, such condition comes to the fore by Icons, Indexical and symbolic signs. Considering this in mind, it seems that Eliot and Nīmā have also used these signs in their poetic vocations; hence, this article attempts to make a study of Pierce’s semiotics in the poetry of Eliot and Nīmā Yushij.

Reading a poetic text does not mean relying on apparent and superficial connotations, but rather on the semantics connotations or text infrastructure, which require interaction with the text and its structure. The resistant poetic text has positive and moral connotations that bring life among people and nations. The Semiotic approach to the resistance poetry seeks to reveal hidden features in the depths of the text, which appear only after decoding symbols and helps to understand the treasures of the text in it. The poet Abdelaziz Al-Maqaleh is one of the icons of modern Yemeni poetry and has a deep root in the Arab poetry movement, which has contributed to the resistance movement and the struggle against aggression and occupation. The ode ‘From the Days of Saif bin Ziyazen in Persia’ is an evidence that he is the poet in Arab resistance. This article is a semiotic reading of this work and aims at deciphering and analyzing it based on the semiotics approach. It also addresses the semiotics of the title and the implicit significance of this poem according to a descriptive-analytic approach. One of the most prominent conclusions of this article is that the poet used the title as a semiotic key in his poem, as implicit implication for the poet calls for a deep and in-depth reading to help inquire into the depths of the ode. In addition, the symbols and metaphors used in this ode may increase profound connotations that need deciphering to understand them.

The false Calisthenian script (sixth century) is another narrative of Alexander's life and struggles, and has been transformed, as in other scriptures, into the manipulation of narrators and storytellers. In this story, Alexander goes to the fairy-tale city, which is the ideal of women or hero, contrary to other scriptures, fights with the king of women and enslaves him, and then marries him; the dream of women With the reality of the sixth century. The analysis of the sign of semantics can, while analyzing the text, by separating and analyzing the relations between the signs, the separation of the orientation of the primary discourse from the new value systems that are represented as semantic homogeneous, and the removal or distortion The stories that other scholars point to has speculated about it, in the structure of the story and in light of the new cultural forms. The present study first examines the narrative model, then the octanes and actors based on their model identities and their figurative identities. What kind of modeling and identity ideas women have dreamed about in their ideals, and what their dreams have changed in relation to the social and cultural reality of the sixth century. How do semantic identities make inaccessible areas of activity and how women experience cultural activities prohibited areas of activity? The discrepancy between the structure of narrative and discourse with respect to the presence of the writer through the examination of the system of action It comes.

This article tries to study the interactive aspect of Golestan’s narrative discourse regarding “The young Boxer” anecdotederived from the third chapter. This research considers a semiotic approach, which has been developed recently in Paris Linguistics School, so that it will reveal how the semiotic process have the meaning formed and produced in the underlying layers of the Golestn’s narrative corpus and discourse. This work takes discourse as the product of an interaction between utterer and co-utterer in the process of generating meaning. Then, according to analyzed sample text the research concludes that sa'di in his Golestan follows the interactive narrative features and the persuasive type is the more outstanding one reflecting the interior tend of Golestan.

Discourse is the domain of producing meaning and metadiscourse is the use of ploys and techniques by the speaker to protect, repair, modify, approve, justify and guarantee his own speech.Nima byemploying metadiscourse, which appearson various levels such as emotional, religious, historical, cultural, and scientific, seeks to highlight his own language and to add consolidation and continuity to the meaning of his words.The main objective of this study is to categorize and analyze the types Nima used in the discourse of his letters with a review of some of those letter, in the process of production and continuity of meaning.

The results of this study show that, fictional scenario has simple language. Unlike shot by shot scenarios which are based on camera movement, these types of scenarios demonstrate narrative elements. This literary genre has tenfold difference with novel, documentaries and animations. This genre benefits from four distinct systems: 1. the system of action (character’s action / action of plot –space / time and action of displacement / the link between two spaces) 2. The system of non-verbal behaviors of characters.3. Phonetic system 4. The system of music. To investigate and analyze these systems, among three compiled children scenarios of 1360s, fictional scenario entitled “small wishes “has been selected.

Recently, The approach or systematic attitude has been played as efficient tool, complement of specialized studies of various phenomenon in knowledge various areas and caused the comprehensive and multi-dimension understanding from the reason and the way phenomenon and happenings took place especially in recent decades which knowledge have encountered with production and accumulation of diverse specialized data and based on classic knowledge tradition, tried to analyze the system components and found the relationship among components relying on changes made based on analytical procedures in order to express the whole behavior of system. These analytical procedures were based on two presuppositions, firstly, no interaction existed between components or poor interaction existed among them, so that the system components could have exact separation capability and secondly, the relationship between components was describable with simple linear equations. Nowadays, by have a closer look on Rival theory and non-linear math thereof, it is obvious that the interaction between all system components have not followed two aforesaid conditions, therefore, it is necessary to have a general attitude in system analysis. The aim of the present paper was to investigate the concept of meaning and the way it formed in complex systems and then to compare the mechanism and the results of the process in which led to produce meaning in Complexity theory by one of modern semiotic components called “Adjustment system of Landowski”. In this analysis, it is obvious that meaning production process was effected on biological level besides cultural and social levels in both theoretical areas.

In the Greimasian semiotic discussion, in order to know the stages of production and apprehension of the meaning, deep structure of the narrative is to be analyzed according to a variety of processes and patterns of discourse. Since studying and recognizing the mechanisms of meaning production in the lyrical poems seems necessary; In the present study, semiotic features and processes of the meaning production in Nezami’s Khosrow-va- Shirin have been considered and analyzed based on Greimas semiotic theory and using the descriptive-analytic method. The purpose of this article is to clear the issue that to what extent the Greimas theory, which is universal and flexible for analyzing a variety of texts, is adaptable to lyrical poems? Moreover, it is discussed that how the[sensory-emotional form affects semantic actant and results in production of the meaning. The results demonstrate that the meaning in lyrical poems is produced in the template of action and l̛état. The narrative of Khosrow-va- Shirin doesn’t follow Greimas proposed patterns for production of the meaning and in this path it is faced with some challenge in which The time actant, along with the temporal segmentation and expectation actant, have leading roles in realization and production of the challenging narrative meanings.