bahram baizai

Layered stylistics as a branch of modern stylistics in which the structural and content role and value of the works in five phonetic, lexical, syntactic and semantic layers are used to show the ideology governing the text and using this method, the text is free from confusion and There is a semantic interference. In this article, the eighth journey of Sinbad is a play by Bahram Bayzaei as a creative writer, based on the layered stylistic component, and we determined how he was able to bring out the aesthetic effects of this work of art with various stylistic techniques and literary techniques, and also how By analyzing the stylistic basics in different layers, one can understand the intellectual messages governing the text of the work.

The descriptive-analytical method and based on the library sources of Sinbad"s 8th voyage is investigated using layered stylistic components and intratextual evidence.

The main character of the story reaches the level of knowledge and self-awareness by going through hard experiences from the stage of ignorance and unconsciousness. That is, in a way, it is the process of self-knowledge and recognition of phonetic rhythms and musical repetition of syllables and words with high frequency to produce rhythmic and poetic prose in this play.

By combining old and new language, narrative expression, rhetorical effects, objective and subjective images, types of norm avoidance, defamiliarization, etc., Baidaei created a new style as an individual style with the title of poetic plays and fine artistic prose, and also not only this work His drama, but all his drama works are the best example to explain the components of layered style.

This research uses the theory of Joseph Hillis Miller, a contemporary theorist of narrative, to study several theories about the functions of the beginning in the cinematic narrative in the movie Passengers, made by Bahram Beizai. The questions of this research are as follows: firstly, with the centrality of the three functions that Miller provides for the narrative, how can the beginning be made in the film Passengers based on the views of the cinematic narration of Michael Tierno, Laura Schellhart, Charlie Moritz and Edward Forster analyzed? And secondly, the three functions of the narrative in the view of Joseph Hillis Miller, about the beginning in the narration of the film Passengers, can be explained in what detail? The aim of this research is to show how conflicting functions of narration in movies start their narrative and move them forward. The result of this article shows that the film Passengers reveals the critical function in opposition to the creative function of the narrative from Hillis Miller's point of view. That is, it opposes the dominant culture that regards death and the end as superior to life and continuation and guards this culture and insists on a culture based on the preservation of life to the extent that either all the movie characters and audience firmly believe in the authenticity of this alternative culture, which emphasizes the superior intrinsic aspect of life against the apparent inferior aspect of death.