weiss

The Karpman triangle, designed by Stephen Karpman and named after him, is a psychological model that expresses the performance of people in a psychological drama triangle. In the triple sides of Karpman's triangle, there are three roles that people remain in this triangle while interacting with each other and moving in the triple roles. The opposite point of Karpman's drama triangle is Ted's triangle, where the three characters with awareness Through their thinking and behavior, they are saved from the drama triangle. In this article, the author examines the main characters of Weiss and Ramin based on Karpman's personality model, following this psychological analysis, Mobed, Weiss, Ramin and Daye played roles as abusers, victims and saviors and with Behavioral turns in these three roles remain in the drama triangle. The purpose of this research is to investigate the characters of the Weiss and Ramin system according to Karpman's drama triangle, and according to the results, a fixed pattern governs various human conditions and relationships. which is also reflected in different stories, based on this, people are condemned in inevitable forced conditions, who are not able to change the conditions and get rid of the drama triangle except with mindfulness.

Lyrical poems can be examined not only for their literary and linguistic qualities but also in terms of narrative structure. This research analyzes the element of plot, which is one of the fundamental components of a story that organizes other elements, in two poems of Weis and Ramin by Fakhreddin Asad Gorgani and Vamegh and Azra of Nami Isfahani. The reason for selecting these two works is their common themes, as well as the fact that Weis and Ramin is one of the earliest lyrical poems in Persian literature, while Nami's Vamegh and Azra was written during the later periods of classical Persian literature. Analyzing the plots of these works reveals the evolution of narrative elements in lyrical poetry. This research highlights the differences and similarities between these two verses regarding plot structure and the impact of systematic plot organization on the promotion of a work. The beginnings of the events in both verses are similar, as they introduce the characters, setting, and events that initiate the narrative. Conflicts are often emotional due to the lyrical nature of the works; however, when physical conflicts arise, epic elements tend to dominate.

 Based on the theory of intertextuality, a text is formed in a complex interaction between other texts. The theory of intertextuality was first formally proposed by Julia Kristeve and then entered the field of structuralism with Gerard Genette. Genette declared that the text reveals its meaning through the relationship with other texts. The lyric poem of Khosrow and Shirin is one of the texts that rely on it to find many semantic signs in the implicit intertextual interaction in the poem of Weiss and Ramin. Therefore, the main goal of this research is to analyze the hidden and implicit intertextual relationships in the present text (Khosro Shirin) Nizami and the later text (Vais and Ramin) of Fakhruddin Asad Gorgani.

 The research method in this thesis is descriptive-analytical based on library studies and document analysis and using the hidden (implicit) intertextual approach in Gerard Genette "s theory. The statistical community of the research includes two lyrical poems by Khosrow and Shirin Nezami and Weiss and Ramin Fakhruddin Asad Gorgani.

 Research findings indicate that Khosrow and Shirin Nezami is an example of implicit and hidden intertextuality of Weiss and Ramin Fakhruddin Asad Gorgani, and Nezami has adapted different implicit and implied meanings from this poem.

 The results of the present research show that Khosrow and Shirin Nezami in the structure of the story includes initial components and propositions such as Tahmidiyeh and the main body, including the same role of Hormuz and Mobad, the social position of Shirin and Weiss, letter writing, false dreams, rival characters such as Maryam, Shekar. , Gol, testing Khosrow and Ramin, the negative role of the nanny, the active role and activism of women as implicit intertextual expressions based on Genette "s theory have been influenced by Weiss and Ramin.

Imagery is one of the prominent elements and components in the field of aesthetics of literary works. The aim of the research Is to discuss images in lyrical literature, based on which three poems were studied and imaginary elements were extracted and then classified and compared into four image elements. These four elements are: abstract element, elemental element, element of nature and astronomy. Exploring the imagination of each poet helps the audience to better understand his view of his surroundings and to be able to connect with his poetry.One of the remarkable topics in lyrical literature is the topic of love, which in every period the poet tries to portray this topic in his poetry in accordance with his words and the relationship between the lover and the beloved and their connection and separation according to the circumstances. In this article, each of the poets in the field of imagery in all three poems has assigned the highest amount to the element of nature, which in Weiss and Ramin is more than similes, in Khosrow and Shirin the metaphor of Masrah and in Gol and Nowruz. We had both elements of fantasy.Also, all three poets have used the least abstract elements, which was in the form of a metaphor. In terms of the use of abstract elements, the three poets have tried to sensitize mental matters and give them life. Weiss and Ramin, as the first poem, has been a model for other poems.

In this article, we have tried to take a look at the poet's allegory in this poem, especially the close relationship between Fakhruddin Asad Gorgani's style and two important themes, unconscious and self-conscious, can better show the poet's artistic level in adapting and paying attention to allegory. Since Weiss and Ramin's system has not been examined and considered from the point of view of allegory, the research method in this research is analytical and descriptive in the form of a library after collecting the available sources (articles and books) and commenting on them as well as After sampling, it has been done in an analytical way. Allegory in Weiss and Ramin's lyrical system is about 90% of the type of parable and 10% allegorical allegory. The most important achievement in this article is that all the parables in Weiss and Ramin belong to Sending proverbs and folk wisdom in a concise and concise language is expressive, which, of course, shows the wisdom of Wonders, literary concepts and artistic beauty in the best possible way.

One of the points that has not been paid attention to in the subject of rhyme and line is what is the difference between the use of rhyme and line in different literary genres and whether the poet in different literary types (epic, lyrical and didactic) uses Has he commented on the difference in its literary type from the rhyme and the line or not? Although important works such as al-Mujajm Shams Qais Razi and al-Khawaja Nasir al-Din Tusi"s poetry standards and other prominent works in this field are important as the initiators of these sciences, none of these works have mentioned the important relationship between rhyme, row and their use in a specific literary type. and the main focus of these works has always been on rhyme and line as a means of creating music. This research has investigated, analyzed and compared 1279 verses from the two love poems of Weiss and Ramin with the love story of Bijan and Manijeh in the discussion of rhyme and line. The purpose of this research is to show the behavior of these two poets with rhyme and line and their use in lyrical and epic genres.

The research method in this study is descriptive and analytical, which was done in a library form by studying sources, taking notes and classifying the materials.

The special place of rhyme and line in the structure of verse helps to understand and analyze it in the history of various developments of Persian poetry, and by examining these influential elements in verse, we can get valuable results in the analysis of verses and the poet"s style of verse making. He achieved in his type and literary style.

In this research, by extracting the rhymes and rows of verses of these two love stories, we showed that Ferdowsi, unlike Fakhruddin Asad Gorgani, uses rhymes and nominal rows in his verses, and deliberately moves his syntax away from standard syntax, and although a story He narrates a romance, but in no part of his work, he does not leave the epic genre and the unnatural language, while on the other hand, Gorgani is loyal to the natural language by using more current rhymes.

Formalism is one of the schools of literary criticism that pays attention to the form of the literary work and played a major role in the creation of the theory of structuralism. The best field for formalist theories and structuralism is folk, folkloric and indigenous stories. According to the formalist point of view, all of these stories, while having variable characters, have specific and specific functions and actions. Weiss and Ramin's poem is also a romantic genre with variable characters and specific actions. In this article, an attempt is made to examine the motifs of Weiss and Ramin's story, based on Vladimir Propp's structural model, in order to understand the similarity of the actions of the characters of romantic stories in different forms of the story.

The research method in this article is descriptive-analytical and gathering information through studying, scanning and sampling library documents and databases.

Weiss and Ramin's system has ten suspensions, three climaxes and seventeen functions. The characters are divided into main and secondary categories, where Weiss and Ramin are among the main characters and Mobed, Shiro, Daye, Viro, Zard and Gol are among the secondary characters. From the perspective of prop division, there are seven roles in this system, which are divided into two groups of active and passive characters. Weiss and Ramin are among active actors, and Mobed and Gol are among passive, victim and productive actors.

Based on Vladimir Propp's model of structuralism, it can be concluded that in lyrical stories, even with the existence of different forms and multiplicity of characters, self-work, function and actions are limited and specific.

There have been many discussions about the origins of the story of Weiss and Ramin for a long time. Some researchers do not believe that this story belongs to a specific time and place and refer to it as "fictional". Others have given it a historical identity and attributed its origin to the Sassanid, Parthian, or other historical periods. Based on Minorski's research, the attribution of this story to the Parthian era is more likely than other periods. In the current research, an attempt has been made to present new evidence and references about the Parthian origin of the story by analyzing historical and literary sources from a new perspective, in addition to Minoruski’s evidence. Furthermore, more evidence has been provided in support of some of his views. The method used in this research is to avoid generalization and try to get clear details related to the Parthian origins of the story. First, the background, various hypotheses, and theories about the origins of this story are mentioned; then, by studying the history and sources related to the Parthian era, it is shown that the events of this era are reflected in Weiss and Ramin. In this regard, new evidence from the Parthian period in connection with the geographical territory, narrative, epic and oral traditions, rituals, entertainment and games, the importance of horses, riding and shooting, the structure of the army, and the like are examined and analyzed.

From a holistic and teleological point of view, the principle of poetic justice - derived from the idea of natural law - forms the basic structure of most of the old stories and love poetries. As a matter of fact, the pleasure of the story is rooted in the artistic expression of this law. One of the purest classic, romantic works, that complements these two features, is the verified love story of Weiss and Ramin. Therefore, in this article, while avoiding reductionist one-sidedness, this claim is to be examined, using two morphological and phenomenological approaches - which incidentally confirm each other in convergent paths in this story.

Morphology of the main movements based on love The morphological analysis of the work, which emphasizes the spesific role of different types of love, the structure of movements, and the way events are embeded in the organized body of the story, indicates its central idea of ​​the victorious end of human emotions and destruction and decline of evil and inhuman desires. This idea in this approach is in line with the nature and general purpose of the stories. The morphology of folk tales can be considered a big step in proving the institutionalization of the doctrine of natural law and Poetic justice in stories because we see that in Weiss and Ramin, according to the morphological rule, the story begins with the illicit (irrational) love of Moobad to Shahroo (in the place of evil or initial deficiency) and expands. So the signs of permissible love (rational) between Weiss and Ramin in the story gradually appears and evolves. 2-2. Phenomenology of other events and behaviors Interpreting each of the events and behaviors according to its relation to other events and to the whole story, regardless of the presuppositions and effects of previous experiences, shows that Weiss and Ramin story expresses the lived experiences of the characters in facing the system of punishment and reward with a demanding time and place requirements. Generally, in this story, two categories, consistent or inconsistent with the evolutionary and justice-oriented end of the story, can be examined. Factors contradictory and inconsistent with natural law (evil wills, false beliefs, traditions, etc.) remain suppressed or unfulfilled. On the contrary, factors in line with natural law (natural and supernatural events, enlightened thoughts, etc.) destroy those disparate factors or prepare the ground for the manifestation of this law.

The results of a morphological study of the structure of the story, and also the phenomenological look at cognitive content of the emotions of love and other natural or supernatural events - affecting the story and how to understand their meanings in the lived experiences of the characters - show its justice-oriented system. In this relation, to better explain and analyze the phenomena of love - which are collected in this story - some philosophical perspectives have also been used. Generally, this is a valuable work that has a special place among Persian language romances. It acquaints the thoughtful reader with concepts such as love and lust, belief and rationality, and the role of the human will against the principle of natural law. This is achieved by looking at the whole and considering its totality and ultimate goal instead of a superficial and cross-sectional view.

The lyrical poem "Weiss and Ramin" belongs to pre-Islamic times and was composed in the Islamic period. Although this system is full of elements and references to pre-Islamic Iranian culture and religion; But Fakhreddin Asad Gorgani, due to being a Muslim, has referred to Qur'anic allusions and moral-Islamic themes in this poem. In fact, this kind of attitude of Fakhreddin arises from his religious beliefs. In this article, the elements, themes and Islamic allusions in this fictional system are analyzed and explained. This research is an attempt to show the place of Islam in the lyrical system of Weiss and Ramin.

This research was conducted by descriptive-analytical method and content analysis and in order to collect information from the library method used.

Items such as praising God with the attributes discussed in Islamic sects, the narration of the Holy Prophet (PBUH), Quranic teachings, sacrificing cows and the like are some of the references related to the religion of Islam in this system.

The intellectual and moral system in Weiss and Ramin's system is based on religious beliefs. This poem contains Islamic references due to its composition in the Islamic period and due to the subject and root of the story, it contains the teachings and teachings and beliefs of ancient Iran, especially Zoroastrianism. Fakhreddin, who in the introduction of his work and in the section "Praise of God" by referring to issues such as denying the vision of God and rejecting the belief of the similes, proves to be a Mu'tazilite to some extent, although he has been forced to express Mazdisna religious topics and allusions. Due to his being a Muslim, there are many references to the principles of Islam in his work.

Love is an example of a common border in human nature, and writers have made a great contribution to the development of this issue and the development of this human field in the creation of literary works around the world of literature. Love stories are one of the literary genres that have attracted the attention of a large audience in Persian and world literature. Love in the world of psychology also has various schools and theories. This article explains one of these theories, proposed by Robert Steinberg, a famous American psychologist in 1987, and tries to adapt it to the love poems "Khosrow and Shirin" by Nezami and "Weiss and Ramin" by Asad Gorgani about romantic relationships. .

This research has been done by descriptive-analytical method.

This study shows that Nezami in "Khosrow and Shirin" and Asad Gorgani in "Weiss and Ramin" in the field of psychology of romantic relationships, have consciously written their poems.

Of the seven possible states in romantic relationships from Steinberg's point of view, four states were in complete agreement with Weiss and Ramin Asad Gorgani and there were differences in three cases, namely in friendly love (intimacy only), hollow love (commitment only), and Compassionate love (commitment + intimacy) There was no adaptation that Asad Gorgani believes in his poem that a romantic relationship without lust or just commitment or only intimacy does not last. In Khosrow and Shirin Nezami, out of seven possible states in romantic relationships, from Ashtenberg's point of view, five states were in complete agreement with the theory, and there were differences in two cases; That is, in friendly love (intimacy only) and compassionate love (commitment + intimacy), there was no adaptation that shows that Nezami in Khosrow and Shirin does not accept romantic relationships in which only intimacy or commitment is accompanied by intimacy.

Halliday in the Systemic Functional Grammar model has considered three experiential metafunctions, interpersonal and textual, for the analysis of texts. Ideational metafunction refers to our experience of both the inner and the external through language. The most principal content for ideational metafunction is transitivity that considers processes types, participants in the process and marginal additions. This study attempts to examine the processes and participants existing in some sections of the two verses “Weiss and Ramin” and “Rostam and Esfandiar”, using the metafunction capabilities. This research use the analytical-statistical method. The findings includes: 1) The above material processes, along with the verbal and behavioral processes in the story of “Rostam and Esfandiar”, Created a passionate, epic atmosphere full of action and movement, while mental, relational and existential processes have taken its dynamic character from the verses of “Weiss and Ramin” to be suitable for expressing the emotional concerns and personal sentiments of the characters of the story. 2) Active participants in the story of "Rostam and Esfandiar", and inactive participants in the story of "Weiss and Ramin" are more frequent. 3) The semantic correspondence between surface structures and deep structures of the processes in "Weiss and Ramin" is very smaller thane "Rostam and Esfandiar". This research shows how lyrical and romantic literary genre overshadows some processes. And processes, which are apparently the illustrators of the transcendental world, reflect in the deep structure of the poetchr('39')s inner world and the mentality of the characters in the story.

The rewriting of literary texts for the children and adolescent audience is one of the concerns of the authors of this field. The creative rewriting of the old texts encourages the reader to read the original text. Do these texts require creative rewriting or simple rewrite? What are the criteria for simple and creative rewrite? Which rick are the texts in this creative research and which ones are simple? The purpose of the present research is to investigate and re-write the stories of Khosrow and Shirin, Weiss and Ramin, Lilly and Majnoon from classical romantic texts. Re-written stories have been analyzed and analyzed in terms of simple and creative rewriting patterns. The method of the research is through the qualitative analysis of the content of fiction works and the method of data collection as a library document. The most important rewrite patterns discussed in this research are: creativity at the beginning and end of stories, reader participation in the story through the blur of the white paper and the split, multi-voice in the text, imitation of the pretext, hidden or apparent Being intrinsic, suspense, excitement, and excitement. The results of this study showed that, based on the above mentioned patterns, among the rewritten texts mentioned, the story of Khosrow and Shirin, due to the use of gaps, internal texture, and multiplicity in the text and hidden inside, creative rewriting and stories Rewritten Lilly and Magnon and Veis and Ramin are simply rewritten from the old text.