جستجوی مقالات مرتبط با کلیدواژه « شباهت ها و تفاوت ها » در نشریات گروه « ادبیات و زبان ها »

Love stories such as Lily and Majnoon, Khosrow and Shirin, Zal and Rudabeh, etc. are a rich part of the love and lyrical literature of this region. In addition to these written narrations, sometimes the narration of passionate loves is common among the general public, which has been less studied. One of these narrations is a narration narrated by Ali Hossein Alinejad, a 73-year-old narrator from the village of Romqan in Fars province. The author has tried to record this myth first in the field method and then to compare it with Ferdowsi's narrative through library method and content analysis. The main question of this research is what are the differences and similarities between written and oral narration and what are the results of these changes? The findings of the research show that the folk legend is composed of two completely separate parts: the first part is very similar to the story of Zal and Rudabeh except in some details; But the second part of the story suddenly changes and the reader is confronted with a completely different show. Regarding this folklore narration, in general, two hypotheses can be proposed: 1- Folk myth is an imitation and intercourse of Zal and Rudabeh narratives and love stories that have been made and narrated by the narrator and narrator. 2- Narrators and The narrators have established a new story by mixing a common love story among the people with the story of Shahnameh and other narrations. However, this narration differs from the narration of Ferdowsi's Shahnameh in various aspects such as the place of the story, characters, space, some narrative events, the end of the story, etc .; But in general, it has many similarities with the Shahnameh narration.

Minimalism is reckoned of the most important art movements after world war II which has made a new procedure is story writing: contemporary human’s spirit, is weary of industry years and technology, is consistently seeking for tranquility, beauty and simplicity occulted within the art works, and perhaps minimalism provides the best environment to meet these requirements. The aim of minimalists is tendency to simplicity and having no relish to live that we can search this issue in the past literary of Iran, since great classic literally of Iran by having a live and productive art, is a suitable bed for finding sources of new arts. One of these works story-shape work of Kelile and Demne. Brevity and shortness of most stories of Kelile and Demne, simplicity and reality, integrity and perfection and … in them are attributes that lead mind toward finding minimalism roots in the classic literally. This article tries to discover the roots of minimalism in the stories of Kelile and Demne, so with this study we can reach a new perception of the past art works, specially “stories and short stories”. To achieve this aim, at first it briefly referred to minimalist and its place in story writing, then on the basis of minimalistic characteristics and content analysis, selected stories are investigated. By declaring the similarities and differences between stories of Kelile and Demne and minimalism art, we conclude that stories of Kelile and Demne hove a lot of similarities with minimalism; although we cannot absolutely figure them minimal.

Stories and narration have been among the rewarding achievements of poets and writers throughout the history of Persian literature. Accordingly, the popular stories with special attraction have frequently been narrated in poems and prose to express and convey the Gnostic and lovely contents. The story of the biography of  Excellency Yousef ( Joseph) which is known as the best stories in the Holy Koran , is one of the most beautiful and attractive stories of the Persian literature which has been repeatedly discussed by poets and writers from different perspectives. Two important narrators of this story are Jamalodin Mohammad Ardestani and Jami in the ninth century who has narrated this story in their poems and prose under the titles of Yousef Nameh and   Yousef and Zuleykha, respectively. Since the similarities and difference in the overall structure and the manner of narrating as well as inferences and results made are so considerable in these two works of arts, this article attempts to compare these two valuable works along with their introductions and highlight the differences and similarities from different perspectives.