ادبیات آیینی

Darab Raisi is one of the contemporary bilingual poets who has expressed himself as a poet at the national level with his Persian and Bakhtiari poems, and it is expected that his poetry will have such characteristics. Analyzing his poetry from the perspective of ritual and mythological literature is important considering the poet's bilingualism and the lack of research in this field. The present research has chosen his two Persian poetry notebooks named "Awai Il" and "Khunnameh Alidad" and one of his Bakhtiari poetry notebooks named "Golbang Bakhtiari" as indicators of his poetry and based on the descriptive-analytical method, These questions should be answered: What is the reflection of ritual and mythological literature in the poetry of this bilingual poet, how does the poet approach these categories in Persian and Bakhtiari poems, what are the most used themes of this type of literature in his poetry? The results of the research showed: Persian poetry by Bakhtiari Raisi is ritualistic. In all three poetry books, according to the style of the predecessors, there is a religious and formal initiation as the beginning. The frequency of his religious rituals in his Persian poems and the dominance of extra-religious rituals and his mythicism are often in his Bakhtiari poems. His thought system is organized by three cultural currents of pre-Islamic Iran, Bakhtiari ethnic culture and post-Islamic cultural current. In his Persian poems; Rituals and religious myths in his Bakhtiari poems; Rituals and national and ethnic myths are fascinating.

The poems in the passion play, as a part of story literature, are significant and worth considering. One of the characteristics of the Passion play which has been considered and examined a little is the lingual and literary features of passion play anthologies. This paper tries to examine the poetry of the passion play through content analysis. The results of the study reveal that the anthology of Sarkhong village has special lingual and literary significance compared with similar anthologies. In this anthology, the number of the poetical meters used in the melody is 22 which helps to the variety of tones by reciters. The most important characteristic of "passion play" are the use of slang words and combinations, Arabic words and expressions, ironical combinations and interpretations, and tendency towards antiquity. The literary significance of "passion play" is both due to ' literal graces and internal music ', which is manifested in various ways through repetition, and the application of semantic graces such as contradiction, exaggeration, allusion, proverbial quotation, and the beautiful use of imaginative figures such as different similes and metaphors that add to its literary riches.