جستجوی مقالات مرتبط با کلیدواژه « پساپدیدارشناسی » در نشریات گروه « علوم اجتماعی »

In this paper, the philosophy of post-phenomenology has been discussed. Post-phenomenology is a new approach in the philosophy of technology, which especially emphasizes the role of technology in changing human experiences and perceptions. First, the relationship between post-phenomenology and phenomenology and then the relationship between post-phenomenology and pragmatism is mentioned. It has been stated that post-phenomenology is a philosophy combined with pragmatism and classical phenomenology. Post-phenomenology, while retaining some features of classical phenomenology and setting aside some other features, including the emphasis on opposition to essentialism, has led to the philosophy being called a kind of pragmatic phenomenology. In the following, Post-phenomenological research methods are discussed, in this regard, methods are introduced and discussed, which include methods such as interviewing participants, observing participants, reporting first-person experiences, interviewing objects, and Robert Rosenberger's proposed method. All of these methods ultimately examine the relationship between humans and technologies and the changes that result from these relationships in different ways.

Post phenomenology tries to put man, world, and technology in a closed relationship with each other and specifies the relation made by technology between man and his world. Camera as a technology tool and cultural media, with regard to the context it is located in, creates special socio-cultural concepts. In this paper, attempts have been made to investigate the technological role of photography in the Iranian culture and society. The author attempts to find the relation that photography has created between man and his world in Iran, which has ultimately resulted in a decisive cultural turn. The author also attempts to present an analysis, based on Foucault`s archeological ideology, to identify the epistemological roots of this cultural turn. The results reveal that photography has led to a new ideology based on mundane phenomena and interrelations, and has also made Iran subject to modern cultural changes.