television

Families, as crucial social institutions, play a vital role in providing emotional and physical support to their members and teaching life skills. The rapid evolution of communication technologies and media has significantly influenced this institution, leading to major changes within it. This research aims to categorize issues and offer suggestions for addressing gaps in research or media policy-making. The research question is: How have studies in the field of family and the media been classified, and what topics have been discussed under each classification? The theoretical framework of this article is based on Dependency Theory, Manuel Castells' Theory, and Cultivation Theory, with data analysis conducted using meta-analysis and thematic analysis methods. In this study, after reviewing 93 extracted articles on the subject of media and family, and analyzing descriptive statistics and themes in areas such as social networks, television, and cinema, the strengths and weaknesses of the research were identified. The results indicate that the effects of modernity and media on the family institution in Iran have been profound and multifaceted. These value changes include the removal of traditions, weakening of kinship relations, empowerment of women, increased importance of individualism, and changes in lifestyles. These transformations represent a period of cultural and social transition, emphasizing the need to focus on the Iranian-Islamic lifestyle, the identity of men and women, strengthening family cohesion and relationships, media literacy, and attention to the role and position of children and adolescents within the family.

Due to its significant impact on individuals and society, environmental issues have captured the attention of many individuals, experts, and even politicians. This research aimed to propose a media model for enhancing and expediting environmental communication using the grounded theory method. The study focused on key environmental issues that serve as indicators for evaluating international organizations. These issues include water, air pollution, energy consumption, natural resources, waste management, greenhouse gases, and biodiversity. To develop the media model, interviews were conducted with 16 experts in the fields of environment, communication sciences, social sciences, and geography, most of whom were professors at prestigious universities. The experts were selected using the snowball method. The findings of the research, based on the implementation and analysis of the interviews, highlight several factors contributing to environmental ignorance and lack of information and knowledge. Contextual factors, such as political-legal considerations, social and cultural conditions, and intervening factors like technology and audience, were identified. Additionally, strategic factors were acknowledged as influential in achieving desirable media outcomes, including diversity, concentration, innovation, and building trust in television as a national media platform. These outcomes can effectively contribute to the promotion and dissemination of environmental awareness among both traditional and younger audiences.

In the present era, one of the questions in the field of religion and media is whether religion of Islam which is based upon speech and word can establish relationship with media like Television that has visual nature? This article aimed to evaluate the existing experience by reviewing theoretical literature and focusing on what has been televised in the field of religious programs during three decades. Therefore, among the religious programs, azan programs which rely on the "speech", have been selected and seeks answer the question how images that were shown along with Azan during three decades have changed? The methodology of this study is semiotic which was accessed by emphasizing 5 items:’ Clothing, age and sex’, ‘Visual compositions’, ‘movement’, ‘color and light’ , ‘narration’. The method of selecting the sample was random and selecting 3 azan from the three decades of 60, 70 and 80.These set of findings show that set of images accompanied with Azan has been upgraded during 3 decades and it has been tried through more image motion, using narrative, variety of visual combination, better use of color, light and non-verbal signs the presented images be more compatible with visual nature of Television. During three decades, Azan collection has undergone several changes in terms of image with which it plays and this indicates that Azan has fixed content and can be accompanied by variety of images and so different religious meanings can be associated.

This qualitative research has been carried out in a systematic way with an exploratory approach. The statistical population includes two parts of human resources (teachers and managers) and information sources (books, articles, documents and media) and sampling has been done in a sufficient number and with a judgmental (purposeful) method based on reaching theoretical saturation. The data collected through systematic library study and semi-structured exploratory interviews, and the validity of the collecting tool has been evaluated and confirmed based on the validity of the sample, the opinion of experts, and the agreement between the proofreaders. To analyze the findings, a multi-stage conceptual coding method with a system analysis approach was used, which included 7 categories and 26 open codes based on the extracted conceptual codes. The results of selective coding showed that political factors are present as a factor in the macro environment and planning has an impact on the content, financial obstacles, human resources and facilities; Also, the attitude factor affects the facilities, planning and human resources, the financial factor affects the content and human resources, and the facilities factor affects the content.

Media todays, especially television, in addition to the entertainment and information functions, are considered a tool for modeling and promoting lifestyle in societies. The Islamic Republic of Iran TV has always tried to promote the Islamic-Iranian lifestyle, which emphasizes on strengthening the family institution as much as possible, through media programming in the society, and is influential in the institutionalization and socialization of this style. This research was conducted with a qualitative and grounded theory method and with in-depth and semi-structured interviews with 21 experts in the field of media, family and lifestyle. The purpose of this research is to answer the question that what drawbacks have there been in the TV programming in the field of Islamic-Iranian family life style in the past years and what appropriate strategies should be considered for it. The results of the research with the number of 7 main categories, 11 general concepts and 67 final codes showed that extra-organizational factors such as not having a national message management center in the field of Islamic-Iranian lifestyle for cultural institutions, the tendency of the audience towards the home network TV, and Some intra-organizational factors such as: reduction of behavioristic drama programs, increasing gap between the media and the new generation audience and the like, cause the media programs to have little influence in the field of Islamic-Iranian lifestyle. Also, suitable strategies are provided with the approach of grounded theory method and determining the background conditions, facilitating, limiting and consequences.

Television is a subject that has been repeatedly studied and investigated by scientists and has been researched from different angles such as sociology and psychology. One of the approaches to studying this important issue is the philosophical approach. In this article, from a philosophical point of view, television as a technology, based on the viewpoint of four thinkers: Marx, Heidegger, Burgman and Feinberg, has been examined. Of course, these philosophers of technology have not commented on television as a technology; Rather, it is based on the foundations of each of their views about television. Based on the principles of Marx, the role of television in value addition is the focus of analysis. From Heidegger's point of view, television can be studied as a type of development and awareness. According to Borgman, the necessity of searching about the relationship between information and reality, as well as the relationship between subject and object, as well as the topic of focal objects can be inferred about television. And from Feinberg's point of view, the role of capitalist values and democratic values in television production is important. After examining these four points of view, conclusions are made regarding the value or neutrality of television based on the explanations made.

Young people's active use of social media has led to the growth of the news consumption of these media and at the same time the reduction of television news consumption among them. News networks have adopted a multi-platform approach to maintain their position in the news consumption basket of young audiences. The purpose of this research is to calculate the different production formats of these networks and their characteristics through the study of the production contents of news networks in social media in order to achieve a proposed model for the effective presence of other news networks in social media platforms. Therefore, with the help of the qualitative content analysis method and by examining the social pages of major news networks such as CNN, Al Jazeera, BBC, France 24 and Deutsche Welle, we reached a set of findings. The findings show that some of these news networks, with an active presence in social media, use three categories of "video", "image" and "creative news formats" to produce content. These networks produce and publish content and programs specific to the characteristics of each social media platform. These contents are published according to features such as caption, hashtag, aspect ratio, narration, music, cover, call to action and reaction, subtitle, mention and tag, linking, publication time, topic and source.

Epistemological texts are media situations in which the access of discourses in the media is analyzed. In this article, by focusing on the epistemological texts of the IRI Television, an attempt has been made to examine the process of stabilization and reproduction of the dominant discourse in a systematic way, in order to determine with what strategies this discourse gains its legitimacy and acceptability.    For this purpose, Zawiya video magazine, which is considered one of the radio programs in the field of humanities was selected as case sample of the research and 44 parts of the program were selected and analyzed with critical discourse analysis method, during the years 2018 to September 2021. According to the results of this research, this program, in hidden layers, with centralization of the central signifier of pure Muhammadan Islam, with discourse strategies such as alienation, reproduction of "self" and "other", hegemonic intervention, labeling, contamination and... destroys the foundation of the intellectual system of opposing discourses. According to the results, this program raises the demand of helping the public sphere in the superficial layers; But with a systematic study, it became clear that the discursive conflicts are formulated; It is not in the direction of forming a public domain, but simply in the direction of stabilizing the discourse, and this program displays a reduced version of the public domain, behind which the discourse goals are hidden.

TV Religious programs must be attractive in terms of form and deep in terms of content in order to influence the formation and strengthening of the religious identity of their young audience. This article has been carried out with the aim of examining the aesthetic aspects of the visual components of TV religious programs and to know how they are used in these types of programs. In order to collect and analyze information, using the triangulation method, documentary methods, semiotics and case studies have been used. In this article, the semiotics method was used to understand the relationship between the six components of composition of images, stage and decor design, image background, color pattern, logo, and visual signs and lighting of religious elements in the programs "Samte Khoda" and "Soureh". The findings show that "Samte Khoda", as a religious program, has been more successful in the design of decor, color patterns, visual signs and lighting, and "Soureh" program - regardless of the presenter and guest's cover - only with images. The background has been shown to be religion-oriented, although in the composition of the image, in terms of technique and dynamics, it has been more successful than the "Samte Khoda" program. The results of the article can be used to create a local and unique model for the production of religious talk show programs.

The ambiguous discourse after the Islamic revolution and the historical and culturalized laws regarding the topic of Fun created one of the important points of controversy on television. Considering the importance of investigating the historical context in understanding this issue in television, the question is what events television actually went through in the 1360s in interaction with the political system and social forces as well as the religion. Investigations indicate that television in the decade that was mixed with revolutionary fervor and the atmosphere of war, firstly through the absolute removal of some signifiers of fun, censorship, control over the import of TV programs, creating moral panic in the tribunes, and finally changing the regulatory institutions; And after that by depicting a new form of rites and celebrations and music, removing dance and joyful body movements, shifting the atmosphere of television competitions toward educational programs devoid of any kind of playfulness, as well as imposing numerous censorships of music and also minimizing any kind of mixing of men and women, controlled and redefined the conventional concept of happiness and fun. The short time of the television broadcast schedule basically controlled the type of programs. Despite the evidence of the growing gap between the ideas and the practical situation of programming, and despite the break of some parts of the society from this official perception of the issue of happiness, until the end of the decade, these issues did not cause major changes in the situation of television or any conflict with public opinion. Ayatollah Khomeini's border activism also played a significant role in removing blockages in some signifiers of happiness and fun discourse.

According to scholars and activists in the field of culture and sociology, Iranian society has many cultural and social problems, or optimistically, it needs growth and development in many social and cultural components, and the role of the media institution in this growth and excellence seems essential.Media streaming is one of the necessities of the national media to resolve the cultural and sociological issues of the Iranian society. Therefore, the aim of the current research is to help the role of the Sedavosima organization in solving this problem by designing a model of the media streaming process for the TV of the Islamic Republic of Iran.In order to achieve the goal of the research, the Grounded Theory (GT) method has been used; Therefore, this research is a qualitative research in terms of the type, method and nature of the data. Research data was obtained through in-depth interviews with fifteen experts. The interviewees were purposefully selected according to their organizational position, university education and experience related to the research topic. The resulting data were analyzed through three stages of open, central and selective coding with the help of MAXQDA software and were classified under eleven sub-categories and three main categories including the conditions of the media streaming process, the strategies of the media streaming process and the consequences of media streaming and for the streaming process Five main steps and one auxiliary step were extracted.

today's world, media has become the most important tool in creating and conveying meaning. As one of the most important agents of socialization, television is a conduit for representing the cultural, social and political values of societies. Behind the simple scenes shown in movies and TV series, there is a system of signs and codes that creates and conveys meaning, and based on this, the audience is faced with the representation of reality by the media. The aim of the current research is to investigate the role of women in the contemporary political history of Iran by analyzing several popular TV series after the Islamic Revolution. Using John Fiske's method of semiotics, four television series have been investigated in the 4 decades after the Islamic Revolution to study television's meaning making of women's social and political activism in contemporary history. The findings of the research show, 1- The television media has shown the base and social class and the level of literacy as the most important factors affecting women's political activism. 2- Awareness, awareness, resistance and standing of women and even rebellions Internal and external factors, even if it is their spouses, when the homeland is in danger, has been well portrayed in the television media. 3- The dominance and dominance of the authoritarian structures of men and the traditional fabric of Iranian society, which is one of the most important challenges for The entry of women into different fields of politics is also discussed in the national media.​

The problematic of this article is to describe the mechanisms and consequences of the process of psycholgization. The article argues that this process is the result of macroeconomic political relations, but its mechanisms and consequences are hiding by psychological mechanisms. In order to show the characteristics of this phenomenon, the TV talk show "KetabBaaz"(bookaholic) has been subjected to discourse analysis.The central propositions of the six final programs of the introduction of the book in this program are accepting the status quo and tolerating it, encouraging individuals to get rid of alienation that is structural product, mental flexibility to accompany the changes in the world, reducing greed to curb capitalism, disobedience to expand the market and remove mental barriers to stalishing status que. Adapting to the status quo is all in line with psychologization and individual change to adapt to the fluid flows of the market.This article concludes that by depoliticizing and de-economizing the existing situation, the reduction of macro problems to the individual reduces the phenomena to the individual and justifies and legitimizes macro relations, which serves neoliberalism as the dominant order of the world. In this way, the process of domination is taken for granted and deepened, and the only way to face it is to equip a person with survival skills in this exhausting competition and as a result, acquit the system

Radio and Television of the Islamic Republic of Iran, as the only legal radio and television in the country, is facing major challenges to enter the virtual space. The lack of proper understanding of the requirements of virtual space has caused this media to not be able to have a serious presence in the field of virtual space and social networks. The purpose of the research was to determine the opportunities, threats, weaknesses and strengths of the broadcasting organization to operate in the virtual space and also to know the causal relationships between the consequences and components of the transformation in the functioning of the virtual space of the broadcasting. The type of research was applied and the research method was survey. The statistical population consisted of all managers and senior experts of the Broadcasting Organization in the field of virtual space in the deputy space of virtual space and other deputy offices in the number of 152 people. The sample size was determined by Cochran's formula to the number of 109 people. The statistical sample was selected using stratified random sampling method. Based on the results of the tests, the transformation components of the broadcasting organization have a positive, direct and significant effect on the consequences of the transformation of the broadcasting organization. The effect of turning threats in radio and television for social media activity into opportunities for social media activity is meaningful, positive and direct. Weaknesses in radio and television for social media activity have a positive, direct and significant effect on radio and television strengths for social media activity.

Sports is not only an individual activity and helps physical health, but it is also a kind of social phenomenon that affects different aspects of people’s lives. Pandemy of corona virus has led to serious changes in many aspects of people’s lives. The main goal of this research is to examine the role of radio and television in the development of sports culture at home in the era of Corona. The research method is applied in terms of purpose and survey in terms of implementation. The statistical population consists of all the citizens of Tehran. The sample size was estimated using the Cochran formula of 384 people who were selected using the multi-stage cluster sampling method. The research tool was a researcher-made questionnaire and the collected data were analyzed using the statistical tests. The findings show that radio and television plays a role in the field of education and creating the necessary cultural platforms for sports at home and then creating excitement and appreciation. The results of the research hypothesis test also show that in the development of sports culture at home, radio and television plays an effective role according to gender, health level, residential area, weekly free time and financial status, but according to the level of education, occupation, age, daily free time, Customs, number of family members and marital status do not play an effective role.

"Media Education" in common formal models is a product of the educational system; however, the focus of this paper is on informal models of media education, which implicitly emerge with more complex connotations compared to formal and explicit models. The issue of informal media education has become more significant due to the phenomenon of digitization in education, and the prominence of alternative teaching-learning methods intensifies it. As a result, finding educational implications outside the formal contexts of the classroom, school, faculty, university, and other official educational institutions is of great importance. The path to finding these implications is self-reflective and comes through the context of media culture, which is both constructed by the media and encompasses them. Every medium has a specific function in constructing media culture and assigning meaning to it. From the perspective of this paper, media culture is the result of a media struggle over legitimizing meanings, and media literacy will be the critical dimension embedded in the layers of this media culture—layers marked by the integration of two theoretical models of cultural analysis. In other words, educational culture in the space of the digitization of education is inherently a media culture. On one hand, a model of media literacy is presented within media culture, the most important feature of which is the ability to reflect the dynamics within media culture. One of the key features of this model is its focus on the educational aspects of all elements involved in the media culture circuit as a field of central and peripheral forces. These elements include representation, identity, production, consumption, and regulation. On the other hand, by applying a semiotic reading of the Taqato' (Crossroad) TV documentary, the paper examines the application of the proposed model in exploring the educational implications of intermedia confrontation, specifically between television as a central medium and social media as a peripheral medium in the context of the phenomenon known as the Green Movement and the events following the 2009 presidential election in Iran.

The current research has investigated the use of conceptual metaphors by the presenters of sports programs on Iranian TV.For this purpose, 18 sports programs aired in the second half of 1400 were randomly selected and analyzed. These programs included ‘Sports and People’ on Channe l ‘Top Footbal’l on Channel III, Football Nights, Technical Staff, 2020. ‘Like Always’ and Koohghasht program from Sports Channel, according to the method and metaphor recognition process of Praglajaz group (2007), 226 conceptual metaphors were recognized in them. The obtained results showed that the presenters used metaphors related to battle (33.63 percent), metaphors related to mechanical tools (21.24 percent), metaphors related to nature (17.26 percent), and metaphors related to politics (11.95 percent) to conceptualize sports. Also, the presenters of Sima's sports programs try to present the concepts to their audience better and more eloquently by using conceptual metaphors.

audience by qualitatively analyzing TV commercials and analyzing the content of in-depth interviews of advertising experts. Multi-method research method includes two methods of qualitative content analysis and in-depth interview. Business messages broadcast in 1998 and 1999 are statistical communities for qualitative analysis. The sample size was 106 teasers. The statistical community for in-depth interviews are business advertising experts. The number of interviews conducted is seven. The method of measurement was the analysis of teasers as available documentsAnd the technique of recording data is obtained from the text, images and sound of advertisements. The method of measurement in interviews is interview analysis and the technique of recording data was reverse questionnaire design. Sampling method in content analysis was random sampling and in-depth interview was snowball method. The results show that TV commercials use 50 general persuasive methods and 58 partial persuasive methods.

The aim of this study was to identify the role of television programs in the cultural development of Tehran citizens. This research is of applied type as well as mixed (qualitative-quantitative). The statistical population of the study consisted of 30 elites in the field of media and culture who were selected using snowball sampling. Also, in the statistical surveys section, the opinions of 384 Tehran citizens over 18 years of age were used. A researcher-made questionnaire was used to collect information, the validity of which was confirmed by face validity and its reliability was confirmed by using Cronbach's alpha coefficient. In this research, 9 indicators were extracted through qualitative methods, which are: attitude, orientation, character, cultural consumption, personal security of citizens, product, communication, achievement and manpower. AHP technique was used to analyze and rank the identified factors. Based on the results, in making TV programs to promote cultural development, the most influential sources, cultural activities and products in the second priority, attitude in the third priority, communication tools in the fourth priority, human resources promotion in the fifth priority and trends in the last priority they got.

The ability of television in cultural currents and their impact on lifestyles has overshadowed many women's orientations in values, and this study aims to analyze the qualitative content of television pathology on the socio-cultural values of women's lifestyles.

This research is a qualitative content analysis and the required information has been collected based on semi-structured interviews. The sampling method was snowball and information was obtained from 27 interviewees in the field of media experts and knowledgeable women.

Findings indicate that there is a relationship between domestic and foreign television programs and socio-cultural values of women's lifestyle.

The results showed that the mere use of television programs can not be shifted as the main element shaping the socio-cultural values of women's lifestyles. In addition to this factor, other factors such as the weakness of domestic television, changes in the country's social system, capitalist and humanist thinking due to the globalization process, the diversity of virtual social networks and other socio-economic factors determine the value orientations of women's lifestyles in Mahabad.