بلاغت قرآنی

Irony is a prominent literary foreignization method in which the meaning of events in deep and at surface levels differ. Relying on the thematic analysis of the text of the Holy Qur’an as a literary text, the following article tried to identify, categorize, and analyze the motifs, and visible and invisible ironic signs. In so doing, it sought to answer the question of the conceptual results and literary purposes in the application of the ironic concepts (in particular satirical irony) in this holy book.  With its special attention to culture, the Holy Qur’an as a spoken text has used this speech technique and literary method in order to make its teachings believable for the audiences and to attract them. Relying on ironic elements, the Qur’an has been able to elevate itself to the level of a literary-cultural text. The present study thus also aimed to show that the numerous types of irony in the text of the Holy Qur’an surpass a merely rhetorical or artistic technique and its ultimate purpose is not only the visibility of irony, but also the awakening and awareness of moral themes and teachings, which have helped to build literary ironic images. Accordingly, among the ironic themes applied in the text of the Holy Qur’an examples such as allusion to the revelation of the Qur’an, avoiding arrogance, a camel passing through the eye of a needle, suffocating the wicked with their own hands, flimsy limbs of the hypocrites, as well as destroying idols were explained and analyzed in order to explicate the rhetorical manifestations of this method of literary criticism and its application in the influence of the Qur’anic text.

One of the literary forms used in the Holy Quran is the allegorical fashions. Allegorical is one of the most important and most effective structures for expressive the obvious words. Therefore, considering the importance of this narrative element in the Holy Qur'an and its delicate implications and the place of this element in the way of the presentation of the purpose, for translation the Qur'anic allegorical, careful, independent and complete analysis is needed. In this research, among the different allegorical, we mention to the Singular morsal allegorical and in the collection of contemporary translations of the Qur'an, the translations we hint to the translated of 'Ayati, Ansarian, Elahi Qamshahi, Khoramshahi, Fooladvand, Meshkini and Makarem Shirazi' The most distinguished the translated of the Holy Quran and they are more numerous than other translations, by descriptive-analytical method. The studies show that the translators have used different methods for the allegorical translation, and each of them has not followed a particular style, it is even sometimes seen that the translations of the concept It does not allegorical for virtual interpretation, and only literally means that it has caused many fluctuations in its translation. The result is that the best translation for allegorical interpretation is that, while transferring the concept to the target language, there are also aspects of the eloquence aspects.

This article addresses the similarity of the rhetorical style of the Qur'ān with the Western rhetoric, emphasizing the speech tone of the Qur'ān. First, the rhetorical style of the Qur'ān is dealt with and the existence of its aspects corresponding to the rhetoric proponent in the West is pointed out. Then, the relevant outcomes are touched upon in the introductory discourse. Following that, in the main body of the research, the foundations of the rhetorical style of the Qur'ān and its similarity with the Western rhetoric are examined and the speech tone in the Qur'ān is stressed. Presenting some examples from the Qur'ānic verses, this article undertakes to examine the speech tone or the phonetic aspects of the Quran, including the music of the letters, words, sentences, as well as the cadence and rhyme.