زیبایی شناختی

A detailed understanding and examination of the aesthetic aspects of the Holy Quran has a very surprising and significant effect on the practical application of the concepts of this divine book in such a way that the audience of the Quran with any level of thinking and understanding can, by making their thoughts as fertile as possible, achieve effects New and attractive to understand the beauty of God's word and benefit from it. Since the work of art is the origin of the artist and the artist is the origin of the work of art, therefore, by using this principle in this research, an attempt was made to process examples of the verses of the Holy Quran as a symbol of artistic creation, common and effective elements. Regarding the aesthetics of the revelation verses, of course, examining the image in terms of context and context and providing the desired meaning, realizes the unity of the artistic image in the unity of the text. At the end, Motaqan theories explain the aesthetic aspects of the Qur'an by looking at the two poles of objectivity and subjectivity and tries to show the aesthetic signs of the Qur'an along with the reflection of the beauty of creation and awakening the sense of the beauty of friendship in its audience.

In the present study, with a review of Mulla Sadra's ontological foundations in a descriptive-analytical method, in addition to examining the effect of each of the foundations of transcendent wisdom on the interpretive interpretations of Shakeleh (form) verse, it is aimed to see how could they have been used in Sadra's aesthetic discussions. According to Mulla Sadra, the image of God is beautiful names and attributes, existing in the essence of his existence. The form of creation is the full manifestation of all the names of the divine goodness, which has an eternal origin, and in every moment, a dignity of things and the womb of the original belly of the best of creators appear in the good system. The primary form of man is the God-given nature that man, with the power of intellect and free will and by repeating attributes and habits, forms the secondary form of his existence in the shape of Crimean or ugly attributes, bringing Paradise or Hell for every man according to his worldly and otherworldly situation, and then creates and leads him to the highest or the lowest level. The purpose is to show a part of Sadra's aesthetic interpretation so that the research results can be used in educating the individual and social structure of educators. One of the many uses of research is to explain the issue of criminal justice; In other words, the beautiful form of purgatory and the hereafter is the result of orderly causal actions and good morals in the penetration of worldly forms.

Aesthetic semantic devices are among the rhetorical features widely used in the Qur’an. Their significance is such that the understanding and interpretation of some Qur’anic verses is impossible if those features are not fully taken into account. However, as the case is, the technical aspects of the rhetorical devices in the Qur’an have been overshadowed by the overemphasized aesthetic aspects of those devices. Using an analytical method and adopting an applied functional point of view, this study seeks to shed light on the role of semantic aestheticism in understanding the meaning and the music of Qur’anic utterances. The results of the study indicate that the aesthetic lexical features in the Book are of various technical functions, such as creating music based on parallel, proportionate or redundant notations as well as imagery by means of exaggerations and antitheses. These functions not only help to understand the meanings but also serve to resolve the ambiguities in some verses. In general, such an aestheticism in the rhetoric of the Qur’an sets the ground for polysemy, Socratic irony, elucidation, lexical isomorphism, and explicit-implicit sequences of related concepts.

Allegory is a method for illustrating and dramatizing a topic, which persuades the audience to spontaneous imagination and thinking. We should seek the function of using allegory in the Quran in the deep effects of its teachings that make the readers grasp it regardless of their levels of understanding and perception and use it in regulating their plan of life. In this paper, the researcher aims to analyze aesthetic aspects of allegory in literary language of the Quran by using analytical – descriptive research method and by referring to Quranic ayahs. The study shows that the Quran, which is the language of guidance, faith and moving inspiration, has benefited very much from language devices such as allegory for inviting to reflection, influence and learning lessons; and eventually for human edification.