philosophical hermeneutics

In the contemporary era, many painters have attempted to revive the Iranian identity and release Iranian miniatures from the influence of the West on this art. Hadi Tajvidi is one of the most prominent painters who tried in this field. After several centuries of hiatus in Iranian miniature, he started to renew this art. He also founded the Tehran School of Miniature by using the characteristics of authentic and traditional Iranian art. The most prominent feature of Tajvidi’s works is adding perspective to the miniature and creating bright shadows in the facial parts. This resulted in a realistic evolution of face painting in Iran. Moreover, the face coloring in his works is uniquely modern Iranian, setting them apart from those of other artists. Many contemporary painters have clearly drawn influence from Master Tajevidi’s style in their works. This research studies Tajvidi’s works based on Gadamer’s philosophical hermeneutic point of view, which explores the questions of what, how, and the criteria for understanding cultural phenomena to read the works of this artist in a descriptive-analytical way. Hermeneutics is a science that deals with the process of understanding a work and examines how to receive meaning from various phenomena of existence, including speech, writing, and works of art. From Gadamer’s point of view, hermeneutics is to understand the issues that happened in the tradition, which covers a wide range and includes all the phenomena that do not have a linguistic nature and can be interpreted by language. In this way, in his opinion, art can also be considered a linguistic event, and the artwork can directly speak and communicate with the audience. This text explores how Hadi Tajvidi’s works align with Gadamer’s hermeneutic theories in contemporary times. The findings indicate that Tajvidi’s art resonates with Gadamer’s concepts, as he engages with the art of the past, dialogues with it, and integrates it with the contemporary semantic horizon. This interaction has resulted in a revival of authentic Iranian miniatures and a renewed focus on Iranian identity and culture.

Heidegger, the founder of philosophical hermeneutics, whose most important concern is the neglect of existence. Philosophical hermeneutics, in the strict sense of the word, clearly refers to understanding, and pure understanding. In the process of perception and understanding of any category, there are basically two directions. Considering that understanding is achieved in different ways, perhaps it is better to attribute this transfer to the message. Therefore, hermeneutics is proposed in art and architecture. The thought of the architect and the audience can be two desired aspects in architecture. Therefore, the thought of contemporary Iranian architects is one of the topics that can be read on this basis. Sheikh Zain al-Din is one of those architects who looks for dynamism and change in the essence of architecture, so the purpose of this research is to read his thought based on philosophical hermeneutics. which can be used to define a new language for today's architecture. The research method of this research is logical reasoning. Since logical reasoning is based on words; The present research is qualitative in terms of the nature of the data. Therefore, it is a descriptive form that tends to the process of meaning and understanding resulting from words; To clarify the relationships between elements and concepts, the technique of discourse analysis through lectures and interviews in specialized architectural press; is used and finally coding and discourse analysis is done. In the reading of Sheikh Zainuddin's thought based on Heidegger's philosophical hermeneutics, the most important point is historicity. Historicity in key words such as paying attention to the past, present and future, the past in stable tradition, the present in today's architecture, the past, present and future are three important key words in the architect's discourse. Therefore, today's architectural language can be determined. The characteristics of this architectural language are the lack of conflict between tradition and progress, which can establish a peaceful relationship between world architecture and traditional architecture. In the thought of the neo-traditionalist architect, the transformation of man from the past to the future takes place by using the achievements of the past and with a new expression in the new world. Therefore, man is present with fluidity and flow.

The present study explores the place in Niavaran Cultural Center from the perspective of philosophical hermeneutics. The final goal of the research is the location of Dasein according to the form, space and place in Niavaran Cultural Center. The question now is, from Heidegger's point of view, what are the components of architecture in architecture? How does Heidegger's philosophical hermeneutics manifest itself in the Niavaran Cultural Center?In order to answer the above questions, logical reasoning method was performed based on qualitative, descriptive and analytical research methods with a philosophical hermeneutic perspective. Data collection is in two categories: documentary (library) and field. The researcher can conduct in-depth interviews by discovering the dimensions of approximation by reading shared texts from Heidegger and Schultz narration of location and users, can be used as a model to provide patterns and components. Achieve quality effects on architectural spaces in the process of understanding place and feeling this identity with space. The components obtained from the research findings to understand the location of Niavaran Cultural Center include: orientation, identification, skyline, dialectics of outside and inside, geometry and environment, which can be read to the extent of the impact of these components in the process of creating space.

Today, Tehran has many problems that we have named the most serious of them as the tribulations. These tribulations create conditions that pose a serious threat to life and identity in Tehran, and already the need to think about these tribulations and their roots has emerged. In this article, we are looking to answer the question of what is the root of today's troubles in Tehran. By using the qualitative interpretive-hermeneutical method based on semi-structured in-depth interviews with experts, the roots of Tehran's tribulations were discussed. The result shows that urban planning in Iran both in the field of education and in the field of profession requires a serious review. According to the results of the paper, the provisions of this review must firstly recognize the inseparable nature of urban issues; secondly, accept that urban issues originate from the intellectual, educational, social and economic fields, and therefore is a system that cannot be eliminated by a separable analysis. Thirdly, according to the preceding point, to resolve issues, it should not be relied solely on technical instruments of the field and profession and should be systematically and holistic considerations of intellectual, educational, social and economic backgrounds. Fourth, it should be noted that the human behavior and the abovementioned fields have a dialectical relationship, therefore, any mutation and progress in human behavior can also take place in the context and has a double effect on the return to human behavior.

This article aims to review trends and hermeneutic methods to Fhmmndy urban architectural aesthetics. In this article, we review the history of hermeneutics (pre-modern, modern and contemporary), trends and contemporary hermeneutical approach to the issue of access to feminist aesthetics of contemporary urban architecture in particular is considered. Then, through the shortcomings and failures of critical hermeneutics theory and criticism of architecture and town are mentioned in the hermeneutical methods. Descriptive and analytical methods of this research in the theoretical and logical analysis in the evaluation. The results show that the philosophical hermeneutics with new concepts such as the understanding of the perception of architecture, urban circle of understanding the concept of cognition, language and historicity of urban design, integration hermeneutic horizons and focus on them, the issue of urban architecture and beauty it is dependent of mind. If it seems that opinion in renewable period of about prejudice, authority and tradition, is the focus of criticism Fratjdd period. Fratjdd approaches hermeneutics Renaissance movement is conservative, because the hermeneutics can not be left to the authority of tradition. Finally, the important point is that understanding the architectural and aesthetic standards of modern concept of conceptual confusion and full of contradictions is fundamental.