روایت

Interconnectedness story of everyday life and our understanding of the world around us, is undeniable. Much of our understanding of reality and our understanding of it, depends on telling that generation of GzshthHay far we have reached today. The recognition by mothers lullaby beginning and continues today. Even the most abstract philosophical concepts as well as understanding, ideas, and Platonic, just as Plato understood by offering a pleasant narrative. "Subjective and objective" as narrative elements, play a role in the production of meaning and create a narrative perspective to bear. Although the philosophical and epistemological issues "subjective and objective" has been, however, these two elements as factors that influence the way the narrative, the narrative of less interest to researchers in the field is located. This paper, by examining the two elements of "objectivity and subjectivity" in the narrative of the film shows the arrangement of elements in the narrative objective validity of different mental accounts.

The research problem of the present study, by addressing the play "Waiting for Godot" as the most important play of the 20th century, is focused on the structure and narrative style of the play and how to transform this so-called play of meaninglessness into a religious screenplay. The authors, using the method of descriptive and critical analysis and documentary and library study, have addressed the complex problem of finding strategies for translating spiritual concepts into a religious screenplay, while examining one of the literary masterpieces of the world and the most important play of the 20th century. The results of the study show that the narrative structure of this play is of the type of A-B disorder-disorder, and its narrative style is also postmodern, which includes components such as repetition of events, uncertainty, bipolar characters and lack of a hero, repressed silences and silence, and the heavy presence of time. The main theme of this dramatic work is the concept of waiting and the search for the meaning of life.
The five proposed strategies for translating the spiritual concepts of this play into a religious screenplay are: focusing on the meaning of life instead of meaninglessness; emphasizing the concept of waiting as the central signifier of Beckett's discourse and avoiding the decoding of the meaning of Godot; emphasizing the concepts of the afterlife despite the instability of this world; attention to the limitations of the A-B disorder-disorder structure; and attention to the differences in narrative style between the play and the screenplay, using the pre-designed screenplay method (SBM approach) as the most prominent practical strategy in translating the play into a religious screenplay .

Considering the story hidden in the guise of "What if ..." and the plot in which not a passive but active spectator being a partner is an aesthetic as well as technological challenge. The purpose of this study is to investigate and provide a narrative structure that could be used as an interactive narrative structure in Drama Programs such as serial. In this, theories of narrative structure and interactive narratives have been studied, and by analyzing the elements of the interactive narrative that play the main role in creating the narrative and providing the possibility of changing the plot by the audience, we examine the indicators of these elements. In conclusion, after examining the narrative structure from different perspectives, Classical, Modern and Post-Modern, as well as computer games, we study interactive models and their features to provide a model for interactive narrative that makes the viewer deeply involved with the narrative (intrinsic interaction) and also generate an interactive film economically affordable .

In this research we will study this noble hadith which has been narrated from the Holy Prophet (peace be upon him and his household). Because throughout Shiite history, from the time of the Holy Prophet of Islam (PBUH) until now, there have been conflicts and disputes over the immediate caliphate of the Prophet (PBUH); So, in this article, we intend to discuss one of the ways that the astray conscious or unconscious enemies of the right Shiite school use against the correct Shiite thinking, that is analyzing the suspicions about Shiites. One of the suspicions that has been recently arisen about the infallibility of our Master Amir al-Mu’minin Ali (PBUH) is appealed from Lady Fatima Zahra, holy Mother of Shites (peace be upon her). The argument is that in order to overthrow the Shiites, the other sect (Sunnies) used a method in which the Shiites, with their own admissions, are defeated and surrender to them. But in the future, God willing, we intend to dispel this suspicion and reveal their black faces by narrations and sayings in this subject and we will reveal the truth. So, there will be a review about Hadith’s document, the sayings of the scholars of the two sects, etc., and it will be proved later by God Almighty’s help that their intention of the hadith is false and irrelevant, and that they intended a false will from a true text.

Believing in Mahdaviat is a definite part of Islamic religions and the existing disagreements concerning the issue are only about its reference. The Sunnis have several Rewayat concerning the twelve caliphs; after assessing the Rewayat of Fariqin and their quotes, we reach the conclusion that the Rewayat mentioning twelve caliphs refer to the twelve Shiite Imams. Some of the Sunni traditions say that the name of Imam Mahdi’s(a.s) father is the same as the Prophet’s (s.a) father name, but after assessing the Fariqin’s Rewaayt, we realize that Imam Mahdi’s (a.s) name is the same as the Prophet’s (s.a) name and his father is Imam Hassan Asgari (a.s) who is one of the grandsons of Hazrat Fateme (s.a) and one of the children of Imam Hussein (a.s).