" Shirin" in The Persian Contemporary Mythical Discourse (And her Representation in Dramatic Arts)

Feminine myths in Iranian literature and arts aren’t significant and outstanding so that other cultures. This matter indicate the Iranian monolog culture in past. Today, the feminine myths have a high importance, in the contemporary polyphonic world, which a Significant part of art and literature is allocated to sub-cultures, women, children and.... One of the most important of feminine myths in Iranian art and literature is Shirin. Shirin is sample of beauty, love, bravery, tolerance, chastity and forethoughtful. She forms the subject of numerous works of the artists, sometimes alone and sometimes with Khosrow and Farhad. Khosrow and Shirin is one of the most famous lyrical and romantic couples are considered in Persian literature as literature without their lyrical Persian state would find another. Although the first couple in the book indicate myth -epic Shahnameh narration is complete picture of the story can be found in the eleventh century and the book "Khosrow and Shirin" Nezami observed. Nezami describes in detail how the Sassanian King Khosrow Parviz and the Armenian princess Shirin seeing the paintings are from one another in love. Familiar manner, and Fragh separation, marriage and. .. This love makes dramatic narrative. The presence of dual Farhad artist to become a trilogy and the story that adds traction. Khosrow eventually be killed by his son and Shirin don’t want marriage is beside the corpse of her husband committed suicide to Khosrow. After this story was considered too Nezami and diversity found hundreds of literary and artistic work with adaptation of the novel was created. This paper changes done at the time of this story centered especially for the character is Shirin. Initial review indicates is that the Shirin character previous post would play a second role, and always in the shadow of Khosrow was the story of a man, over time, especially in contemporary character first and original story has become. This study is presented in transtextual method by Jennet in dialogue discourses and the place of women and the horizon womanish waiting in contemporary. It is assumed the woman's personality in story is changed by changing the position and place of women in Iranian story. The female characters has been have an unprecedented importance. In this article, personality Khosrow, Farhad and especially Shirin shall be considered at some artistic and literary works. The main question is what conditions and factors lead to recreating the Shirin,s myth in Iranian contemporary art? What changes has occurred in intersemiotics translation from the verbal system to other systems? Accordingly, it will be paid the presence of Shirin in Iranian literature, especially in Nezami,s poetry book and the picture of this mythical figure in the theater, cinema and music. The most important works include the study of one: 1. Khosrow and Shirin of Nezami, 2. Shirin and Farhad solar effects wahshi Bafgh, 3. A film of Abbas Kiarostami Whit name Shirin, 4. Limited number of dramatic arts of Khosrow and Shirin subject is in their files.